John Harvey

Presents a world of broken families and run-down estates, revenge killings and prostitution, drugs, guns and corruption; a world of overstretched police forces and underpaid detectives, men and women who strive nonetheless for a kind of justice; and, a world in which everything, even friendship, has a price.

Ruth and Simon Pierce's rare romantic break is shattered by devastating news: their daughter, Heather, on holiday in Cornwall with a friend's family, has disappeared... The loss is more than they - or their marriage - can bear. But time does heal and slowly Ruth builds a new life for herself.

But when the dead girl's father seeks to lay the blame on DI Lynn Kellogg, Resnick's colleague and lover, the line between personal and professional becomes dangerously blurred.

Clothes protect our vulnerable skin and they keep us warm or cool. They help us show that we are young or old, rich or poor, at work or play, and whether we may be good to know. But though they are basic, much as food and shelter are - and also may be beautiful - they have long had a bad press in serious, moral and philosophical writing. The main reason for this is that they are external to us, a cover we may hide behind, and one on which some people spend too much money, perfecting a pompous plumage of vanity: also they, and the fashions for them, may not last long. Nonetheless, when we choose our own clothes, we know the choice is a sensitive matter and far from being merely superficial. John Harvey considers the overlapping values that clothes have for us. Clothes both cover and advertise the bodies within them. They help make us the men and women we are, and help us to attract each other. They enroll us in groups, from our own circle to our generation worldwide; and they show just how, as individuals, we want to be noticed. Clothes, like their wearers, may compete in claiming power. They may also, on and off the catwalk, compete to claim the spotlight. In sum they show how we think we matter - and they can matter themselves in ways that may be intimate and even crucial to us. At all times clothes have demanded attention, even when they have been castigated for their vanity, and contemporary opinion is still divided. Are clothes the most frivolous of consumer disposables - or are they, however extravagant, art? Though we wear and see them every day, the value that they have for us is multiple and fugitive and hard to catch exactly. "Clothes" attempts to sort the many-coloured wardrobe which marks off mankind from other creatures.

Former cop Frank Elder is drawn out of retirement when his ex-wife asks him to look into the disappearance of her friend Jennie's sister Claire in Nottingham. Elder reluctantly returns to the city where his family disintegrated. Elder uncovers sexual secrets of Claire's that take Jennie by surprise. But when Claire is found dead at home--unmarked and carefully dressed--it is Elder who is surprised by the similarities to an old case. To solve this riddle, Elder will have to repartner with Detective Inspector Maureen Prior and delve into several suspects' traumatic histories. In a case in which neither memories, confessions, nor instincts can be trusted, Elder struggles with the weight of the past and Harvey delivers another psychologically trenchant page-turner.

In the depths of his Cornish hideaway, retired Detective Inspector Frank Elder's solitary life is disturbed by a call from his ex-wife, telling him his seventeen-year-old daughter, Katherine, is running wild, unbalanced by the abduction and rape he feels he should have prevented. Meanwhile, in the heart of London, the takedown of a violent criminal goes badly, and Detective Sergeant Maddy Birch is uneasy about the reasons why, an uneasiness that is compounded when she starts to believe she is being stalked. Maddy and Frank had a brief and clumsy encounter years before. In Ash & Bone their lives connect again when a second phone call persuades Elder out of retirement, only to find that a cold case has a devastating present-day impact.

Alex is excited to go ice-skating, but where are his skates? Readers learn about putting things in proper places so that when it's time to have fun, it's easy. Books of the Neighborhood Readers Program build early literacy skills, introduce important content-area language, and help develop speaking and writing skills. They can be integrated into any existing language arts or core reading programs.

Retirement has not come easy for Detective Inspector Frank Elder. He's fled to a solitary existence on the Cornish coast, but he can't escape the past. Susan Blacklock would be thirty now. But fourteen years ago she disappeared, and the case has gone unsolved. Not that Elder hadn't had his suspects. And now, with one of them out on parole, Elder is compelled to return to the seaside scene of the crime. Shortly thereafter, pretty Emma Harrison goes missing. Just as Elder's knowledge becomes crucial to the official investigation of this disquieting case, he unwittingly becomes vital to its perpetration. For with cryptic messages on seaside postcards and a few purposefully planted clues, the killer is drawing Elder inexorably into the very heart of the criminal matter. Elder's teenage daughter is already there. In the first in the Frank Elder series, before Ash & Bone and Darkness & Light, John Harvey sets in motion the events from which Elder's family will never recover.