John Galsworthy

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

After The Man of Property, Galsworthy digs into Irene's newfound acquaintance with Old Jolyon Forsyte (June's grandfather, now the owner of the house Soames had built). This relationship makes Old Jolyon happy, but it drains his power. He gives money to Irene in his will, with Young Jolyon, his son, acting as trustee. Old Jolyon eventually dies under an ancient oak tree in the garden of the Robin Hill house. The second novel is on Soames' and his sister Winifred's marital problems (the title refers to the Court of Chancery, which dealt with domestic disputes). They file for divorce from their respective husbands, Irene and Montague Dartie. While Soames advises his sister to face the repercussions of going to court, he is unwilling to go through the process of divorce. Instead, he hunts and hounds Irene, follows her abroad, and begs her to bear his child, as his father had requested. After Old Jolyon's death, Irene receives a 15,000 inheritance. Irene's funds are managed by his son, Young Jolyon Forsyte, who is also Soames' cousin. Young Jolyon offers his assistance when she first leaves Soames. Irene has built a great bond with Jolyon by the time his son Jolly dies in the South African War.

The second interlude is on the innocent and joyful lifestyle of eight-year-old Jon Forsyte. His parents adore him. He had a perfect youth, with every want catered to. The Forsyte Saga comes to an end with this work. Fleur and Jon Forsyte, second cousins, meet and fall in love, unaware of their parents' past struggles, indiscretions, and transgressions. When Soames, Jolyon, and Irene uncover their children's romance, they prevent them from seeing one other again. Irene and Jolyon are also concerned that Fleur, like her father, will seek to take Jon completely once she has him in her grip. Regardless of her affections for Jon, Fleur has a very appropriate suitor in Michael Mont, the heir of a baronetcy, who has fallen in love with her. Fleur's family's standing would rise from nouveau riche to aristocratic upper class if they married. The title comes from Soames' reflections as he dismantles the house in which his Uncle Timothy, who died in 1920 at the age of 101 and was the last of the Forsytes' older generation, had lived as a recluse, hoarding his life like property.

In this extraordinary collection of nine stories, called in the original Czech Painful Tales (Trapn pov dky), one of the masters of twentieth century fiction details human situations where the heartbreak and blockedness in life predominate. In Money a brother is trapped between warring and manipulative sisters; in Helena a mismatched pair come to further grief through misunderstanding; in Three a cuckolded husband's plan of attack is outplayed by his miserable wife; in The Shirts a thieving housekeeper uses emotional blackmail to gull her employer; in The Insult two brothers at odds come to an awkward understanding through the younger's crisis in love and work; in The Tribunal a disembodied voice tells dark truths to an uncertain officer trapped in army bureaucracy; in The Bully a wealthy businessman confronts his wife's lover, bringing on an existential crisis of his own; in Two Fathers a little girl is buried while her stepfather is mocked for his heartbroken love for her; and in At the Castle a young governess is at war with her own emotions, and finds herself trapped, not only in her situation, but also within the expectations of her times. With fierce spats and grim disunion, desperate reconciliations and exhausted resignations, Capek unravels the black spots in human nature with astonishingly consistent skill, lighting on what makes for trouble with unerring accuracy and occasional delicious satire. This collection was first published in Czech in 1921, and then in English in 1930.