John King

For Joe, the summer of 1977 meant punk rock, fun and violence. Fast forward to 1988 and Joe is on the Trans-Siberian express coming to terms with his best mate's suicide back in 1977. In the present, Joe still has to come to terms with Smiles's death.

Still the most comprehensive analysis of the subject to have appeared in English, Magical Reels charts the development of Latin American film industries in a world increasingly dominated by the advanced technology and massive distribution budgets of the North American mainstream. John King sets up a historical framework to unfold the overlapping histories of cinema in the continent: the itinerant film-makers of the silent era who projected their films in cafes and village halls, the inventive use of vernacular music and local comedy in early sound pictures, the "golden age" of 1940s Mexican cinema, and the "new cinema"-oppositional cinema made "with an idea in the head and a camera in the hand"-of the late 1950s and beyond. A country-by-country account of this new wave allows detailed discussion of, for instance, Peronist cinema in Argentina, 1960s' revolutionary film-making in Cuba, state-sponsored cinema in 1970s' Brazil and Venezuela, and the struggle for democratization in Chile in the 1980s. A new chapter written for this edition examines Latin American cinema of the 1990s, raising issues such as globalization, new cinema audiences, film funding and distribution.

Having examined England's twin obsessions - violence and sex - in THE FOOTBALL FACTORY and HEADHUNTERS, John King completes his trilogy with ENGLAND AWAY: sex and violence abroad, under the Union Jack.

Following on from his bestselling study of violence, The Football Factory, John King considers Britain's other obsession - sex. Formed in the chemical mists of New Year's Eve, The Sex Division sees the once sacred act of procreation at its most material, as five men devise a system based on the sexual act.

The Football Factory centres on Tom Johnson, a reasoned 'Chelsea hooligan' who represents a disaffected society operating by brutal rules.

This book shows how the study of fundamental plant physiological processes is being advanced through the science of genetics. The author has adopted a case study approach to illustrate how defined genetic materials in mutants and plant variants are being productively used to explore photosynthesis, stress tolerance, seed physiology, and flowering and reproductive morphology. These studies cover all major fields of plant physiology and are grouped in a format familiar to students of the discipline. Most take the form of a brief introduction followed by a discussion of the isolation and characterization of the mutants in question, and then by examples of how these mutants have been used to provide physiological insights. The aim is to make the information accessible to students with an elementary knowledge of plant physiology, genetics, and molecular biology, as well as other scientists and students who wish to know more about the application of the powerful tools provided by genetics.

This book tells the story of Sur, Argentina's foremost literary and cultural journal of the twentieth century. Victoria Ocampo (its founder and lifelong editor) and Jorge Luis Borges (a regular and influential contributor) feature prominently in the story, while the contributions of other major writers (including Eduardo Mallea, William Faulkner, André Breton, Virginia Woolf, Alfonso Reyes, Octavio Paz, Waldo Frank, Aldous Huxley and Graham Greene) are discussed. Politically speaking, Sur represented a certain brand of liberalism, a resistance to populism and mass culture, and an attachment to elitist values which offended against the more dominant phases of Argentine thought, from Peronism to the varied forms of nationalism, socialism and Marxism. Dr King examines the journal's roots, its development and its demise, relating it to other journals circulating at the time, and highlighting vital issues debated in its pages, such as Argentine attitudes towards fascism during the Second World War.

Teurastamosta nousee rukous käsittelee sitä, miten ihminen kohtelee eläimiä ja luontoa, manipuloi kieltä ja moraalia. Yleisesti hyväksytty nokkimisjärjestys haastetaan, kun tarina etenee yhteiskunnan marginaaleihin ja niiden tuolle puolen. Kirja paljastaa nykytodellisuuden julmuuden puolustamalla tunteellisuutta ja kysymällä joukon kiperiä kysymyksiä: Voiko ihminen todellakin tappaa tunteettomasti? Voiko eläinaktivisti säilyttää ammattimaisen asenteen ja inhimillisyytensä? Otammeko koskaan vastuuta meitä ympäröivistä kauheuksista?