John White

In this second volume of Professor White's studies, the emphasis shifts to Italian art in the thirteenth and fourteenth centuries, and the major figures who were responsible for the decisive changes in painting and sculpture that were to lead on to the Renaissance. Here again, however, there is the same concern with the actual monuments. The author devotes two major studies to the reconstruction of the "original appearance of Duccio's Maestà and of Nicola Pisano's Perugia Fountain. An important new study of the physical evidence for Cimabue's work at Assisi shows the value of an understanding of the working processes involved there. This conviction that the starting point in a thorough investigation into the original appearance or development of any work of art lies in the observation of the physical evidence is central to Professor White's approach, whether this may be the arrangement of panels on a polyptych, or the scrutiny of giornate on a painted ceiling.

John White offers advice on prayer: knowing what to pray for, maintaining concentration, praying in public, discerning God's voice and more.

Professor White's work on late medieval and Renaissance Italian art needs no introduction. His early articles on Renaissance perspective led on to a book, The Birth and Rebirth of Pictorial Space, which remains the standard work on the subject. His subsequent work on the reconstruction of such major works of art as Donatello's Padua altar and Duccio's Maestà has brought the methodology of reconstructing a damaged or altered work of art to a new level of scholarly seriousness. The present publication forms the first part of a two-volume edition of Professor White's studies which contains a total of two single and three double articles devoted to reconstructions. Between them they cover the methods, ranging from documentary and physical investigation to iconographic and stylistic analysis, which the author believes should be brought into play in tackling such problems. The selection of articles for this first volume has been made on the basis of chronology rather than method. The artists and their works dealt with here belong to the period of the Renaissance. Since both painting and sculpture are covered equally, the initial article, on the Paragone, the discussion as to primacy among the arts, is particularly appropriate. The Northern Renaissance is also featured, in the articles on Bruegel. Additional notes have been added at the end to review the subsequent literature on a number of the works of art dealt with.

Wesley, Kurt, Lisa, and Mary aid the forces of good in the mythical kingdom of Anthropos and fight the evil witch, Mirmah. Sequel to "The Tower of Geburah."

Left at home by themselves one snowy evening, three youngsters enter the magical kingdom of Anthropos.

Prayers are windows--windows on eternity. Through the prayers in the Bible we look into the profoundest issues of life and death, and the deepest longings of our own hearts. And we learn about the God to whom we pray, the one who wants to talk with us, the one who takes the initiative in our relationship with him. In this classic book on prayer, John White helps us listen to Abraham plead for Sodom and Gomorrah. We watch Jacob wrestle with the Angel of the Lord. We hear David confess his sin. We also see him dance before the ark of the covenant. We hear Hannah ask for a child. Finally, John White shows how Jesus' prayers on the cross present a model for facing our last hours as well. The ten prayers in this book will take you near to the holy one of the universe, the personal God of each person in the world.