Jarvis Cocker

An innovate counter-history that places the liquid light show at the heart of a new understanding of experimental audio-visual art in the 1960s. Throughout the 1960s the liquid light show was the quintessential mode of countercultural expression: live, interactive, collaborative, acid-bright, and ephemeral. Flowering in coffee bars and discotheques, they quickly became synonymous with the wildest excesses of psychedelic art and popular music. But light shows also crucially inspired avant-garde artists and filmmakers to experiment with the performative elements of projection, taking film projection--along with hand-painted glass slides, colored inks, bodily fluids--outside of its traditional site of exhibition, and onto walls, inflatables, and skin. Sensual Laboratories traces the influence of light shows into the worlds of underground film and expanded cinema, exploring how these luminous attractions fundamentally altered perceptions surrounding the event of projection. Tackling a long-neglected subject with a broad and bracing comprehension of inter-media influence, this important book illuminates the vital yet long-occluded role that light shows played in the development of experimental art throughout the 1960s and beyond.

The Sunday Times bestselling hit memoir from Pulp frontman Jarvis Cocker.'It's real gold... its storytelling first class' Sunday TimesWhat if the things we keep hidden say more about us than those we put on display? We all have a random collection of the things that made us - photos, tickets, clothes, souvenirs, stuffed in a box, packed in a suitcase, crammed into a drawer. When Jarvis Cocker starts clearing out his loft, he finds a jumble of objects that catalogue his story and ask him some awkward questions:Who do you think you are? Are clothes important? Why are there so many pairs of broken glasses up here? From a Gold Star polycotton shirt to a pack of Wrigley's Extra, from his teenage attempts to write songs to the Sexy Laughs Fantastic Dirty Joke Book, this is the hard evidence of Jarvis's unique life, Pulp, 20th century pop culture, the good times and the mistakes he'd rather forget. This is not a life story. It's a loft story.'Nostalgic, playful and beautifully designed' Daily Mail'Brilliant...lurid, entertaining' Daily Telegraph'Terrific... Very funny' Guardian* A Book of the Year in the Daily Telegraph, Financial Times, Daily Mail and Uncut *

Den här pamfletten består av två tal som Jarvis Cocker höll under 2017. Båda berör Brexit. I översättning av Jens Ahlberg och med ett förord av Andres Lokko.

Adrian Henri was a British poet and painter best remembered as the founder of poetry-rock group The Liverpool Scene and as one of three poets in the bestselling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city's Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith as the "theoretician" of the three. His characterization of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He has the distinct claim of having hosted the young Liverpool lads who became The Beatles, turning them onto avant-garde art, poetry, film, and music. Besides The Beatles, he could name among his friends George Melly and Allen Ginsberg. Unlike McGough and Patten, Henri turned his back on the trendier London scene and chose to remain in Liverpool, saying there was nowhere he loved better. This heavily illustrated biography written by Adrian's partner of fifteen years is a true celebration of Henri, Liverpool, and The Liverpool Scene.

Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself. In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low. Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.