Jarrod Shanahan

A damning account of the latest transformation in mass incarceration, revealing how powerful nonprofits and so-called progressives used the language of social movements to build new jails. In 2019, after unyielding pressure from activists, New York City seemed poised to close the detested Rikers Island penal colony. The local press dutifully reported that the end of Rikers was imminent, and New Yorkers celebrated the closure of the country’s largest urban jail, condemned as a moral stain on an otherwise great city. The problem, however, was that the city had not actually committed to closing Rikers. And at the same time, it laid the groundwork for the construction of more jails, a network of skyscraper facilities amounting to the largest carceral construction the city has seen in decades. How did this happen? In Skyscraper Jails, scholars and organizersJarrod Shanahan and Zhandarka Kurti detail how progressive forces in New York City appropriated the rhetoric of social movements and social justice to promise “downsized” and “humane" jails. The principal advocates of these new jails were not right-wing politicians, but prominent city activists and progressive non-profit organizations. As the political coalition that campaigned for the new jails fans out across the United States, the story at the heart of Skyscraper Jails is at once a case study and a cautionary tale for what will be coming to cities and towns across the United States and beyond.

A damning account of the latest transformation in mass incarceration, revealing how powerful nonprofits and so-called progressives used the language of social movements to build new jails. In 2019, after unyielding pressure from activists, New York City seemed poised to close the detested Rikers Island penal colony. The local press dutifully reported that the end of Rikers was imminent, and New Yorkers celebrated the closure of the country’s largest urban jail, condemned as a moral stain on an otherwise great city. The problem, however, was that the city had not actually committed to closing Rikers. And at the same time, it laid the groundwork for the construction of more jails, a network of skyscraper facilities amounting to the largest carceral construction the city has seen in decades. How did this happen? In Skyscraper Jails, scholars and organizersJarrod Shanahan and Zhandarka Kurti detail how progressive forces in New York City appropriated the rhetoric of social movements and social justice to promise “downsized” and “humane" jails. The principal advocates of these new jails were not right-wing politicians, but prominent city activists and progressive non-profit organizations. As the political coalition that campaigned for the new jails fans out across the United States, the story at the heart of Skyscraper Jails is at once a case study and a cautionary tale for what will be coming to cities and towns across the United States and beyond.

A unique insider perspective of daily life in New York City's most notorious house of correction While most people behind bars at Rikers Island are detainees awaiting the settlement of their cases, a smaller population have already been convicted and are serving sentences deemed too short for the state prison system. These stints are called "city time." The sentences range from a few days to a year, and are generally served within large, open dormitories lacking in privacy and sanitation. Within these spaces, incarcerated people reproduce an elaborate set of rules, rituals, and relationships, as a means both of survival and of giving meaning to the time taken from them. Written by David Campbell and Jarrod Shanahan, who both served sentences at Rikers, City Time reflects its authors' personal experiences and observations of short-stay incarceration to present a nuanced and vivid account of a social world kept locked away from the public eye. The authors reconstruct the daily realities of sanitation, nourishment, recreation, work, and other necessary activities, and emphasize the complex interpersonal relationships that emerge in response to city time. Simultaneously, they paint a grim and urgent picture of structural racism, class violence, and the disastrous lack of mental health and substance abuse resources for poor New Yorkers, who are shuttled in and out of city time sentences as "frequent flyers." Beginning with the authors' own processes of intake, and ending with the ritual of late-night release, City Time takes readers behind the splashy headlines to depict, in intimately human terms, the rich and variegated social world unfolding, at this very moment, on Rikers Island.

Inspired by the George Floyd Rebellion, States of Incarceration examines the ongoing reconfiguration of mass incarceration as crucial for understanding how race, class and punishment shape America today. The rise of mass incarceration has coincided with a massive disinvestment in working-class communities, particularly communities of colour, and a commitment to criminalize poverty, addiction and interpersonal violence. As Jarrod Shanahan and Zhandarka Kurti argue, the present is a moment of transition and potential reform of incarceration and, by extension, the American justice system. States of Incarceration provides insights into the rise of mass incarceration and its recent history while focusing on the needs of campaigners struggling with the issues of police and prison abolition, as well as the challenges that lie ahead. It is essential reading for anyone concerned with these questions.

Captives combines a thrilling narrative account of Rikers Island's descent into infamy with a dramatic retelling of the last seventy years of New York and American politics from the vantage point of its jails. It is a story of a crowded field of contending powers-city bureaucrats and unions, black power activists and correction offices, crooked cops and elected leaders- struggle for the right to run our cities, a story that culminates in the triumph of of the twin figures we today call neoliberalism and mass incarceration. It is the history of how the Rikers Island of today-and the social order it represents-came to be. With a sweeping vision and an often cinematic touch, Captives records how the tempo of history was set by the metronome of bloody and bruising clashes between corrections officers and prisoners, and between police officers and virtually everyone else. Written by a one-time inmate, Captives draws on extensive archival research, decades of journalism, interviews, prisoner testimonials, and firsthand experience to deliver an urgent intervention into our nationwide conversation about the future of mass incarceration.