Joseph Conrad

Of the three long novels of mine which suffered an interruption, "The Rescue" was the one that had to wait the longest for the good pleasure of the Fates. I am betraying no secret when I state here that it had to wait precisely for twenty years. I laid it aside at the end of the summer of 1898 and it was about the end of the summer of 1918 that I took it up again with the firm determination to see the end of it and helped by the sudden feeling that I might be equal to the task. This does not mean that I turned to it with elation. I was well aware and perhaps even too much aware of the dangers of such an adventure. The amazingly sympathetic kindness which men of various temperaments, diverse views and different literary tastes have been for years displaying towards my work has done much for me, has done all-except giving me that over-weening self-confidence which may assist an adventurer sometimes but in the long run ends by leading him to the gallows.

Lo conocimos en aquellos d as inciertos en que nos con¬form bamos con poder conservar nuestra vida y nuestra hacienda. Ninguno de nosotros, creo, disfruta ahora de hacienda alguna, y tengo entendido que muchos, por te¬merarios, perdieron la vida; mas estoy seguro de que los escasos sobrevivientes no son tan miopes que no acierten a discernir, en la dudosa exactitud de los peri dicos, las noticias de las diversas rebeliones de ind genas ocurridas en el Archipi lago Oriental. Entre las l neas de aquellos bre¬ves p rrafos brilla el sol y se percibe el destello del mar. Un nombre extra o aviva nuestros recuerdos; las frases im¬presas perfuman ligeramente la humosa atm sfera de la po¬ca con la fragancia penetrante y sutil de una brisa costera que alentase bajo las estrellas de pret ritas noches; un fue¬go de se ales brilla como una joya sobre la frente erguida de una sombr a colina; enormes rboles, centinelas avanza-dos de bosques inmensos, lev ntanse, vigilantes e inm viles, sobre dormidos estuarios; una l nea de blanca resaca re¬tumba contra una playa desolada, mientras las aguas, poco profundas, espuman en los arrecifes; y sobre la superficie de un mar luminoso, salpicados en la calma del mediod a, se extienden verdes islotes, como un pu ado de esmeraldas en el acero de un escudo.

Aunque hac a ya mucho que el vapor Sofala hab a virado hacia la costa, la baja y h meda franja de tierra segu a pare¬ciendo una simple mancha obscura al otro lado de una franja de resplandor. Los rayos del sol ca an con violencia sobre la mar calma, como si se estrellasen sobre superficie diamantina produciendo una polvareda de centellas, un vapor de luz des-lumbradora que cegaba la vista y agobiaba el cerebro con su tr mulo brillo. El capit n Whalley no contemplaba nada de esto. Cuando el fiel serang se hab a acercado al amplio sill n de bamb que llenaba cumplidamente para informarle en voz baja de que hab a que cambiar el rumbo, se hab a levantado enseguida y ha¬b a permanecido en pie, mirando al frente, mientras la proa del buque giraba un cuarto de c rculo. No hab a dicho palabra, ni siquiera para ordenar al timonel que mantuviese el rumbo. Era el serang, un viejo malayo muy despierto, de piel muy obscura, el que hab a musitado la orden al hombre del tim n. Y entonces el capit n Whalley se hab a sentado de nuevo len¬tamente en el sill n del puente para clavar la mirada en la cubierta que ten a bajo los pies.

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En esta narraci n, que, lo reconozco, es, no obstante su brevedad, una obra bastante com¬pleja, no he tenido la menor intenci n de traer a cuento lo sobrenatural. A pesar de ello, no ha fal¬tado alg n cr tico que la considerase desde este punto de vista y advirtiera en ella mi prop sito de dar rienda suelta a mi imaginaci n, dej ndola trasponer los l mites del mundo de la humanidad viva y doliente. Pero, a decir verdad, mi imagi¬naci n no est hecha de una materia a tal punto el stica, y tengo para m que, si intentase some¬terla a la prueba de lo sobrenatural, el fracaso ser a tan lamentable como enojoso y vacuo. Por otra parte, jam s me habr a arriesgado a seme-1ante tentativa, abrigando, como abrigo, moral e intelectualmente, la invencible convicci n de que todo lo que cae bajo el dominio de nuestros sentidos, por excepcional que sea, no podr a diferir en su esencia de todos los dem s efectos de es¬te mundo visible y tangible cuya parte consciente venimos a formar.

