Jeet Thayil

Intian Keralassa vuonna 1959 syntynyt Jeet Thayil on kirjailija, jonka tuotanto käsittää runoutta, proosaa ja kaksi oopperalibrettoa. Runoilijana Thayil on yksi sukupolvensa omaperäisimmistä kirjoittajista. Hänen neljä kokoelmaansa ja niistä laajennetusti koottu The Collected Poems käsittää tyylillisesti monipuolista, kokeiluille altista ja liikkuvaa runoutta, joissa eteläaasialainen perinne yhdistyy maailmanrunouden virtauksiin. Thayil kirjoittaa yhtä luontevasti niin gaseeleja kuin sonettejakin, mutta myös pitkiä, virtaavia kollaaseja ja kertovia proosarunoja. Hänen tuotantonsa läpäisevät teemat liittyvät menetykseen, kaipaukseen, suruun, addiktioon ja tiettyyn kosmopoliittiseen juurettomuuteen. Vaikka runojen teemat ovat vakavia, on kirjoituksen sävy usein huumorintajuista ja ironista tavalla, joka resonoi monien viime vuosikymmenten länsimaisten virtausten kanssa. Intian sijasta Thayilin runouden konteksti tuntuukin olevan ennen kaikkea oman aikamme kosmopoliittisessa kokemuksessa. Teoksen jälkisanoissa suomentaja Aki Salmela luonnehtii Thayilin runoutta seuraavasti: Itselleni Thayil on kaikista tuntemistani intialaisista runoilijoista läheisin. Hänen kirjoituksensa ei ole liiaksi sidoksissa Intiaan, eikä se myöskään ole vähimmissäkään määrin tendenssimäistä kuten monilla intialaisilla runoilijoilla on tuntunut olevan tapana. Runot eivät myöskään ole sen paremmin sisällöltään kuin ilmaisutavaltaan korrekteja tai sovinnaisia. Niistä ei voi läheskään aina johtaa selvää tarinaa tai tehdä mielekästä parafraasia. Sen sijaan Thayilin runot ovat tyyliltään ja muodoltaan varsin moninaisia, ja ne osoittavat monipuolista maailmanrunouden tuntemusta.

'Dazzling' MARLON JAMES, BOOKER PRIZE WINNER'Original and thought-provoking' SPECTATOR'Electrifying' TESSA HADLEY Under a predawn sky, humming with starlight and the songs of birds, a group of determined women return to the cave where they have laid the body of their saviour. When they arrive, it is empty. Names of the Women tells the stories of fifteen women whose lives overlapped with the life of Christ. Women who stayed with Christ through the crucifixion, when his disciples had abandoned him, and who spread his radical message - one that made them equals and a profound threat to power within the church. Together, the voices of the women dare us to reimagine the story of the New Testament in a way it has never before been told.*A 'BOOKS OF 2021' PICK IN THE FINANCIAL TIMES AND NEW STATESMAN*

From the Booker-shortlisted author of Narcopolis, in prose of extraordinary power, a novel about the women whose roles were suppressed, reduced or erased in the Gospels. 'Dazzling, smouldering .

Ullis went to the bathroom and carefully unfolded the business card and placed it on the sink. Then he rolled up a note and snorted the last of his wife's ashes. Following the death of his wife, Dominic Ullis escapes to Bombay in search of oblivion and a dangerous new drug, Meow Meow. So begins a glorious weekend of misadventure as he tours the teeming, kaleidoscopic city from its sleek eyries of high-capital to the piss-stained streets, encountering a cast with their own stories to tell, but none of whom Ullis - his faculties ever distorted - is quite sure he can trust. Heady, heartbroken and heartfelt, Low is a blazing joyride through the darklands of grief towards obliteration - and, perhaps, epiphany.'Jeet Thayil delights not just in pushing the bounds of possibility, but in smashing them to smithereens.' John Burnside

The Book of Chocolate Saints follows the unforgettable character Francis Newton Xavier and his journey towards salvation - or damnation - or perhaps both. In the swooning, hypnotic prose for which his Man Booker Prize-shortlisted novel was acclaimed, Jeet Thayil paints a hallucinatory portrait of an ambiguous soul: a self-destructive figure living a wild existence of excess in pursuit of his uncompromising aesthetic vision, a charismatic contrarian, and a tortured artist battling with his conflicting instincts. His paintings and poems embodying the decadent jeu d'esprit of his heroes like Baudelaire forged his reputation, which is celebrated at a show in Delhi. Approaching middle-age, Xavier leaves Manhattan following 9/11, and his journey home to India becomes a voyage into his past. From his formative years with an infamous school of Bombay poets - documented by his biographer, Diswas - to an uncertain future, Xavier's story shows how the artist's life itself can become the final monument. The Book of Chocolate Saints explores our deepest urges in a novel that is sexy, dangerous, and entirely uncompromising. It is intoxicating, blazingly intelligent literary fiction - a strange, beautiful hymn to the artistic life lived fearlessly - that consolidates Thayil's reputation as one of the most exciting writers of his generation.

In incandescent prose, award-winning novelist Jeet Thayil tells the story of Newton Francis Xavier, blocked poet, serial seducer of young women, reformed alcoholic (but only just), philosopher, recluse, all-round wild man and India's greatest living painter. At the age of sixty-six, Xavier, who has been living in New York, is getting ready to return to the land of his birth to stage one final show of his work (accompanied by a mad bacchanal). As we accompany Xavier and his partner and muse 'Goody' on their unsteady and frequently sidetracked journey from New York to New Delhi, the venue of the final show, we meet a host of memorable characters-the Bombay poets of the seventies and eighties, 'poets who sprouted from the soil like weeds or mushrooms or carnivorous new flowers, who arrived like meteors, burned bright for a season or two and vanished without a trace', journalists, conmen, murderers, alcoholics, addicts, artists, whores, society ladies, thugs-and are also given unforgettable (and sometimes unbearable) insights into love, madness, poetry, sex, painting, saints, death, God and the savagery that fuels all great art. Narrated in a huge variety of voices and styles, all of which blend seamlessly into a novel of remarkable accomplishment, The Book of Chocolate Saints is the sort of literary masterpiece that only comes along once in a very long time.

Shortlisted for the Man Booker Prize, Narcopolis is a rich and hallucinatory novel set around a Bombay opium den, as the city transforms itself over three decades. In Old Bombay, they say you introduce only your worst enemy to opium. But in Rashid's opium room on Shuklaji Street, the air is thick with voices and ghosts. A young woman holds a long-stemmed pipe over a flame, her hair falling across her eyes. Men sprawl and mutter in the gloom. And now there is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. In broken Bombay, there are too many to count. Stretching across three decades, with an interlude in Mao's China, Narcopolis portrays a city in collision with itself. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

Shortlisted for the Man Booker Prize Written in poetic and affecting prose, Jeet Thayil's luminous debut novel charts the evolution of a great and broken metropolis across three decades. A rich, hallucinatory dream that captures Bombay in all its compelling squalor, Narcopolis completely subverts and challenges the literary traditions for which the Indian novel is celebrated. It is a book about drugs, sex, death, perversion, addiction, love, and God and has more in common in its subject matter with the work of William S. Burroughs or Baudelaire than with that of the subcontinent's familiar literary lights. Above all, it is a fantastical portrait of a beautiful and damned generation in a nation about to sell its soul.

Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world. Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future. The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.