Jolanthe Kugler

Shortlisted for the Richard Schlagman Art Book Awards 2019 for Best Book on Contemporary Architecture Balkrishna Doshi constantly demonstrates that all good architecture and urban planning must not only unite purpose and structure but must take into account climate, site, technique and craft. – Pritzker Prize 2018 jurors The 2018 Pritzker Architecture Prize winner Balkrishna Doshi is one of India's most influential architects, renowned for his harmonious designs that merge the formal language of classical modernism with Indian building traditions and local craft skills. Always designed with a sensitivity to the social, environmental and economic conditions of a given commission or site, Doshi’s architecture honors the past while at the same time accommodating the rapidly changing conditions and needs of modern India. Doshi has designed more than 100 buildings—educational and cultural institutions, public buildings, private residences and low-income housing projects among them—and has taught scores of students over the course of his 60-year career, a career distinguished by a sense of responsibility and dedication to the country and communities he has served. Balkrishna Doshi: Architecture for the People presents the first comprehensive survey of this groundbreaking architect’s oeuvre in over 20 years. With a complete overview of all of Doshi’s projects, it provides insights into the inspiration behind his work and the background to his projects through essays written by outstanding experts in the field. The richly illustrated book is further supplemented by an interview with the architect, an illustrated biography and new photographs that document the impressive timeliness of the Indian master's buildings.

Through models, material studies, prototypes and production examples of the Eames estate held at the Vitra Design Museum, the Eames Furniture Sourcebook aims to reconstruct the genesis of the most relevant furniture designs by Charles and Ray Eames and shed light on their influence on the development of new and innovative materials. New insights in thinking processes and work practices of this legendary designer couple are revealed, designers whose work was driven by philosophical ideals that privileged knowledge, discovery and discipline, and embraced the potential of technology and science for the common good.

Artificial light has revolutionized our environment like almost no other medium. Today, we are experiencing a profound change in the world of artificial light, with as yet unforeseeable consequences for people’s lives. »Lightopia« presents icons and examples of lighting design, setting them in a broader cultural and historical context. The publication comprises three separate books in a slipcase. In volume 1, renowned authors take a close look at the cultural history of light in a number of essays dealing with topics as diverse as the scenographic significance of light or its psychological aspects. Volume 2 presents a selection of the 100 most important luminaires from the collection of the Vitra Design Museum – dating from 1900 to today – and includes texts on the development of lighting design. In volume 3, interviews with well-known lighting designers and artists explore how new illumination technologies revolutionize the creative use of light today. With its three volumes, »Lightopia« constitutes a unique compendium of lighting design. It is opulently illustrated and encompasses an exceptional spectrum of examples from design, art and architecture; with works by Olafur Eliasson, Gino Sarfatti, Ingo Maurer, mischer’traxler, Carlos Cruz-Diez, Wilhelm Wagenfeld, Richard Sapper, Achille Castiglioni, Ulrike Brandi, Pieke Bergmans and many others.