Jonis Agee

The award-winning author of The River Wife returns with a multigenerational family saga set in the unforgiving Nebraska Sand Hills in the years following the massacre at Wounded Knee--an ambitious tale of history, vengeance, race, guilt, betrayal, family, and belonging, filled with a vivid cast of characters shaped by violence, love, and a desperate loyalty to the land. Ten years after the Seventh Cavalry massacred more than two hundred Lakota men, women, and children at Wounded Knee, J. B. Bennett, a white rancher, and Star, a young Native American woman, are murdered in a remote meadow on J. B.'s land. The deaths bring together the scattered members of the Bennett family: J. B.'s cunning and hard father, Drum; his estranged wife, Dulcinea; and his teenage sons, Cullen and Hayward. As the mystery of these twin deaths unfolds, the history of the dysfunctional Bennetts and their damning secrets is revealed, exposing the conflicted heart of a nation caught between past and future. At the center of The Bones of Paradise are two remarkable women. Dulcinea, returned after bitter years of self-exile, yearns for redemption and the courage to mend her broken family and reclaim the land that is rightfully hers. Rose, scarred by the terrible slaughters that have decimated and dislocated her people, struggles to accept the death of her sister, Star, and refuses to rest until she is avenged. A kaleidoscopic portrait of misfits, schemers, chancers, and dreamers, Jonis Agee's bold novel is a panorama of America at the dawn of a new century. A beautiful evocation of this magnificent, blood-soaked land--its sweeping prairies, seas of golden grass, and sandy hills, all at the mercy of two unpredictable and terrifying forces, weather and lawlessness--and the durable men and women who dared to tame it. Intimate and epic, The Bones of Paradise is a remarkable achievement: a mystery, a tragedy, a romance, and an unflagging exploration of the beauty and brutality, tenderness and cruelty that defined the settling of the American West.

After the Plains queered him, Dave Madden decided to return the favor. This outstanding collection of short stories tells the tale of a different kind of difference—one not set in the glittering lights of New York or Los Angeles, but in the grand and wide American Midwest. For Madden's characters, their queerness is part of the environment, like the soil, the sky, and the supermarket: an HIV-positive chemist uses football to connect with his brothers; a 17-year-old girl tussles with a cartoon cobra to avoid thinking about the mother who abandoned her; and a hotel concierge starts attending Mass even though his partner was molested by a priest. In seeking out the ordinary struggles of extraordinary people trying to figure out their place within families and communities, Madden masterfully explores what it means to be an outsider always looking in.

From acclaimed novelist Jonis Agee, whom The New York Times Book Review called "a gifted poet of that dark lushness in the heart of the American landscape," The River Wife is a sweeping, panoramic story that ranges from the New Madrid earthquake of 1811 through the Civil War to the bootlegging days of the 1930s. When the earthquake brings Annie Lark's Missouri house down on top of her, she finds herself pinned under the massive roof beam, facing certain death. Rescued by French fur trapper Jacques Ducharme, Annie learns to love the strong, brooding man and resolves to live out her days as his "River Wife." More than a century later, in 1930, Hedie Rails comes to Jacques' Landing to marry Clement Ducharme, a direct descendant of the fur trapper and river pirate, and the young couple begin their life together in the very house Jacques built for Annie so long ago. When, night after late night, mysterious phone calls take Clement from their home, a pregnant Hedie finds comfort in Annie's leather-bound journals. But as she reads of the sinister dealings and horrendous misunderstandings that spelled out tragedy for the rescued bride, Hedie fears that her own life is paralleling Annie's, and that history is repeating itself with Jacques' kin. Among the family's papers, Hedie encounters three other strong-willed women who helped shape Jacques Ducharme's life-Omah, the freed slave who took her place beside him as a river raider; his second wife, Laura, who loved money more than the man she married; and Laura and Jacques' daughter, Maddie, a fiery beauty with a nearly uncontrollable appetite for love. Their stories, together with Annie's, weave a haunting tale of this mysterious, seductive, and ultimately dangerous man, a man whose hand stretched over generations of women at a bend in the river where fate and desire collide. The River Wife richly evokes the nineteenth-century South at a time when lives changed with the turn of a card or the flash of a knife. Jonis Agee vividly portrays a lineage of love and heartbreak, passion and deceit, as each river wife comes to discover that blind devotion cannot keep the truth at bay, nor the past from haunting the present.

