John Webster

Here, John Webster presents a trinitarian theology of holiness, which is aimed at a wide range of audiences, including ordinands, students of theology and interested laypeople. According to this account, God's holiness is known not in his simple transcendence but in his gracious and free relationship to his creatures. That holiness finds an echo in the holiness of the Christian community, especially in worship and witness, and in the life of the individual disciple. Integrating biblical, dogmatic and practical theology, the book - which is based on the Day-Higginbotham lectures delivered in the University of Toronto in 2002 - offers a succinct account of a central theme in Christian teaching and practice.

The evils of greed and ambition overwhelm love, innocence, and the bonds of kinship in this dark tragedy concerning the secret marriage of a noblewoman and a commoner. John Webster's great Jacobean drama detailing the fiendish schemes of two brothers who desire their wealthy sister's title and estates ends with a bloody and horrifying climax.

Drama Classics: The World's Great Plays at a Great Little Price The Italian Court is riddled with corruption in this classic Jacobean tragedy. The Duke Brascino is openly seducing a married woman, Vittoria, while plotting the murder of his own wife. Vittoria's brother Flamineo, a cold-blooded murderer, tries to exploit his position as Brascino's servant and pander. Finally Brascino's enemies, outraged by his perversions, seek a vicious revenge. John Webster's play The White Devil was first performed at the Red Bull Theatre, London, by Queen Anne's Men in 1612. This edition, in the Nick Hern Books Drama Classics series, is edited by J. R. Brown, with an introduction from Simon Trussler.

Drama Classics: The World's Great Plays at a Great Little Price A macabre Jacobean tragedy, loosely based on true events. John Webster's play The Duchess of Malfi begins as a love story, with a Duchess who marries beneath her class, and ends as a nightmarish tragedy as her two brothers exact their revenge, destroying themselves in the process. This edition of The Duchess of Malfi, in the Nick Hern Books Drama Classics series, is edited by J. R. Brown and introduced by Trevor R. Griffiths. Set Text: The Duchess of Malfi is a set text for EdExcel Drama GCSE and English Literature A/AS-Level; and WJEC English Language and Literature A/AS Level.

Man controls and dominates the habitat of most animals, both domestic and wild and there is a need for a pragmatic, workable approach to the problem of reconciling animal welfare with economic forces and the needs of man. It is the author's contention that much of the current philosophical discussion of animal welfare is misdirected now that it is possible to measure to some extent what animals think and feel and how much they can appreciate their quality of life. The book deals with farm animals, pets, wild animals and laboratory animals and dicusses their environmental requirements, fear and stress, their response to pain, injury, disease and death, behaviour and aggression, and the implications of biotechnology and genetic engineering. Finally, the book tries to reconcile reverence for life with the inescapability of killing and reviews the prospects of preserving and enhancing quality of life for animals through legislations, education, economic and moral incentives.

The plays of Jacobean dramatist John Webster are masterpieces of early seventeenth-century English theatre. ‘The White Devil’ depicts a dark, sinister world of duplicity, intrigue and murderous infidelity, while ‘The Duchess of Malfi’ tells the macabre story of a woman who marries beneath herself and sets in motion a terrible cycle of violence. Unlike these revenge tragedies, ‘The Devil’s Law-Case’ asserts social order in a plot filled with twists of fate. Written at a time when the court of King James was rife with instability and corruption, Webster’s disturbing plays reflect this abuse of power and are known for their horrific vision of humanity – yet they are also some of the most rich, sophisticated dramas ever composed.