Jonathan Cole

Chekhov often said that ‘I am a doctor by trade and sometimes I do literary work in my free time’, a surprising claim, given his status as a giant of 20th century drama. This literary-biographical study uncovers new sides to him, as both a medical professional and humanitarian, and tells the story of Chekhov's trip to Sakhalin Island in the harsh wastes of Siberia. Anton Chekhov practiced medicine for most of his life and engaged in humanitarian work which took him away from writing for months. He placed one such trip though, across the unforgiving terrain of Siberia to write about the penal island of Sakhalin, above all others. Chekhov's Sakhalin Journey, written by a neuroscientist and practicing clinician, uses this trip and Chekhov's own account of it to shed light on hitherto overlooked aspects of his life. In doing so, it shows that to understand the man we need his medicine as well as his literature, and we need to assess his life from his perspective as well as ours.

A moving, patient-centred portrait of the social importance of speech, from a medical expert known for his humanizing explorations of health. Language comes to us through culture, environment, and family. Words embed over time, as we use our minds to comprehend them and then our mouths to say, mean, and own them. Without the ability to speak, or when talking becomes difficult, we face a challenge like few others, forced to reconnect with a world which assumes its communicators are eloquent vocally. In Hard Talk, Jonathan Cole takes a necessary look at the privilege of speech so we can better accommodate those for whom it presents problems. Cole creates space for people with a variety of conditions, including cerebral palsy, vocal cord palsy, cleft palate, Parkinson s, and post stroke dysphasia, to describe in their own words what the experience of difficult speech is like. No struggle is the same. Each develops along its own axis of factors cognitive, social, and physical that lead to unique vulnerabilities as well as extraordinary moments of adaptation and resilience. One person finds social chatter becoming more problematic than work speech. Another grows alarmed as changes in speech begin to constrain inner thoughts. Some lose the ability to find or make words though they retain awareness, while others lose self-awareness but maintain fluent speech bereft of meaning. One even loses the ability to speak with family while continuing to interact at work. Hard Talk reacquaints us with the social power of speech while affirming the humane value of listening. Cole also reflects on the neuroscientific advances we ve made in understanding barriers to speech and how we might reduce them.

The Reign of God constitutes the first detailed and systematic critical engagement with Oliver O’Donovan’s political theology. It argues that O’Donovan’s theological account of political authority is not tenable on the basis of exegetical and methodological problems. The book goes on to demonstrate a way to refine O’Donovan’s theology of political authority by incorporating insights from his earlier work in moral theology. This can provide a cogent basis for thinking that the Christ-event redeems the natural political authority embedded in the created order and inaugurates its new historical bene esse in the form of Christian liberalism.

Chekhov often said that ‘I am a doctor by trade and sometimes I do literary work in my free time’, a surprising claim, given his status as a giant of 20th century drama. This literary-biographical study uncovers new sides to him, as both a medical professional and humanitarian, and tells the story of Chekhov's trip to Sakhalin Island in the harsh wastes of Siberia. Anton Chekhov practiced medicine for most of his life and engaged in humanitarian work which took him away from writing for months. He placed one such trip though, across the unforgiving terrain of Siberia to write about the penal island of Sakhalin, above all others. Chekhov's Sakhalin Journey, written by a neuroscientist and practicing clinician, uses this trip and Chekhov's own account of it to shed light on hitherto overlooked aspects of his life. In doing so, it shows that to understand the man we need his medicine as well as his literature, and we need to assess his life from his perspective as well as ours.

The Reign of God constitutes the first detailed and systematic critical engagement with Oliver O’Donovan’s political theology. It argues that O’Donovan’s theological account of political authority is not tenable on the basis of exegetical and methodological problems. The book goes on to demonstrate a way to refine O’Donovan’s theology of political authority by incorporating insights from his earlier work in moral theology. This can provide a cogent basis for thinking that the Christ-event redeems the natural political authority embedded in the created order and inaugurates its new historical bene esse in the form of Christian liberalism.

