John Carswell

From Revolution to Revolution (1973) examines England, Scotland and Wales from the revolution of 1688 when William became King, to the American Revolution of 1776. In this period lies the roots of modern Britain, as it went from being underdeveloped countries on the fringe of European civilization to a predominating influence in the world. This book examines the union of the island, development of an organized public opinion and national consciousness, as well as Parliament and its factions, the landed and business classes. Views on religion, art, architecture and the changing face of the countryside are also examined, as is the tension between London and the rest of the island. The important issues of colonial expansions in Ireland, America, India and Africa are also analysed.

The Benaki Museum of Islamic Art in Athens has a substantial collection of Iznik ceramics (tableware, tiles and sherds). Although well-known to those who visit the museum, this collection has never been fully published. John Carswell first studied the objects in the 1980s and started cataloguing them with a view to publication. The project was revived and guided to fruition by the curator of the museum, Mina Moraitou. She has contributed a chapter on Antonis Benakis and the formation of the Iznik collection as well as working on the catalogue which includes 111 objects, 83 tiles and 143 sherds. All the objects are illustrated in colour, some with line drawings.

From Revolution to Revolution (1973) examines England, Scotland and Wales from the revolution of 1688 when William became King, to the American Revolution of 1776. In this period lies the roots of modern Britain, as it went from being underdeveloped countries on the fringe of European civilization to a predominating influence in the world. This book examines the union of the island, development of an organized public opinion and national consciousness, as well as Parliament and its factions, the landed and business classes. Views on religion, art, architecture and the changing face of the countryside are also examined, as is the tension between London and the rest of the island. The important issues of colonial expansions in Ireland, America, India and Africa are also analysed.

The Book of Common Order - commonly called John Knox's Liturgy - Vol. 1 is an unchanged, high-quality reprint of the original edition of 1873. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

In the summer of 1974, against the backdrop of the Lebanese Civil War, ceramics expert and Morgan sports car enthusiast John Carswell set off with his young family from their home in Beirut on an expedition across Asia and the Middle East. Their mode of transport was their beloved motor car, a Morgan 4/4 four seater, named 'Speedy'. Following in the steps of Ibn Battuta, their destination was the Maldives, where Carswell hoped to find evidence of the Chinese blue and white pottery which he was researching. The family travelled via Syria, Jordan, Saudi Arabia and Kuwait, from where they sailed to Bombay (Mumbai). What followed was an extraordinary journey across the length of India to Sri Lanka and from there to the Maldives. Speedy Motor tells, with wit and sparkle, the trials and tribulations of one family car over several decades in the Middle East and latterly Europe. When the family were forced to flee Beirut during the Civil War, Speedy temporarily fell into the hands of Hizbollah but years later 'he' was reunited with his family in England. John Carswell's vivid account of a unique expedition and a much-loved car provides a vibrant portrait of a region in the grip of change.

The Romantic Rogue is a biography of Rudolph Eric Raspe, the creator of the famous literary character Baron Munchausen. Written by John Carswell, the book delves into the adventurous life of Raspe, who was a German scholar, adventurer, and writer. The book takes the reader through Raspe's travels across Europe, his involvement in the scientific community, and his eventual move to England where he became a prominent member of the literary scene. Carswell also explores Raspe's personal life, including his relationships with women and his struggles with finances. Throughout the book, Carswell highlights the similarities between Raspe and his fictional creation, Baron Munchausen, and how Raspe's own experiences influenced the stories he wrote. The Romantic Rogue is a fascinating look into the life of a man who created one of literature's most enduring characters, and sheds light on the many adventures and experiences that inspired him. This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This fascinating introduction tells the story of Iznik ceramics through a wealth of illustrations. Some of the greatest glories of Ottoman art are the luxurious ceramic vessels and splendid tiles made to decorate newly founded mosques and palaces by the Turkish pottery at Iznik (ancient Nicaea). Their designs combine purely Turkish motifs with elements ingeniously transposed from imported Chinese blue-and-white porcelain. Over time a more subtle painterly style and complex palette were developed, culminating in the brilliant combination of cobalt blue, turquoise, olive green, magenta and red, which became the internationally recognized Iznik hallmark. Iznik ceramics were highly prized far beyond the Ottoman Empire, and although the factories had passed their peak by the late seventeenth century, their influence lived on through nineteenth-century European imitations by such potters as William de Morgan and Cantagalli.

Virginia Woolf, in a mixture of distaste and admiration, called them "the literary underworld," although their names were in the mainstream in the England of World War I and the 1920s. Today for the most part unfamiliar, then they connected variously, and not unimportantly, with Shaw and H. G. Wells, Aldous Huxley and D. H. Lawrence, not to overlook Pound, Eliot, E. M. Forster, and Edwin Muir, among countless others. The pages of A. R. Orage's The New Age and John Middleton Murry's numerous periodicals (Rhythm, The Blue Review, The Athenaeum, Adelphi) were the intellectual forums of their day, the mirrors of the trends in taste and social concerns. The five principals in John Carswell's gracious, perceptive reminiscence were not of a single coterie. Rather, they shared in a particular kind of literary life: professional without being academic, dedicated without being regimented, all were devoted to careers which were often the only source of their livelihoods. In the final analysis, none were creative giants: Katherine Mansfield now remembered less for her stories, and Murry for his criticism, than as Lawrence's Gudrun and Gerald (Women in Love); "Kot's" role in introducing Russian literature becomes a dim footnote; the wild Beatrice Hastings perhaps glimpsed in a biography of Modigliani in Bohemian Paris; the fine imprint of Orage's editorial genius, faded. Yet they were intrinsic to their time, and their serious and passionate lives and letters are quickened in these glowing pages.