Una guerra revolucionaria destaca muchos raros caracteres, los saca entre la oscuridad, lugar com n de tantas vidas humildes en las zonas tranquilas de la sociedad. Algunos seres llegan a la fama por sus vicios o sus virtudes, o simplemente por sus actos, que a veces logran una importancia transitoria para caer enseguida en el olvido. Al fin de una lucha armada, s lo sobreviven los nombres de algunos caudillos, posteriormente consignados en la historia, de modo que cuando desaparecen del recuerdo activo de los nombres, viven silenciosamente en los libros. El nombre del general Santierra alcanz esa fr a inmortalidad de papel impreso. Fue un sudamericano de buena familia, y los libros de su poca le citan entre los que libertaron aquel continente del dominio espa ol. La larga contienda entablada por la independencia, en un lado, y por el dominio, en el otro, se desarroll , en el transcurso de los a os y entre las vicisitudes de la cambiante fortuna, con la fiereza y crueldad de una lucha por la vida. Todo sentimiento de fraternidad y compasi n desapareci entre la inquina del odio pol tico. Y como suele ocurrir en la guerra, el pueblo, quien menos hab a de ganar con el resultado, fue el que m s sufri en sus oscuras personas y en sus humildes bienes.

Lo conocimos en aquellos d as inciertos en que nos con¬form bamos con poder conservar nuestra vida y nuestra hacienda. Ninguno de nosotros, creo, disfruta ahora de hacienda alguna, y tengo entendido que muchos, por te¬merarios, perdieron la vida; mas estoy seguro de que los escasos sobrevivientes no son tan miopes que no acierten a discernir, en la dudosa exactitud de los peri dicos, las noticias de las diversas rebeliones de ind genas ocurridas en el Archipi lago Oriental. Entre las l neas de aquellos bre¬ves p rrafos brilla el sol y se percibe el destello del mar. Un nombre extra o aviva nuestros recuerdos; las frases im¬presas perfuman ligeramente la humosa atm sfera de la po¬ca con la fragancia penetrante y sutil de una brisa costera que alentase bajo las estrellas de pret ritas noches; un fue¬go de se ales brilla como una joya sobre la frente erguida de una sombr a colina; enormes rboles, centinelas avanza-dos de bosques inmensos, lev ntanse, vigilantes e inm viles, sobre dormidos estuarios; una l nea de blanca resaca re¬tumba contra una playa desolada, mientras las aguas, poco profundas, espuman en los arrecifes; y sobre la superficie de un mar luminoso, salpicados en la calma del mediod a, se extienden verdes islotes, como un pu ado de esmeraldas en el acero de un escudo.

