Jeremy Arnold

Now revised and expanded with more beloved films and loads of special features and photos across 70+ pages of new content, this is the must-have viewing guide for the holidays, showcasing the greatest and most beloved Christmas movies of all time. Nothing brings the spirit of the season into our hearts quite like a great holiday movie. Turner Classic Movies' Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a "Christmas movie," along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of full-colour and black-and-white photos, this volume is a glorious salute to a collection of the most treasured films of all time. Among the 35 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Miracle on 34th Street, White Christmas, A Christmas Story, National Lampoon's Christmas Vacation, Die Hard, Home Alone, Little Women, The Preacher's Wife, Love Actually, and The Nightmare Before Christmas.

A guide to 52 prime examples of must-see cinema, The Essentials Vol. 2. -- based on the Turner Classic Movies series -- is packed with behind-the-scenes stories, insightful commentary, moments to watch for, and hundreds of photos spotlighting films that define the meaning of the word "classic." Featured films:Sunrise (1927)Steamboat Bill, Jr. (1928)Freaks (1932)Gold Diggers of 1933 (1933)Twentieth Century (1934)Top Hat (1935)Mutiny on the Bounty (1935)Dodsworth (1936)Awful Truth, The (1937)Adventures of Robin Hood, The (1938)Stagecoach (1939)Women, The (1939)Great Dictator, The (1940)Philadelphia Story, The (1940)Maltese Falcon, The (1941)Ball of Fire (1941)Sullivan's Travels (1942)Yankee Doodle Dandy (1942)Cat People (1942)Laura (1944)Mildred Pierce (1945)Brief Encounter (1945)Notorious (1946)Ghost and Mrs. Muir, The (1947)Treasure of the Sierra Madre, The (1948)Asphalt Jungle, The (1950)Rashomon (1950)Place in the Sun, A (1951)American in Paris, An (1951)The Quiet Man (1952)High Noon (1952)Kiss Me Deadly (1955)Night of the Hunter, The (1955)Pather Panchali (1955)Rebel Without a Cause (1955)Face in the Crowd, A (1957)Sweet Smell of Success (1957)Bridge on the River Kwai, The (1957)Vertigo (1958)Pillow Talk (1959)Apartment, The (1960)Psycho (1960)Ride the High Country (1962)Battle of Algiers, The (1966)Producers, The (1967)2001: A Space Odyssey (1968)Sting, The (1973)One Flew Over the Cuckoo's Nest (1975)Harlan County, USA (1976)Network (1977)Hannah and Her Sisters (1986)Field of Dreams (1989)

The division between analytic and continental political theory remains as sharp as it is wide, rendering basic problems seemingly intractable. Across the Great Divide offers an accessible and compelling account of how this split has shaped the field of political philosophy and suggests means of addressing it. Rather than advocating a synthesis of these philosophical modes, author Jeremy Arnold argues for aporetic cross-tradition theorizing: bringing together both traditions in order to show how each is at once necessary and limited. Across the Great Divide engages with a range of fundamental political concepts and theorists—from state legitimacy and violence in the work of Stanley Cavell, to personal freedom and its civic institutionalization in Philip Pettit and Hannah Arendt, and justice in John Rawls and Jacques Derrida—not only illustrating the shortcomings of theoretical synthesis but also demonstrating a productive alternative. By outlining the failings of "political realism" as a synthetic cross-tradition approach to political theory and by modeling an aporetic mode of engagement, Arnold shows how we can better understand and address the pressing political issues of civil freedom and state justice today.

The division between analytic and continental political theory remains as sharp as it is wide, rendering basic problems seemingly intractable. Across the Great Divide offers an accessible and compelling account of how this split has shaped the field of political philosophy and suggests means of addressing it. Rather than advocating a synthesis of these philosophical modes, author Jeremy Arnold argues for aporetic cross-tradition theorizing: bringing together both traditions in order to show how each is at once necessary and limited. Across the Great Divide engages with a range of fundamental political concepts and theorists—from state legitimacy and violence in the work of Stanley Cavell, to personal freedom and its civic institutionalization in Philip Pettit and Hannah Arendt, and justice in John Rawls and Jacques Derrida—not only illustrating the shortcomings of theoretical synthesis but also demonstrating a productive alternative. By outlining the failings of "political realism" as a synthetic cross-tradition approach to political theory and by modeling an aporetic mode of engagement, Arnold shows how we can better understand and address the pressing political issues of civil freedom and state justice today.

Explores the concept of "moral horror" as the experience of living amidst unjustifiable state violence. Can state violence ever be morally justified? In State Violence and Moral Horror, Jeremy Arnold critically engages a wide variety of arguments, both canonical and contemporary, arguing that there can be no justification. Drawing on the concept of singularity found in the work of French philosopher Jean-Luc Nancy, Arnold demonstrates that any attempt to justify state violence will itself be violent and, therefore, must fail as a justification. On the basis of this argument, the book explores the concept of "moral horror" as the experience of living amidst and acquiescing to unjustifiable state violence. The careful explanation of arguments from across the spectrum of political theory and exceptionally clear prose will enable both advanced undergraduates and more general readers interested in political thought to understand and engage the central argument. State Violence and Moral Horror is a unique contribution to the growing literature on violence and will be of interest to political theorists and philosophers in both the analytic and continental traditions, philosophers of law, international relations theorists, law and society scholars, and social scientists interested in normative aspects of state violence.

Explores the concept of "moral horror" as the experience of living amidst unjustifiable state violence. Can state violence ever be morally justified? In State Violence and Moral Horror, Jeremy Arnold critically engages a wide variety of arguments, both canonical and contemporary, arguing that there can be no justification. Drawing on the concept of singularity found in the work of French philosopher Jean-Luc Nancy, Arnold demonstrates that any attempt to justify state violence will itself be violent and, therefore, must fail as a justification. On the basis of this argument, the book explores the concept of "moral horror" as the experience of living amidst and acquiescing to unjustifiable state violence. The careful explanation of arguments from across the spectrum of political theory and exceptionally clear prose will enable both advanced undergraduates and more general readers interested in political thought to understand and engage the central argument. State Violence and Moral Horror is a unique contribution to the growing literature on violence and will be of interest to political theorists and philosophers in both the analytic and continental traditions, philosophers of law, international relations theorists, law and society scholars, and social scientists interested in normative aspects of state violence.

Showcasing 52 Essential films from the golden age to the present, Turner Classic Movies invites you into a world filled with stirring performances, dazzling musical numbers, and bold directorial visions that mark the greatest moments in film history. These are movies that define what it means to be a classic. Readers can enjoy one film per week, for a year of stellar viewing, or indulge in their own classic movie festival.