John Ruskin

Aratra Pentelici, Seven Lectures on the Elements of Sculpture

A fairy tale of what happened to two men who tried to get rich in evil ways and of how the fortune they sought came to their younger brother, whose kind and loving heart prompted him to right action. Widely regarded as a masterpiece of 19th century stories for children.

The Crown of Wild Olive By John Ruskin Writer on art, economics, and sociology, was born in London, the son of a wealthy wine merchant, a Scotsman. Brought up under intellectually and morally bracing Puritan influences, his education was mainly private until he went to Oxford in 1836; he remained until 1840, when a serious illness interrupted his studies, and led to a six months' visit to Italy. On his return in 1842 he took his degree. In 1840 he had made the acquaintance of Turner, and this, together with a visit to Venice, constituted a turning point in his life. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Giotto and his works in Padua By John Ruskin

In 1303, Giotto, then considered the preeminent painter in Italy, was commissioned to paint the Arena Chapel in Padua. The resulting Chapel and its panels, detailing the history, birth, life and death of Christ, rank among the greatest artworks ever created. John Ruskin (1819-1900) redefined art criticism in the 19th century through his attention to detail, his playful and engaging prose and the conviction with which he discussed the subjects that mattered most to him. Here Ruskin examines Giotto's panels and brings them to life, describing their many hidden details, all the result of Giotto's unrivaled genius. The Arundel Society first published "Giotto and His Works in Padua" between 1853 and 1860. Long out of print, it stands as Ruskin's most compelling set of reflections on Giotto's masterpiece--an artwork that, in Ruskin's estimation, changed the very course of art history. Originally accompanied by a set of black-and-white woodcuts of the panels in the Chapel, this new edition presents each panel in vivid color photography, adding a useful visual aid to Ruskin's lyrical descriptions. The result is a book that serves not only as an introduction for students of art history, but also as a discussion of what it means to be a great artist, by one of the most influential writers ever to tackle visual art.

John Ruskin (1819-1900) är en av den viktorianska erans mest betydande brittiska konstkritiker och sociala tänkare. Med en titel hämtad från liknelsen om arbetarna i vingården i Matteusevangeliet utgör hans "Åt denne siste" (1862) en originell kritik av den traditionella nationalekonomin och dess anspråk på vetenskaplighet. Vi kan inte förstå människan som samhällsvarelse utifrån en abstrakt modell där girighet och egenintresse utgör de enda drivkrafterna för mänskligt handlande. Tvärtom, menar Ruskin, är människan djupast sett en moralisk varelse, med förmåga till altruism, heder, rättvisa och kärlek, och denna sociala aspekt kan vi inte bortse från i den ekonomiska vetenskapen. Med denna utgåva presenteras John Ruskins klassiska essä för första gången i svensk översättning av Erik Carlquist, med ett introducerande förord av Lars Magnusson, professor i ekonomisk historia vid Uppsala universitet.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.