Jonathan L. Walton

Renowned theologian Reinhold Niebuhr began his career as pastor of Bethel Evangelical Church in Detroit, Michigan, where he served from 1915–1928. Leaves from the Notebook of a Tamed Cynic is Niebuhr's account of the frustrations and joys he experienced during his years at Bethel. Addressed to young ministers, this book provides reflections and insights for those engaged in the challenging yet infinitely rewarding occupation of pastoral ministry. With a foreword from Jonathan Walton on Niebuhr's enduring insights into the challenges and relevance of pastoral ministry, this powerful book remains as useful today as it was last century.

In order to engage the Bible in the spirit of justice, compassion, and love, Jonathan L. Walton suggests reading the Bible in its world for our world. Perfect for individual or group study, A Lens of Love helps Christians to read and interpret the Bible morally and confidently as they engage society's pressing issues. Walton provides interpretive tools to help understand the context of the Scriptures along with the Scriptures themselves in order to engage the richness of the Bible as they strive to live in the world in a biblically grounded, theologically sound, and socially responsible way.

An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.

An analysis of African American televangelists as cultural icons Through their constant television broadcasts, mass video distributions, and printed publications, African American religious broadcasters have a seemingly ubiquitous presence in popular culture. They are on par with popular entertainers and athletes in the African American community as cultural icons even as they are criticized by others for taking advantage of the devout in order to subsidize their lavish lifestyles. For these reasons questions abound. Do televangelists proclaim the message of the gospel or a message of greed? Do they represent the "authentic" voice of the black church or the Christian Right in blackface? Does the phenomenon reflect orthodox "Christianity" or ethnocentric "Americaninity" wrapped in religious language? Watch This! seeks to move beyond such polarizing debates by critically delving into the dominant messages and aesthetic styles of African American televangelists and evaluating their ethical implications.