Jewelle Gomez

'A groundbreaking work of Afrofuturism before the term was even coined' Guardian'A lush, exciting, inspiring read' Sarah WatersIn this radically reimagined vampire myth, the night hides many things... Louisiana, 1850. A young girl escapes slavery and is taken in by two mysterious women. Rumoured to be witches, the pair travel only at night, dress in men's clothing and seem to know others' innermost thoughts. But the girl sees the promise of true freedom in their dark glittering eyes: the promise to 'share the blood' and live forever. They name her Gilda. Over the next two hundred years, Gilda moves through unseen spaces: through antebellum brothels, gold-rush bars, Black women's suffrage groups, hair salons and jazz clubs, searching for a way to exist in the world. Her body, powerful against the passage of time, will know both beauty and horror through the women she desires and the blood she craves. But can Gilda truly outrun the darkness of history and face a future where the lives of everyone she loves are at stake?

Before Buffy, before Twilight, before Octavia Butler's Fledgling, there was The Gilda Stories, Jewelle Gomez's sexy vampire novel." The Gilda Stories is groundbreaking not just for the wild lives it portrays, but for how it portrays them--communally, unapologetically, roaming fiercely over space and time."--Emma Donoghue, author of Room"Jewelle Gomez sees right into the heart. This is a book to give to those you want most to find their own strength."? Dorothy AllisonThis remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next two hundred years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story. Jewelle Gomez is a writer, activist, and the author of many books including Forty-Three Septembers, Don't Explain, The Lipstick Papers, Flamingoes and Bears, and Oral Tradition. The Gilda Stories was the recipient of two Lambda Literary Awards, and was adapted for the stage by the Urban Bush Women theater company in thirteen United States cities. Alexis Pauline Gumbs was named one of UTNE Reader's 50 Visionaries Transforming the World, a Reproductive Reality Check Shero, a Black Woman Rising nominee, and was awarded one of the first-ever "Too Sexy for 501c3" trophies. She lives in Durham, North Carolina. More praise for The Gilda Stories:"Jewelle's big-hearted novel pulls old rhythms out of the earth, the beauty shops and living rooms of black lesbian herstory, expressed by the dazzling vampire Gilda. Her resilience is a testament to black queer women’s love, power, and creativity. Brilliant!"--Joan Steinau Lester, author of Black, White, Other"In sensuous prose, Jewelle Gomez uses the vampire story as a vehicle for a re-telling of American history in which the disenfranchised finally get their say. Her take on queerness, community, and the vampire legend is as radical and relevant as ever."--Michael Nava, author of The City of Palaces"I devoured the 25th anniversary edition of Jewelle Gomez's The Gilda Stories with the same venal hunger as I did when I first read it. I still feel a connection to Gilda: her tenacity, her desire for community, her insistence on living among humanity with all its flaws and danger. The Gilda Stories are both classic and timely. Gilda emphasizes the import of tenets at the crux of black feminism while her stories ring with the urgency of problems that desperately need to be resolved in our current moment."--Theri A. Pickens, author of New Body Politics"This revolutionary classic by a pioneer in black speculative fiction will delight and inspire generations to come."--Tananarive Due, author of Ghost Summer"The Gilda Stories was ahead of its time when it was first published in 1991, and this anniversary edition reminds us why it's still an important novel. Gomez's characters are rooted in historical reality yet lift seductively out of it, to trouble traditional models of family, identity, and literary genre and imagine for us bold new patterns. A lush, exciting, inspiring read."--Sarah Waters, author of Tipping the Velvet" . . . its focus on a black lesbian who possesses considerable agency througout the centuries, and its commentary on gender and race, remain significant and powerful."--Publishers Weekly

Two iconic sapphic vampires, Joseph Sheridan Le Fanu's Carmilla and Jewelle Gomez's Gilda meet between the covers of this first entry in Aunt Lute Colloquy, a series dedicated to fostering conversations across literary generations. In Joseph Sheridan Le Fanu's Carmilla, young Laura's peaceful and lonely life with her father is plunged into confusion by the arrival of Carmilla, a mysterious yet uncannily familiar stranger. Seduced by Carmilla's magnetic charm and intimate touch, even as she is disturbed and repelled by her strangeness, Laura slowly discovers the peril of her new friendship. Inspired by a glimpse of affection in Carmilla, Jewelle Gomez's "Caramelle 1864" is a story about survival and love between two girls on the Underground Railroad.

