John Gabriel Stedman

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT146565The titlepages are engraved; vol.1 has a different imprint from that to vol.1 of the ordinary paper impression. On large paper; the plates and titlepage vignettes are hand coloured. With a list of subscribers in vol.1. London: printed by J. Johnson, & J. Edwards, 1796. 2v., plates: maps, port.; 4

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT146565The titlepages are engraved; vol.1 has a different imprint from that to vol.1 of the ordinary paper impression. On large paper; the plates and titlepage vignettes are hand coloured. With a list of subscribers in vol.1. London: printed by J. Johnson, & J. Edwards, 1796. 2v., plates: maps, port.; 4

When John Gabriel Stedman’s Narrative of Five Years Expedition was first published in 1796—a bowdlerized edition “full of lies and nonsense”—Stedman claimed to have burned two thousand copies. It nevertheless became an immediate popular success. A first-hand account of an eighteenth-century slave society, including graphic accounts of the worlds of both masters and slaves, it also contained vivid descriptions of exotic plants and animals, of military campaigns, and of romantic adventures. Illustrated by William Blake, Francesco Bartolozzi, and others, Stedman’s work was quickly translated into a half-dozen languages and was eventually published in over twenty-five different editions. The Prices’ acclaimed critical edition is based on Stedman’s original, handwritten manuscript, which offers a portrait at considerable variance with the 1796 classic. The unexpurgated text, presented here with extensive notes and commentary, constitutes one of the richest and most evocative accounts ever written of a flourishing slave society. The Prices restore early omissions involving Stedman’s horror at the Dutch planters’ use of casual torture to discipline their slaves; his love and admiration for Joanna, his mulatto mistress; his strong belief in racial equality; and his outrage that “in 20 Years two millions of People are murdered to Provide us with Coffee & Sugar.” Freed from its original publisher’s censorship, Stedman’s Narrative stands as one of the strongest indictments ever to appear against New World slavery.