Johann Joachim Winckelmann

Johann Joachim Winckelmann: Gedanken ber die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Zweite, vermehrte Auflage Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2020 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Erstdruck: o. O. 1755 (anonym). Hier nach der zweiten Auflage, Verlag der Waltherischen Handlung, Dresden und Leipzig 1756. Inhaltsverzeichnis: Gedanken ber die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Sendschreiben ber die Gedanken von der Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Erl uterung der Gedanken von der Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst; und Beantwortung des Sendschreibens ber diese Gedanken. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

Johann Joachim Winckelmann: Gedanken ber die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Zweite, vermehrte Auflage Lesefreundlicher Gro druck in 16-pt-Schrift Gro format, 210 x 297 mm Berliner Ausgabe, 2020 Durchgesehener Neusatz mit einer Biographie des Autors bearbeitet und eingerichtet von Theodor Borken Erstdruck: o. O. 1755 (anonym). Hier nach der zweiten Auflage, Verlag der Waltherischen Handlung, Dresden und Leipzig 1756. Inhaltsverzeichnis: Gedanken ber die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst, 2. Auflage. Gedanken ber die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Sendschreiben ber die Gedanken von der Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst. Erl uterung der Gedanken von der Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst; und Beantwortung des Sendschreibens ber diese Gedanken. Umschlaggestaltung von Thomas Schultz-Overhage. Gesetzt aus der Minion Pro, 16 pt. Henricus Edition Deutsche Klassik UG (haftungsbeschr nkt)

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT131014London: printed for T. Carnan and F. Newbery, jun., 1771. 2], vi,125, 1]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT123448With a half-title. P251 misnumbered 151. London: printed for A Millar and T. Cadell, 1767. vi,287, 1]p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT145792Translated from the German. With a final advertisement leaf. Glasgow: printed for Robert Urie, 1766. 158, 2]p.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT113739With a half-title. London: printed for the translator, and sold by A. Millar, 1765. vi,287, 1]p.; 8