James Thomson

In this haunting poem from the latter part of the nineteenth century, Scots-born writer James Thomson anticipated the modern age's nightmare vision of the city as a place of loneliness, alienation and spiritual despair. In contrast to the late Victorian confidence all around him, Thomson dared to face the possibility that the universe was utterly indifferent to human affairs. The strange and dark images in The City of Dreadful Night have become a landmark of modern literature, for the tomb-like streets and empty squares in this memorable poem preceded T. S Eliot's The Waste Land, and the darker visions of expressionism and surrealism by over forty-five years. Published in instalments in 1874 and then in book form in 1880, The City of Dreadful Night has long been unavailable as a complete text. This exciting new edition is introduced and annotated by Edwin Morgan, long an admirer of Thomson's work, and a leading modern poet in his own right.

The study of decline in history deserves as much attention as progress, and yet there are very few comparative studies available. This book fills that gap. Drawing on the works of Immanuel Wallerstein, Fernand Braudel, Michael Mann and Jonathan Israel to inform his approach, Thomson examines the experience of decline in history with particular reference to Europe. He argues that the history of Afro-Asian and European civilizations has been characterized by a slow diffusion of cultural and technical skills which has occasioned repeated cycles of progress and decline. The European variant of this dynamic was shaped by its unique qualities of political pluralism and economic dynamism, resulting in declines that were 'micro' rather than 'macro' in character. Thomson develops his argument through a structured narrative of economic and technical change in European history from the fall of Rome and the decline of Byzantium to Italy's declines and to those of Portugal and Spain. Within Spain, the decline of Castile is distinguished from those of Andalucia and Aragon; Thomson shows that the final decline of Andalucia and Aragon in the seventeenth century, rather than being a specifically Spanish crisis, was part of a general upheaval affecting the whole of the western Mediterranean and much of central Europe. Wide-ranging and clearly written, Decline in History will be an invaluable text for students of European and comparative history.

The study of decline in history deserves as much attention as progress, and yet there are very few comparative studies available. This book fills that gap. Drawing on the works of Immanuel Wallerstein, Fernand Braudel, Michael Mann and Jonathan Israel to inform his approach, Thomson examines the experience of decline in history with particular reference to Europe. He argues that the history of Afro-Asian and European civilizations has been characterized by a slow diffusion of cultural and technical skills which has occasioned repeated cycles of progress and decline. The European variant of this dynamic was shaped by its unique qualities of political pluralism and economic dynamism, resulting in declines that were 'micro' rather than 'macro' in character. Thomson develops his argument through a structured narrative of economic and technical change in European history from the fall of Rome and the decline of Byzantium to Italy's declines and to those of Portugal and Spain. Within Spain, the decline of Castile is distinguished from those of Andalucia and Aragon; Thomson shows that the final decline of Andalucia and Aragon in the seventeenth century, rather than being a specifically Spanish crisis, was part of a general upheaval affecting the whole of the western Mediterranean and much of central Europe. Wide-ranging and clearly written, Decline in History will be an invaluable text for students of European and comparative history.

Covers development of trenchless technology; pipejacking and microtunnelling methods equipment: shields and tunnel boring machines; pipejacking: line, drive pit, top side; equipment: microtunnelling; design concepts.

A scholarly edition of poems by James Thompson. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of a work by James Thomson. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.