Sweet Eyes is the wondrous story of the young woman Honey Parrish, who becomes involved in an interracial love affair and struggles to solve longstanding mysteries in her hometown and to move beyond her family's troubled past.

No one is better than Jonis Agee at capturing the bone-deep desire and big-eyed longing of a hardscrabble, small-town life. This major collection, highlighting Agee’s astonishing literary achievements, includes powerful new stories and a comprehensive selection from her critically acclaimed books Pretend We’ve Never Met, Bend This Heart, A .38 Special and a Broken Heart, and Taking the Wall. Jonis Agee’s stories are as broad as their landscape, spanning the Great Lakes and traveling through the Great Plains on a straight shot to the heart. The New York Times refers to Agee’s short fiction as the ". . . clear-eyed reports of someone who sees things as they are, not as she would wish them to be" and each story in this collection is raw, deeply memorable, and dedicated to brutally introspective and truthful moments. In Acts of Love on Indigo Road, Agee’s characters continue to dream big and love deep while rushing headlong into the awareness that, finally, there are "only the dead to bear witness to what acts of love can do to the world." "In story after story, the mask drops away from gen-tility, and we come face to face with the truth. These -stories are beautiful because of their courage: there is nothing they are afraid to say."—Charles Baxter on Bend This Heart Jonis Agee is the author of four novels, four collections of short fiction, and a book of poetry. Three of her books—Strange Angels, Bend This Heart, and Sweet Eyes—were named Notable Books of the Year by The New York Times. Taking the Wall won the ForeWord Magazine Editor’s Choice Award and The Weight of Dreams won the Nebraska Book Award. Jonis Agee is a Nebraska native who has lived and taught throughout the Midwest. She is now Professor of English and Creative Writing at the University of Nebraska—Lincoln.

As the engines roar and the green flag waves, these stories tear across their rural landscape with the energy of a Winston Cup race. Like W. P. Kinsella's minor league ballplayers, Jonis Agee's drivers, pit crews, mechanics, and their families live in small towns, eat at truck stops, and have a hard time keeping their dreams from destroying their lives. From the garage to the kitchen table, from demolition derby to nascar, Agee's hapless heroes open our eyes as they take the wall. The wildly popular sport of auto racing is a backdrop in these stories for exploration of the creative and destructive aspects of obsession. In farmhouses, mobile homes, and roadside trailer courts, fathers and sons, mothers and daughters all try to figure out how to keep their families running as smoothly as their cars. Taking the Wall is rich with details about racing and rural life, and richer yet in insight into that part of the human spirit that just doesn't know how to quit. Agee takes a personal and compassionate look at a grab bag of individuals linked by obsession. ReviewsNovelist (South of Resurrection) and short fiction (Bend This Heart) writer Agee's collection of bittersweet stories dissects the rough world of auto racing from the working-class perspectives of drivers, pit crews, fans, family and other hangers-on. While "taking the wall", crashing into it, is the worst possible scenario, Agee's characters secretly wish for the excitement, horror and suspense it offers: will the driver walk away from the fiery wreck? Domestic life unfolds around the racetrack throughout the collection. "The Pop Off Valve" is a monologue in which an unnamed narrator recounts her naovet in marrying a man obsessed with racing, and the wake-up call she received on her honeymoon 15 years ago at the Motor Speedway in Irish Hills, Mich., when not even a terrible accident could thwart her husband's devotion to his hobby. Her description of the crash is chilling: "the rescue workers used the jaws of life to pry what was left of the driver from the shattered burnt shell of the car." Nonchalantly, she adds, "We grilled steaks on the hibachi at dark, unable to see the bloody raw meat until we cut into it." Agee's parsimonious language is sta

Finalist, 1995 Minnesota Book Award for Short Stories. Critically acclaimed novelist Jonis Agee continues the popular Coffee-To-Go Series with stories grappling with heartbreak, anger, betrayal, and survival." Deft characterization and sharp, visceral imagery."--Publishers Weekly