John Sanders

Voted one of Christianity Today's Books of the Year The Openness of God presents a careful and full-orbed argument that the God known through Christ desires "responsive relationship" with his creatures. While it rejects process theology, the book asserts that such classical doctrines as God's immutability, impassibility and foreknowledge demand reconsideration. The authors insist that our understanding of God will be more consistently biblical and more true to the actual devotional lives of Christians if we profess that "God, in grace, grants humans significant freedom" and enters into relationship with a genuine "give-and-take dynamic." The Openness of God is remarkable in its comprehensiveness, drawing from the disciplines of biblical, historical, systematic and philosophical theology. Evangelical and other orthodox Christian philosophers have promoted the "relational" or "personalist" perspective on God in recent decades. Now here is the first major attempt to bring the discussion into the evangelical theological arena.

What would a theory of adaptation look like if it was constructed around literary games rather than novels on film? Bridging disciplinary gaps between adaptation studies, game scholarship, and literary theory, this book presents a framework for understanding adaptations as dynamic systems of experience whose meaning arises from the playful interactions between their formal and intertextual components. Such an approach not only reframes the disciplinary ghosts that haunt each field - the intractable concept of "fidelity criticism" in adaptation studies and games studies' perennial "ludology/narratology debate" - but also provides new tools with which to examine the under-theorized phenomenon of games based on literary works. Whether it is a Shakespearian choose-your-own-adventure book, a text-adventure version of The Hobbit, a Jane Austen roleplaying game, or an immersive first-person simulation of Thoreau's Walden, literary game adaptations are uniquely suited to teach us how to play with texts and culture in our hypermediated digital world.

From within King's Reach Tower on the banks of the Thames, John Sanders masterminded the output of Britain's biggest comics publisher over twenty-five years. Overseeing the launch of hugely popular titles like Tammy, Battle and the revolutionary 2000 AD, Sanders fought corporate battles to expand the UKs' comics output, faced down the government and the media in censorship battles and ultimately came up against a crooked business tycoon. Leading an industry that at its peak sold 10 million comics per week, Sanders launched over a hundred new titles, faced massive social change and strove to keep comics relevant to generation after generation. In this memoir he reveals, for the first time, his story and that of the medium that would go on to dominate global culture.

Do you wonder why some people you know hold theological and political views that blow your mind but they find quite reasonable? Today, Christians are at odds over how to understand the Bible, atonement, and salvation of non-Christians. They are also polarized over issues such as same-gender marriage, income inequality, and health care. Two social science models, Nurturant and Authoritative, explain this divide. Values are at the heart of our disagreements. Nurturants prize empathy and cooperation while Authoritatives cherish obedience to law and order. Each group has distinct core values and these lead them to embrace different theological, moral, and political views. This book explains the divide and makes the case that Jesus embodied the Nurturant way of life. He modeled empathy, grace, forgiveness, and care for those beyond his own tribe. The Nurturant and Authoritative approaches have competed for thousands of years but contemporary research shows that the Nurturant way of life produces better mental and spiritual health as well as superior communities in which to live.

Do you wonder why some people you know hold theological and political views that blow your mind but they find quite reasonable? Today, Christians are at odds over how to understand the Bible, atonement, and salvation of non-Christians. They are also polarized over issues such as same-gender marriage, income inequality, and health care. Two social science models, Nurturant and Authoritative, explain this divide. Values are at the heart of our disagreements. Nurturants prize empathy and cooperation while Authoritatives cherish obedience to law and order. Each group has distinct core values and these lead them to embrace different theological, moral, and political views. This book explains the divide and makes the case that Jesus embodied the Nurturant way of life. He modeled empathy, grace, forgiveness, and care for those beyond his own tribe. The Nurturant and Authoritative approaches have competed for thousands of years but contemporary research shows that the Nurturant way of life produces better mental and spiritual health as well as superior communities in which to live.

The Bible resounds with affirmations of the faithfulness and trustworthiness of God. But might God also exhibit faith and trust? Standing in the tradition of theologians such as John Sanders, who argued that God is one who risks, Wm. Curtis Holtzen contends that God is not merely trustworthy or faithful, but that God is also one who trusts and has faith. According to Holtzen, because God is a being of relational love and exists in relationship with humans, who can freely choose to follow God, then God is a God who trusts. Such an argument might challenge our notion of who God is, yet Holtzen argues that understanding the relationship between divine trust and human faith can give us a fuller, truer picture of who God is and who we are.

Metaphors and other mental tools are used to reason (not just speak) about God, salvation, truth, and morality. Figurative language structures our theological and moral reasoning in powerful ways. This book uses an approach known as cognitive linguistics to explore the incredibly rich ways our conceptual tools, derived from embodied life and culture, shape the way we understand Christian teachings and practices. The cognitive revolution has generated amazing insights into how human minds make sense of the world. This book applies these insights to the ways Christians think about topics such as God, justice, sin, and salvation. It shows that Christians often share a set of very general ideas but disagree on what the Bible means or the moral stances we should take. It explains why Christians often develop a number of appropriate but sometimes incompatible ways to understand the Bible and various doctrines. It assists Christians in understanding those with whom they disagree. Hopefully, simply better understanding how and why people think the way they do will foster better dialogue and greater humility.

The disaster film taps into our fear of events beyond our control, ones that are often rooted in real-life experience, making the genre a particularly potent mixture of entertainment and grounded events. Studying Disaster Films provides a comprehensive introduction to a sub-genre that has flourished since the 1970s, fully accounting for the genre's origins and focusing on key films, including Airport, The Towering Inferno, The Day After Tomorrow, and, most recently, Cloverfield. Each case study presents a complete examination of the film, covering production, distribution, and marketing, and tackles such major critical areas as close textual analysis of scenes, issues of representation ,and critical reaction. Within this context, The Day After Tomorrow and Cloverfield are examined as products of current moral panics. There is also a consideration of "reality" disaster films, such as United 93. Written in a lively manner, this volume synthesizes central film and media concepts, affording the reader a thorough overview of the sub-genre.

A comprehensive introduction to film history, The Film Genre Book allows the reader to create their own narrative of film through history by focusing on seven genres, highlighting a key film from each genre over a ninety-year period—sixty-three films discussed in detail. The reader can trace the developments in a particular genre over time or compare films in a particular decade from the different genres. Each case-study considers issues of historical context, representation and the close textual analysis of significant scenes. Analysing films as diverse as Bambi and Pan's Labyrinth, the book immerses its reader into the full range of film experience. Its breadth of study, and the way in which it bridges the gap between commercial film guides and academic studies, makes it invaluable to teacher, student, and cineaste alike.

A comprehensive introduction to film history, The Film Genre Book allows the reader to create their own narrative of film through history by focusing on seven genres, highlighting a key film from each genre over a ninety-year period—sixty-three films discussed in detail. The reader can trace the developments in a particular genre over time or compare films in a particular decade from the different genres. Each case-study considers issues of historical context, representation and the close textual analysis of significant scenes. Analysing films as diverse as Bambi and Pan's Labyrinth, the book immerses its reader into the full range of film experience. Its breadth of study, and the way in which it bridges the gap between commercial film guides and academic studies, makes it invaluable to teacher, student, and cineaste alike.