At a moment in which interest in political theology is rising, acceptance of a public role for religion is declining, and cynicism regarding both political and religious institutions is overflowing, this book investigates the possibilities and constraints of a Christian political theology that can meaningfully mediate Scripture, doctrine, and political reality. In critical dialogue with political theologians and political philosophers past and present, we explore the origins, meaning, and purpose of Christian political theology in an age of growing discontent with the once-impregnable liberal democratic order of yesteryear. Approaching politics as both art and science, this book lays a challenge at the feet of political theologians to offer a theological account of politics that is genuinely illuminating of political reality and efficacious for the faithful who seek to operate within it. ""Jonathan Cole offers a powerful and fresh account of the importance and indispensability of political theology. Cole challenges simplistic notions of what it means to do political theology and he argues that it is time for political theology to grow up and become a real discipline. The essays in this book offer a creative, illuminating, and stimulating account of the issues and challenges facing political theology today. A major contribution from a formidable and exciting scholar."" --Stephen Pickard, Director, Centre for Public and Contextual Theology, Charles Sturt University Jonathan Cole is a research fellow of the Centre for Public and Contextual Theology, Charles Sturt University, Canberra, Australia. He is the director of AIOCS Press, a contributing editor to The New Polis, and a lecturer at the Lachlan Macquarie Institute. He previously spent fourteen years working for the Australian government in a range of departments and agencies, including as a senior terrorism analyst at the Office of National Assessments (2010-14).

At a moment in which interest in political theology is rising, acceptance of a public role for religion is declining, and cynicism regarding both political and religious institutions is overflowing, this book investigates the possibilities and constraints of a Christian political theology that can meaningfully mediate Scripture, doctrine, and political reality. In critical dialogue with political theologians and political philosophers past and present, we explore the origins, meaning, and purpose of Christian political theology in an age of growing discontent with the once-impregnable liberal democratic order of yesteryear. Approaching politics as both art and science, this book lays a challenge at the feet of political theologians to offer a theological account of politics that is genuinely illuminating of political reality and efficacious for the faithful who seek to operate within it. ""Jonathan Cole offers a powerful and fresh account of the importance and indispensability of political theology. Cole challenges simplistic notions of what it means to do political theology and he argues that it is time for political theology to grow up and become a real discipline. The essays in this book offer a creative, illuminating, and stimulating account of the issues and challenges facing political theology today. A major contribution from a formidable and exciting scholar."" --Stephen Pickard, Director, Centre for Public and Contextual Theology, Charles Sturt University Jonathan Cole is a research fellow of the Centre for Public and Contextual Theology, Charles Sturt University, Canberra, Australia. He is the director of AIOCS Press, a contributing editor to The New Polis, and a lecturer at the Lachlan Macquarie Institute. He previously spent fourteen years working for the Australian government in a range of departments and agencies, including as a senior terrorism analyst at the Office of National Assessments (2010-14).

What is like to live without touch or movement/position sense (proprioception)? The only way to understand the importance of these senses, so familiar we cannot imagine their absence, is to ask someone in that position. Ian Waterman lost them below the neck over forty years ago, though pain and temperature perception and his peripheral movement nerves were unaffected. Without proprioceptive feedback and touch the movement brain was disabled. Completely unable to move, he felt disembodied and frightened. Then, slowly, he taught himself to dress, eat and walk by thinking about each movement and with visual supervision. In Losing Touch, the narrative moves between biography and scientific research, theatre, documentary and zero gravity. He has been married three times, and built up successful careers in disability access audit, using his impairment to his advantage, and in rare turkey breeding and journalism. The neuroscience has led to data on movement without feedback, the pleasantness of touch, gesture, pain and body orientation in space. The account shows how the science was actually done but also reveals Ian's journey from passive subject to informed critic of science and scientists and that the science has given him both more understanding but also greater confidence personally. His unique response to such a rare condition has also led to a BBC documentary, theatrical portrayals and a weightless flight with NASA. As a young man he sought triumph over his impairment; now, nearly 65, he has more mature reflections on living with such an extraordinary loss, the limits it has imposed and the opportunities it has enabled. He gives his views on scientists and on others he has met including Oliver Sacks and Peter Brook. In an Afterword those from science, the arts and philosophy give an appreciation of his contribution. The book is the result of nearly 30 years close collaboration between author and subject.