Vintage Classics WEIRD GIRLS: Dive into the depraved, delectable depths of women’s weird fiction.'A groundbreaking work of Afrofuturism before the term was even coined' Guardian'A lush, exciting, inspiring read' Sarah WatersIn this radically reimagined vampire myth, the night hides many things... Louisiana, 1850. A young girl escapes slavery and is taken in by two mysterious women. Rumoured to be witches, the pair travel only at night, dress in men's clothing and seem to know others' innermost thoughts. But the girl sees the promise of true freedom in their dark glittering eyes: the promise to 'share the blood' and live forever. They name her Gilda. Over the next two hundred years, Gilda moves through unseen spaces: through antebellum brothels, gold-rush bars, Black women's suffrage groups, hair salons and jazz clubs, searching for a way to exist in the world. Her body, powerful against the passage of time, will know both beauty and horror through the women she desires and the blood she craves. But can Gilda truly outrun the darkness of history and face a future where the lives of everyone she loves are at stake? The VINTAGE CLASSIC WEIRD GIRLS series ventures into the dark heart of the uncanny with disturbing, and disturbed, protagonists who dare to defy the norm. Bold, disruptive, chilling and enchanting, these tales of the weird are strange enough to get lost in.

Each tattoo has meaning, a gift it bestows on its bearer-wanted or not. "Gomez is a real storyteller, maybe one of our best " -Bay Area Reporter"Jewelle Gomez sees right into the heart." -Dorothy Allison "The Gilda Stories, is a groundbreaking work of Afrofuturism before the term was even coined."-The Guardian 2023" The Gilda Stories] is one of the bestselling horror books of all time." -Book Riot 2023"Gomez's narrative voice is often poetic lending...a magical realism feel." -Publishers Weekly "...a pioneer in black speculative fiction..." -Tananarive Due Jewelle Gomez, (Cabo Verdean/Wampanoag/Ioway; she/her), is a novelist, poet, essayist and playwright. Her eleven books include five collections of poetry and the first Black Lesbian vampire novel, The Gilda Stories. In print for more than 30 years, a new UK edition was launched by Vintage/Random House in 2023.

'A groundbreaking work of Afrofuturism before the term was even coined' Guardian'A lush, exciting, inspiring read' Sarah WatersIn this radically reimagined vampire myth, the night hides many things... Louisiana, 1850. A young girl escapes slavery and is taken in by two mysterious women. Rumoured to be witches, the pair travel only at night, dress in men's clothing and seem to know others' innermost thoughts. But the girl sees the promise of true freedom in their dark glittering eyes: the promise to 'share the blood' and live forever. They name her Gilda. Over the next two hundred years, Gilda moves through unseen spaces: through antebellum brothels, gold-rush bars, Black women's suffrage groups, hair salons and jazz clubs, searching for a way to exist in the world. Her body, powerful against the passage of time, will know both beauty and horror through the women she desires and the blood she craves. But can Gilda truly outrun the darkness of history and face a future where the lives of everyone she loves are at stake?

African American, Cabo Verdean/Wampanoag/Ioway all converge in Jewelle Gomez's exquisite collection of poetry that explores the legacies of family heritage, history, and identity. Gomez contemplates her sexuality, multi-ethnic and class identities, and what it means to experience love, loss, grief, friendship, and solidarity with other women during times of political upheaval. Gomez's poems are a gift: at times sumptuous and impassioned, and always striking in their clarity.

Renate Stendhal sweeps out the old myths about bed death, the notion that lesbian couples tend to be too close to maintain sexual desire. Her own story and her talks with counseling clients prove the contrary. Stendhal shows that sex is the natural and continuous outcome of a closeness generated by bold honesty and the capacity to speak and hear intimate secrets. Sharing "shameful" desires and vulnerable fears is what love and sexual passion are made of. Stendhal teaches simple, effective and thought-provoking lessons for any committed or married couple who wants to keep passion alive beyond the honeymoon phase. Her message: The art of intimate truth-telling is the most effective aphrodisiac of all.