Jeanette Winterson

Travelling across the Atlantic on board the QE2, Alice - a bright, young physicist - meets Jove, short for Giovanni, one of the world's most respected experts on time travel and a confirmed lothario. By the time the pair land in New York, Alice has become Jove's mistress, an affair of the heart which is only complicated further when Alice meets Jove's, wife, Stella; a tempestuous beauty born with a diamond at the base of her spine. As this love triangle turns into a menage-a-trois, Alice, Stella and Jove struggle against the currents immersing them, while their romance pulls into its wake the stories of other generations, philosophies, quantum physics and time travel. A celebration of the human heart in all its frailty, confusion and excess, Gut Symmetries is a lyrical evocation of parallel lives, loves and universes, from one of Britain's best loved authors.

"Magnificent . . . A tour de force of literature and love."--Vogue"Why Be Happy When You Could Be Normal? is raucous. It hums with a dark refulgence from its first pages. . . . Singular and electric . . . [Winterson's] life with her adoptive parents was often appalling, but it made her the writer she is."--The New York Times"[Winterson is] one of the most daring and inventive writers of our time--searingly honest yet effortlessly lithe as she slides between forms, exuberant and unerring, demanding emotional and intellectual expansion of herself and of us. . . . In Why Be Happy, , [Winterson's] emotional life is laid bare . . . [in] a bravely frank narrative of truly coming undone. For someone in love with disguises, Winterson's openness is all the more moving; there's nothing left to hide, and nothing left to hide behind."--ElleJeanette Winterson's bold and revelatory novels have earned her widespread acclaim, establishing her as a major figure in world literature. She has written some of the most admired books of the past few decades, including her internationally best-selling first novel, Oranges Are Not the Only Fruit, the story of a young girl adopted by Pentecostal parents, that is now often required reading in contemporary fiction classes. Why Be Happy When You Could Be Normal? is a memoir about a life's work to find happiness. It is a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser, waiting for Armageddon; about growing up in a north England industrial town now changed beyond recognition; about the universe as a cosmic dustbin. It is the story of how a painful past, which Winterson thought she had written over and repainted, rose to haunt her later in life, sending her on a journey into madness and out again, in search of her biological mother. It is also a book about other people's literature, one that shows how fiction and poetry can form a string of guiding lights, a life raft that supports us when we are sinking. Witty, acute, fierce, and celebratory, Why Be Happy When You Could Be Normal? is a tough-minded search for belonging--for love, identity, home, and a mother.

In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival. This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness, about lessons in love, the search for a mother and a journey into madness and out again. It is generous, honest and true.

In any 24 hours there might be sleeping, eating, kids, parents, friends, lovers, work, school, travel, deadlines, emails, phone calls, Facebook, Twitter, the news, the TV, Playstation, music, movies, sport, responsibilities, passions, desires, dreams. Why should you stop what you're doing and read a book? People have always needed stories. We need literature - novels, poetry - because we need to make sense of our lives, test our depths, understand our joys and discover what humans are capable of. Great books can provide companionship when we are lonely or peacefulness in the midst of an overcrowded daily life. Reading provides a unique kind of pleasure and no-one should live without it. In the ten essays in this book some of our finest authors and passionate advocates from the worlds of science, publishing, technology and social enterprise tell us about the experience of reading, why access to books should never be taken forgranted, how reading transforms our brains, and how literature can save lives. In any 24 hours there are so many demands on your time and attention - make books one of them. Carmen Callil Tim ParksNicholas Carr Michael RosenJane Davis Zadie SmithMark Haddon Jeanette WintersonBlake Morrison Dr Maryanne Wolf & Dr Mirit Barzillai

'The finest book ever written on nature and landscape in Britain' GuardianIntroduction by Robert Macfarlane. Afterword by Jeanette WintersonIn this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the 'essential nature' of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

In celebration of the Glyndebourne Festival, Jeanette Winterson has brought together some of the best loved and most critically acclaimed authors writing today to pen stories inspired by opera. Includes an introduction by Jeanette Winterson, Alexander McCall Smith on Cosi Fan Tutte, Ali Smith on Fidelio, Andrew Motion on Peter Grimes, Andrew O'Hagan on Eugene Onegin, Anne Enright on La Boheme, Antonia Fraser on The Marriage of Figaro, Colm Toibin on Pearl Fishers, Jackie Kay on The Makropulos Affair, Joanna Trollope on L'Elisir d'Amore, Julie Myerson on Ariadne auf Naxos, Jeanette Winterson on La Fanciulla del West, Kate Atkinson on La Traviata, Kate Mosse on Pelleas et Melisande, Lynne Truss on The Turn of the Screw, Marina Warner on Dido and Aeneas, Paul Bailey on The Makropulos Affair, Posy Simmonds, 'Midsummer Night at Glyndebourne', Ruth Rendell on Theodora, Sebastian Barry on Natoma, Toby Litt on Don Giovanni.

The Whitbread Prize-winning author of Oranges Are Not the Only Fruit delivers a novel that "transports us to something like the future of our own planet" (Washington Post Book World). On the airwaves, all the talk is of the new blue planet -- pristine and plentiful, as our own was 65 million years ago, before we took it to the edge of destruction. Off the air, Billie Crusoe and the renegade Robo sapien Spike are falling in love. Along with Captain Handsome and Pink, they're assigned to colonize the new blue planet. But when a technical maneuver intended to make it habitable backfires, Billie and Spike's flight to the future becomes a surprising return to the distant past, and they discover that "everything is imprinted forever with what once was."

On the airwaves, all the talk is of the new blue planet - pristine and habitable, like our own 65 million years ago, before we took it to the edge of destruction. And off the air, Billie and Spike are falling in love. What will happen when their story combines with the world's story, as they whirl towards Planet Blue, into the future?

