Jason Brown

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Wellness is an important goal of counseling work, but the limits of promoting it are reached more quickly for individuals living in disadvantaged circumstances. How then can counselors be effective in a context that produces and reproduces structural inequality? In Counseling Diversity in Context, Jason Brown addresses this question, exploring the possibilities and limitations of counseling, as well as the forces that help and hinder communities, while demonstrating the need for alternatives to mainstream psychological approaches. Divided into two parts, the book provides a structural understanding of the context in which cross-cultural counseling takes place, and a model, informed by intersectional analysis, to support counselors in playing a more activist role in helping to change that context. Brown encourages counselors to not only understand the social problems that contribute to personal challenges faced by clients but to also raise awareness and promote change.

Everything Natalie said seemed, to herself, to have been said better by him. He was less fond of speaking, however, than he was of hitting people in the face, which seemed a more likely source of her love to those of us who knew him, begins Jason Brown s linked collection of beautifully haunted, violent, and wry stories set in the densely forested lands of northern New England. In these tales of forbidden love, runaway children, patrimony, alcohol, class, inheritance, and survival, Brown s elegant prose emits both quiet despair and a poignant sense of hope and redemption. These vivid accounts of troubled lives combine the powerful family drama of Andre Dubus and Russell Banks, the dark wit of Denis Johnson, the lost souls of Charles D Ambrosio, and the New England gothic of Nathaniel Hawthorne. Jason Brown s exquisitely crafted second collection will establish him as one of the most important voices in American short fiction."

This collection of essays extends the microgenetic theory of the mind/brain state to basic problems in process psychology and philosophy of mind. The author's microtemporal model of brain activity and psychological events, which was originally based on clinical studies of patients with focal brain damage, is here extended to such topics as the concept of the moment in Buddhist philosophy, conscious and unconscious thought, the nature of the self, subjective time and aesthetic perception. The author develops a highly original psychology of mental process, actually a 'cognitive metaphysics', which is grounded in brain physiology and clinical psychopathology. A central theme is that the natural categories that arise in the extensibility of temporal data are continuous with conceptual structures in the human mind.

The story Thief begins: When my mother removed her shirt in front of third-period honors English, I was in the classroom next door taking a test. Her reason --her students were reading The Awakening and she had stopped taking her medication. The battle against self-destruction, the struggle to transform loss into meaning, and the difficulty of connecting with others, especially those closest to our hearts, are part of what make up these beautifully crafted and, in turns, incisively humorous and deeply wrenching stories. In the title story, a man who transports organs for transplants breaks in a trainee and ruminates on his sometimes futile life-and-death existence. In Dog Lover, a son has a quiet but smoldering battle of wills with his blind Vietnam-vet father over the fate of their dying dog. In Sadness of the Body, an adolescent boy spends a deliriously hot summer with his alcoholic uncle and the uncle's young girlfriend, and observes the sometimes surreal schism between the body and the mind. Brown plumbs the hearts and minds of characters trying to make sense of their lives. He is a new and exquisitely talented voice in American fiction.