Jimmy Murphy

A tale of karma, reincarnation and redemption, here is a love story. But not the usual kind of love story; this is about the kind of love that can send the world spinning in new directions without the world even knowing it was done. A discovered manuscript tells of a life that bridges the spirit world and the physical world, and of the young woman who attempts to repair the rift between them. Extended DescriptionAfter a near death experience, Dawn Bang, a young Chinese girl living in Hawaii, develops the ability to observe and affect events at a distance. These new psychic talents have the power to change the world for good or evil. While traveling out of her body, Dawn, who will soon be known as Xiao Chen, among many other names, becomes involved in the heroic struggle of incarnate spiritual beings to undo a terrible mistake - a mistake of a previous life that is having a devastating effect in this one. This is a fantastic adventure that takes place in the real world of today. It is a tale of the undercurrents of existence of which most of us are totally unaware, and how the growing awareness of the reality behind reality can profoundly change an individual. This book includes "The Dakini" and "The Bodhisattva", complete in one volume.

Contemporary Irish Documentary Theatre is the first anthology of Irish documentary drama. It features five challenging plays by Irish writers, and one by an international author, interrogating and commenting on crucial events of Irish history and of the diaspora, with introductory essays by established academics. Together these plays represent the most innovative development in contemporary Irish theatre and illuminate the social and political realities of contemporary Ireland. The first two plays, of 2010 and 2013, deal with scandals of clerical and institutional abuse, and use as source material the Ryan Report of 2009, and the documents from the 2008 Irish Bank Guarantee. The next two, of 2014 and 2013, concern interpretations of the most iconic moment of Irish history: the Easter Rising. The first of these is based on published statements of participants in the event and the second on the lived experiences of those in the contemporary Republic whose founding ideals have not been realized . The last two plays, of 2015 and 2016, widen the view to the history of the Irish in the diaspora: one retelling the history of emigration to England based on published research material; and the other tracing Roger Casement's experiences in the Amazon and his subsequent participation in the Easter Rising using extracts from his diaries and other writings. The plays included and discussed are: No Escape by Mary RafteryGuaranteed by Colin MurphyOf This Brave Time by Jimmy MurphyHistory by Grace DyasMy English Tongue, My Irish Heart by Martin LynchThe Two Deaths of Roger Casement by Domingos Nunez

Contemporary Irish Documentary Theatre is the first anthology of Irish documentary drama. It features five challenging plays by Irish writers, and one by an international author, interrogating and commenting on crucial events of Irish history and of the diaspora, with introductory essays by established academics. Together these plays represent the most innovative development in contemporary Irish theatre and illuminate the social and political realities of contemporary Ireland. The first two plays, of 2010 and 2013, deal with scandals of clerical and institutional abuse, and use as source material the Ryan Report of 2009, and the documents from the 2008 Irish Bank Guarantee. The next two, of 2014 and 2013, concern interpretations of the most iconic moment of Irish history: the Easter Rising. The first of these is based on published statements of participants in the event and the second on the lived experiences of those in the contemporary Republic whose founding ideals have not been realized . The last two plays, of 2015 and 2016, widen the view to the history of the Irish in the diaspora: one retelling the history of emigration to England based on published research material; and the other tracing Roger Casement's experiences in the Amazon and his subsequent participation in the Easter Rising using extracts from his diaries and other writings. The plays included and discussed are: No Escape by Mary RafteryGuaranteed by Colin MurphyOf This Brave Time by Jimmy MurphyHistory by Grace DyasMy English Tongue, My Irish Heart by Martin LynchThe Two Deaths of Roger Casement by Domingos Nunez

New recruit Yossi, has just graduated form the Mossad training academy in Tel Aviv, the Midrasha, and is sent to Dublin on his first mission. In Dublin he is teamed up with veteran agent, and soon to be retired field agent, Jacob, who is on his last mission. As the minutes tick away and the target nears, Yossi discovers that a conscience is a luxury he can no longer afford.2 men

Should some secrets never be kept no matter what the cost? Five women come together to help clear out a run-down cottage a week before the wedding of its new owner, Una. Joining her on this hen night of sorts are her two best friends, Kelly and Triona, her soon to be mother-in-law, Olive, and Olive’s best friend, Anta. But Una is keeping a secret that, if revealed, will destroy all hopes of her dream wedding and living happily ever after with the love ofher life. As the play unfolds we see the women, one by one, forced to confront awkward truths of their own.

In the mid-1970s a group of young men left their homes in the West of Ireland, took the boat out of Dublin Bay and sailed across the sea to England in the hope of making their fortunes and returning home. Twenty-five years later only one, Jackie Flavin, makes it home, but does so in a coffin. The Kings of the Kilburn High Road takes place on the day that the winners and losers of the group meet up to drink to Jackie Flavin's memory and looks at their lives, lost dreams and their place in the new Ireland. Brothers of the Brush is a 'subtle unsentimental lament for the working class' (Irish Times) in which house painters, patching over the cracks of an old house, misuse each other for their own advantage. In a world blighted by economic recession, with workers losing faith in old ideologies, this play demonstrates just how fragile allegiances are when personal interests are at stake. (Winner of the Dublin Festival Best New Play Award)