We are defined by our faces. They give identity but, equally importantly, reveal our moods and emotions through facial expression. So what happens when the face cannot move? This book is about people who live with Möbius Syndrome, which has as its main feature an absence of movement of the muscles of facial expression from birth. People with Möbius cannot smile, frown, or look surprised or sad. Talking and eating are problematic, since their lips do not move. Even looking around is also difficult since the eyes cannot move either. The book is unique in giving those with Möbius a voice, allowing children and adults with the condition to explain what it is like. These fascinating biographies reveal much about the relations between face and facial expression, and emotional expression and emotional experience which we normally take for granted. The narratives also show the creative ways in which those with Möbius construct their lives and how they come to terms with and express their identities with, and yet, beyond their faces. Some with Möbius have been thought to have learning difficulties and autism, since an impassive immobile face has been assumed to reflect inner cognitive problems. This book criticises such work and asks people to look not only at the face but beyond it to see the person. Throughout the book, several themes emerge, of which perhaps the most surprising is the reduced emotional experience those with Möbius can have as children and young adults and the journeys they go on as they realise this and then assimilate emotion from the outside in. The result of a 4 year collaboration between a clinician/neuroscientist and a teacher/lobbyist who lives with Möbius, 'The Invisible Smile' provides an authentic, personal, and moving account of this disorder.

In this medical detective adventure, Cytowic shows how synesthesia, or "joined sensation," illuminates a wide swath of mental life and leads to a new view of what it means to be human. Richard Cytowic's dinner host apologized, "There aren't enough points on the chicken!" He felt flavor also as a physical shape in his hands, and the chicken had come out "too round." This offbeat comment in 1980 launched Cytowic's exploration into the oddity called synesthesia. He is one of the few world authorities on the subject. Sharing a root with anesthesia ("no sensation"), synesthesia means "joined sensation," whereby a voice, for example, is not only heard but also seen, felt, or tasted. The trait is involuntary, hereditary, and fairly common. It stayed a scientific mystery for two centuries until Cytowic's original experiments led to a neurological explanation-and to a new concept of brain organization that accentuates emotion over reason. That chicken dinner two decades ago led Cytowic to explore a deeper reality that, he argues, exists in everyone but is often just below the surface of awareness (which is why finding meaning in our lives can be elusive). In this medical detective adventure, Cytowic shows how synesthesia, far from being a mere curiosity, illuminates a wide swath of mental life and leads to a new view of what is means to be human-a view that turns upside down conventional ideas about reason, emotional knowledge, and self-understanding. This 2003 edition features a new afterword.

What is special about the face, and what happens when neurological conditions make expression or comprehension of the face unavailable? Through a mix of science, autobiography, case studies, and speculation, Jonathan Cole shows the importance not only of facial expressions for communication among individuals but also of facial embodiment for our sense of self. He presents, in his words, "a natural history of the face and an unnatural history of those who live without it." The heart of the book lies in the experiences of people with facial losses of various kinds. The case studies are of blind, autistic, and neurologically impaired persons; the most extreme case involves Mobius syndrome, in which individuals are born with a total inability to move their facial muscles and hence to make facial expressions. Cole suggests that it is only by studying such personal narratives of loss that we can understand facial function and something of what all our faces reflect.

At the age of 19, Ian Waterman was suddenly struck down at work by a rare neurological illness that deprived him of all sensation below the neck. He fell on the floor in a heap, unable to stand or control his limbs, having lost the sense of joint position and proprioception, of that "sixth sense" of his body in space, which we all take for granted. After months in a neurological ward he was judged incurable and condemned to a life of wheelchair dependence. This is the first U. S. publication of a remarkable book by his physician, Jonathan Cole. It tells the compelling story, including a clear clinical description of a rare condition, of how Waterman reclaimed a life of full mobility against all expectations, by mental effort and sheer courage. Cole describes how Waterman gradually adapted to his strange condition. As the doctors had predicted, there was no neurological recovery. He had to monitor every movement by sight to work out where his limbs were, since he had no feedback from his peripheral nerves. But with astonishing persistence Waterman developed elaborate tricks and strategies to control his movements, enabling him to cope not only with the day-to-day problems of living, but even with the challenges of work, love, and marriage.