John James Audubon

John James Audubon, an early American naturalist and painter, produced one of the greatest works of natural history and art of the nineteenth century, The Birds of America. As the record of the interior story of the making of this monumental work, his journal of 1826 is one of the richest documents in the history of American culture. The first accurate transcription of Audubon's 1826 journal, this edition corrects many of the errors, both intentional and unintentional, found in previous editions. Such errors have obscured the figure of Audubon as a man struggling to realize his professional and artistic dreams. When Audubon embarked for Liverpool from New Orleans in 1826, he carried with him more than 250 of his watercolor drawings in a heavy case, a packet of letters of introduction, and many a good reason to believe that he was a fool to be gambling his family's fortunes on so risky and grandiose a venture. These journal entries, conveying with energy and emotion Audubon's experience of risking everything on a dream—"Oh, America, Wife, Children and acquaintances, Farewell!"—document an American icon's transformation from a beleaguered backwoods artist and naturalist to the man who would become America's premier ornithologist, illustrator of birds, and nature essayist.

Historians, biographers, and scholars of John James Audubon and natural history have long been mystified by Audubon's 1843 Missouri River expedition, for his journals of the trip were thought to have been destroyed by his granddaughter Maria Rebecca Audubon. Daniel Patterson is the first scholar to locate and assemble three important fragments of the 1843 Missouri River journals, and here he offers a stunning transcription and critical edition of Audubon's last journey through the American West. Patterson's new edition of the journals—unknown to Audubon scholars and fans—offers a significantly different understanding of the very core of Audubon's life and work. Readers will be introduced to a more authentic Audubon, one who was concerned about the disappearance of America's wild animal species and yet also loved to hunt and display his prowess in the wilderness. This edition reveals that Audubon's famous late conversion to conservationism on this expedition was, in fact, a literary fiction. Maria Rebecca Audubon created this myth when she rewrote her grandfather's journals for publication to make him into a visionary conservationist. In reality the journals detail almost gratuitous hunting predations throughout the course of Audubon's last expedition. The Missouri River Journals of John James Audubon is the definitive presentation of America's most famous naturalist on his last expedition and assesses Audubon's actual environmental ethic amid his conflicted relationship with the natural world he so admired and depicted in his iconic works.

John James Audubon, an early American naturalist and painter, produced one of the greatest works of natural history and art of the nineteenth century, The Birds of America. As the record of the interior story of the making of this monumental work, his journal of 1826 is one of the richest documents in the history of American culture. The first accurate transcription of Audubon's 1826 journal, this edition corrects many of the errors, both intentional and unintentional, found in previous editions. Such errors have obscured the figure of Audubon as a man struggling to realize his professional and artistic dreams. When Audubon embarked for Liverpool from New Orleans in 1826, he carried with him more than 250 of his watercolor drawings in a heavy case, a packet of letters of introduction, and many a good reason to believe that he was a fool to be gambling his family's fortunes on so risky and grandiose a venture. These journal entries, conveying with energy and emotion Audubon's experience of risking everything on a dream—"Oh, America, Wife, Children and acquaintances, Farewell!"—document an American icon's transformation from a beleaguered backwoods artist and naturalist to the man who would become America's premier ornithologist, illustrator of birds, and nature essayist.

This dazzling, large-format hardback presents John James Audubon's classic Birds of America in a brand new collector's edition, boldly presented in full-color with gold blocking and printed page edges. Naturalist and painter John James Audubon published his magnificent work on the birds of North America over 11 years between 1827 and 1838, in Edinburgh and London. Today, it is considered one of the best-known natural history books ever produced and a benchmark of drawing skills for natural painters. This beautiful new edition includes all 435 of Audubon's hand-colored prints, created from engraved plates, arranged in their modern taxonomic order as agreed by the International Ornithological Congress (IOC). The set of plates is accompanied by a full index of the birds, including the name given by Audubon, their modern name and scientific name. This deluxe gift edition makes the perfect collectible for anyone interested in ornithology and natural history, beautifully presented, with illustrated endpapers, gold cover gilding, printed page edges and high-quality artworks throughout. ABOUT THE SERIES: Arcturus Epic Classics brings together stunning large-format hardback editions of classic works, presented with striking illustrated page edges and classic illustrations throughout.