Lighthousekeeping tells the tale of Silver ("My mother called me Silver. I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love. One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

From one of Britain's best-loved literary novelists comes this magical, lyrical tale of the young orphan Silver, taken in by the ancient lighthouse keeper Mr. Pew, who reveals to her a world of myth and mystery through the art of storytelling. Motherless and anchorless, Silver is taken in by the timeless Mr. Pew, keeper of the Cape Wrath lighthouse. Pew tells Silver ancient tales of longing and rootlessness, of the slippages that occur throughout every life. One life, Babel Dark's, a nineteenth-century clergyman, opens like a map that Silver must follow, and the intertwining of myth and reality, of storytelling and experience, lead her through her own particular darkness. A story of mutability, talking birds and stolen books, of Darwin and Stevenson and of the Jekyll and Hyde in all of us, Lighthousekeeping is a way into the most secret recesses of our own hearts and minds. Jeanette Winterson is one of the most extraordinary and original writers of her generation, and this shows her at her lyrical best. "The importance of stories, the urge to create ourselves through stories, is one of Winterson’s abiding themes, along with the supremacy, the redemptive power of love." Daily Telegraph "A marvelously skilful juggling act of ideas and emotion ... Winterson’s prodigious talent brings the book alive." Evening Standard "The power of Lighthousekeeping is in ... the pared-down precision of its language, each word smoothed into a finely polished pebble." Observer

Adding to an already astounding body of work that explores the nature of love and desire, Jeanette Winterson (Sexing the Cherry, Oranges are Not the Only Fruit, The Passion) presents a stunning novel that probes the boundaries of the Internet. Ali writes stories on email for anyone who wants them. She promises "freedom just for one night," but she does not do so without a warning: the story might change you. Ask for an epic love story and you will get one, but Ali will be cast in it, too, and the lines between the real and imagined may blur. Plucking characters from history and myth, Winterson journeys through time and stops in London, Paris, and Capri, all the while melding the language of love with that of computers. In The PowerBook she has found a brilliant conceit through which to showcase her increasingly bold voice.

An e-writer called Ali or Alix will write to order anything you like, provided that you are prepared to enter the story as yourself and take the risk of leaving it as someone else. You can be the hero of your own life. You can have freedom just for one night. But there is a price. Ali discovers that she too will have to pay it.

With language as dazzling as the wondrous visionary landscapes they evoke, these seventeen works transport the reader to worlds in which sleep is illegal, the lives of lonely department store clerks are transformed by fairies, the rich wear coal jewelry on an island of diamonds, and the living laminate their dead. Here is a universe where rooms go missing, women give birth to their lovers, and the young contemplate God's creative powers through pet tortoises. "A brilliant collection. . .speculative, philosophical and surreal. . . . You will fall in love with this writer." --The Baltimore Sun"Winterson is a grand warrior. . .a modern writer, a modern thinker. . . . Her images are fantastic." --Los Angeles Times"Like a literary periscope scanning island after island in the sea of Winterson's imagination." --Boston Book Review"That Winterson is an original and important writer is surely by now beyond question. . . . One of the pleasures of this collection is that it allows the reader to map the gradual evolution of her writing." --The Boston Globe

In this, her first collection of short stories, Winterson reveals all the facets of her extraordinary imagination. In prose that is full of imagery and word-play, she creates physical and psychological worlds that are at once familiar and yet shockingly strange.

Interweaving elements of fantasy and history, this novel chronicles the adventures of Jordan, who lives with his mother by the Thames during the reign of Charles II, as he follows his dreams to the end of the world, and beyond

The highwire artist of the English novel redraws the romantic triangle for the post-Einsteinian universe, where gender is as elastic as matter, and any accurate Grand Unified Theory (GUT) must encompass desire alongside electromagnetism and gravity. One starry night on a boat in the mid-Atlantic, Alice, a brilliant English theoretical physicist, begins an affair with Jove, her remorselessly seductive American counterpart. But Jove is married. When Alice confronts his wife, Stella, she swiftly falls in love with her, with consequences that are by turns horrifying, comic, and arousing. Vaulting from Liverpool to New York, from alchemy to string theory, and from the spirit to the flesh, Gut Symmetries is a thrillingly original novel by England's most flamboyantly gifted young writer. "Winterson is unmatched among contemporary writers in her ability to conjure up new-world wonder... A beautiful, stirring and brilliant story."--Times Literary Supplement "Dazzling for its] intelligence and inventiveness... Winterson] is possessed of a masterly command of the language and a truly pliant imagination."--Elle "One of our most brilliant, visionary storytellers."--San Francisco Chronicle

Describes the humorous adventures during the childhood of an eccentric girl, whose mother unsuccessfully tries to protect her from temptations

Passion consumes Henri, a chef with Napoleon's army, and Villanelle, who has lost her heart to a married noblewoman, until the two meet at the gates of Moscow and form a bond based on bitter loss

In these ten intertwined essays, one of our most provocative young novelists proves that she is just as stylish and outrageous an art critic. For when Jeanette Winterson looks at works as diverse as the Mona Lisa and Virginia Woolf's The Waves, she frees them from layers of preconception and restores their power to exalt and unnerve, shock and transform us. "Art Objects is a book to be admired for its effort to speak exorbitantly, urgently and sometimes beautifully about art and about our individual and collective need for serious art."--Los Angeles Times

Winterson's own passionate vision of art is presented here, provocatively and personally, in pieces on Modernism, autobiography, style, painting, the future of fiction, in two essays on Virginia Woolf, and more intimately in pieces where she describes her relationship to her work and the books that she loves.