John Galt

The Last of the Lairds (1826) is the last in a series of Scottish novels including Annals of the Parish (1821) and The Provost (1822). Here, Galt depicts Malachi Mailings of Auldbiggings, a foolish old laird struggling to come to terms with new economic forces and a rapidly changing Scotland represented by the wealthy Nabob, Mr Rupees, to whom the laird's property is mortgaged. The book was composed during Galt's departure for North America, an adventure which opened up a new series of novels including Lawrie Todd (1830) and Bogle Corbet (1831). Galt's travel plans led to the work being brought to a close rather quickly, leaving the editorial work and the writing of the final chapters to his friend David Macbeth Moir. The Last of the Lairds is therefore unique in its collaborative nature and for its place between two eras of Galt's life as a writer.

Discover the life and artistic journey of Benjamin West, one of America's most influential painters, in "The Life, Studies, And Works Of Benjamin West, Esq." This biography, composed from materials furnished by West himself and written by John Galt, offers a unique and intimate perspective on the artist's development, career, and enduring legacy. Explore the world of neoclassical art through the eyes of a master. From his early studies to his prominent role in the Royal Academy and his significant contributions to historical painting, this volume illuminates West's profound impact on the art world. A fascinating look into the mind and methods of an American artist who achieved international acclaim, "The Life, Studies, And Works Of Benjamin West, Esq." provides invaluable insights for anyone interested in art history, American art, and the biography of a true visionary. A meticulously prepared print republication of a historical text. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.