John C. McDowell

This title was first published in 2000. Hope in Barth's Eschatology presents a critical investigation and survey of Karl Barth's writings, particularly his Church Dogmatics IV.3, in order to locate the character and nature of 'hope' within Barth's eschatology. Arguing that Barth, with his form of hope that refuses to shy away from the dark themes of the 'tragic vision', could be seen to undermine certain tragic sensibilities necessary for a healthy account of hope, John McDowell locates Barth within the context of larger traditions of theological thinking, and influential accounts of Christian hope, examining the work of Steiner, MacKinnon, Pannenberg, Rahner, Moltmanm and others. Addressing the relative neglect that Barth commentators have paid to eschatological themes, McDowell maintains that to miss what Barth is doing in his eschatology, is to seriously misunderstand Barth's broader theological sense. This book offers a significant contribution to the ongoing task of understanding Barth's theology whilst developing a way of reading hope and eschatology that, ultimately, places some critical questions at Barth's door.

Theology and the Globalized Present focuses on the world's future in God and God's creativeness. In response to a globalized economy that reconfigures time to the detriment of human flourishing, McDowell presents a re-imagined theological vision of eschatological memory and Eucharistic performance. This entails not so much a dreaming of a different world as a dreaming of this world differently. The theological materials offer a temporality that is hope-generating, critically attentive to the inequitable character of features of our world, and educative of ethical wisdom in a self-regulating and emancipatory witness of remembering and anticipating the transformative presence of God.

This short textbook, the latest volume in the Guides to Theology series, surveys key themes and aspects of Christian hope by tracing eschatological ideas as they have developed from Scripture throughout the history of theology. John McDowell and Scott Kirkland present a series of lenses on understanding eschatological statements, or the content of Christian hope. They have structured their book thematically into five chapters-four exploring apocalyptic, existential, political, and christological themes, followed by an extensive annotated bibliography. Within each chapter, McDowell and Kirkland take a history-of-ideas approach, locating the various perspectives in their historical contexts. Concise and accessible, this book is ideal for introductory undergraduate courses in eschatology.

This title was first published in 2000. Hope in Barth's Eschatology presents a critical investigation and survey of Karl Barth's writings, particularly his Church Dogmatics IV.3, in order to locate the character and nature of 'hope' within Barth's eschatology. Arguing that Barth, with his form of hope that refuses to shy away from the dark themes of the 'tragic vision', could be seen to undermine certain tragic sensibilities necessary for a healthy account of hope, John McDowell locates Barth within the context of larger traditions of theological thinking, and influential accounts of Christian hope, examining the work of Steiner, MacKinnon, Pannenberg, Rahner, Moltmanm and others. Addressing the relative neglect that Barth commentators have paid to eschatological themes, McDowell maintains that to miss what Barth is doing in his eschatology, is to seriously misunderstand Barth's broader theological sense. This book offers a significant contribution to the ongoing task of understanding Barth's theology whilst developing a way of reading hope and eschatology that, ultimately, places some critical questions at Barth's door.

In a new and updated version of this best-selling book, John McDowell explores the many spiritual themes that weave throughout the Star Wars films. From the Force to the dark side, the issues discussed in the films have a moral and spiritual complexity that, if paid attention to, can help us better understand our place in the world and our relation to others and to God. George Lucas, the creator of Star Wars, did not intend for his films to be mere entertainment, McDowell argues. Rather, he hoped his films would be used as a vehicle for moral education. This new version has been thoroughly revised to include discussion of The Force Awakens and other new developments in the Star Wars universe.

George Lucas spoke about the didactic role of cinema and about his own work being presented through the "moral megaphone" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics, and discusses the films' identity politics with regard to race and gender.

Bringing critical attention to a particular set of science fiction and fantasy films--Larry and Andy Wachowski's The Matrix, George Lucas' Star Wars saga, and Joss Whedon's Avengers--this book utilizes a wide-ranging set of critical tools to illuminate their political ideologies, while also examining any resistant and complicating turns or byways the films may provide. What they all have in common ideologically is that they--or at least the genres they belong to--tend to be regarded as belonging to politically conservative frames of sociocultural reference. With the Star Wars saga, however, this idea is shown to be superficial and weak.

Karl Barth addressed all the major themes of dogmatic theology, and in so doing made his own distinctive contribution to each of the ongoing conversations that constitute that theology. This book presents important new 'conversations with Barth' by leading contemporary theologians and Barth scholars. Each contributor offers their own distinctive emphasis to bring to light the ways in which the depths of Barth's work may illuminate or be illuminated by the work of other prominent thinkers who preceded or followed him. The conversations they host between Barth and other philosophers and theologians raise critical questions in the reading and appreciation of Barth's thought, and explore a wide range of themes in dogmatic theology. This book not only adds to the comprehension of the riches of Barth's theology but also presents an important contribution to the ongoing conversations and debates alive in theology today. Contributors: Nicholas Lash, John Webster, Timothy Gorringe, Graham Ward, George Hunsinger, Ben Quash, Mike Higton, John McDowell, Eugene Rogers, Katherine Sonderegger, David Clough, David Ford.