A Set of Six. (collection of story): Gaspar Ruiz, The Informer, The Brute, An Anarchist, The Duel, Il Conde . Joseph Conrad (Polish pronunciation: born J zef Teodor Konrad Korzeniowski; 3 December 1857 - 3 August 1924) was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British nationality in 1886. Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature. He wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of an impassive, inscrutable universe. Conrad is considered an early modernist, though his works still contain elements of 19th-century realism. His narrative style and anti-heroic characters have influenced many authors, including F. Scott Fitzgerald, William Faulkner, Ernest Hemingway, Andr Malraux, George Orwell, Graham Greene, Gabriel Garc a M rquez, John le Carr , V. S. Naipaul, Philip Roth, J. M. Coetzee, and Salman Rushdie. Many films have been adapted from, or inspired by, Conrad's works. Writing in the heyday of the British Empire, Conrad drew on, among other things, his native Poland's national experiences and his own experiences in the French and British merchant navies, to create short stories and novels that reflect aspects of a European-dominated world-including imperialism and colonialism-and that profoundly explore the human psyche. Joseph Conrad was born on 3 December 1857 in Berdychiv, in what is now Ukraine and at the time of his birth the Russian Empire, a region that was once part of the Kingdom of Poland. He was the only child of Apollo Korzeniowski and his wife Ewa Bobrowska. His father was a writer, translator, political activist, and would-be revolutionary. Conrad was christened J zef Teodor Konrad after his maternal grandfather Jozef, his paternal grandfather Teodor, and the heroes (both named "Konrad") of two poems by Adam Mickiewicz, Dziady and Konrad Wallenrod. He was subsequently known to his family as "Konrad", rather than "Jozef". Though the vast majority of the surrounding area's inhabitants were Ukrainians, and the great majority of Berdychiv's residents were Jewish, almost all the countryside was owned by the Polish szlachta (nobility), to which Conrad's family belonged as bearers of the coat-of-arms. Polish literature, particularly patriotic literature, was held in high esteem by the area's Polish population. The Korzeniowski family played a significant role in Polish attempts to regain independence. Conrad's paternal grandfather served under Prince Jozef Poniatowski during Napoleon's Russian campaign and formed his own cavalry squadron during the November 1830 Uprising.

Although Polish by birth, Joseph Conrad (1857-1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." - The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair that Conrad saw at the heart of human existence.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process.

Various letters and notes by Conrad on different subjects. He writes about Maupassant, Henry James, Anatole France, Turgenev, Stephen Crane and others. Joseph Conrad was fluent in English, French and Polish.

Aunque hac a ya mucho que el vapor Sofala hab a virado hacia la costa, la baja y h meda franja de tierra segu a pare¬ciendo una simple mancha obscura al otro lado de una franja de resplandor. Los rayos del sol ca an con violencia sobre la mar calma, como si se estrellasen sobre superficie diamantina produciendo una polvareda de centellas, un vapor de luz des-lumbradora que cegaba la vista y agobiaba el cerebro con su tr mulo brillo. El capit n Whalley no contemplaba nada de esto. Cuando el fiel serang se hab a acercado al amplio sill n de bamb que llenaba cumplidamente para informarle en voz baja de que hab a que cambiar el rumbo, se hab a levantado enseguida y ha¬b a permanecido en pie, mirando al frente, mientras la proa del buque giraba un cuarto de c rculo. No hab a dicho palabra, ni siquiera para ordenar al timonel que mantuviese el rumbo. Era el serang, un viejo malayo muy despierto, de piel muy obscura, el que hab a musitado la orden al hombre del tim n. Y entonces el capit n Whalley se hab a sentado de nuevo len¬tamente en el sill n del puente para clavar la mirada en la cubierta que ten a bajo los pies.

Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886.

Heart of Darkness is a novella about the darkness that exists in all human hearts. It is a story about an ivory transporter who exploits the natives in a primitive region of Africa and has them worshiping him.

Heart of Darkness is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Charles Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilised people and those described as savages; Heart of Darkness raises questions about imperialism and racism. Originally issued as a three-part serial story in Blackwood's Magazine to celebrate the thousandth edition of the magazine, Heart of Darkness has been widely re-published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness sixty-seventh on their list of the hundred best novels in English of the twentieth century.

Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Charles Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness. Central to Conrad's work is the idea that there is little difference between so-called civilised people and those described as savages; Heart of Darkness raises questions about imperialism and racism. Originally issued as a three-part serial story in Blackwood's Magazine to celebrate the thousandth edition of the magazine, Heart of Darkness has been widely re-published and translated into many languages. In 1998, the Modern Library ranked Heart of Darkness sixty-seventh on their list of the hundred best novels in English of the twentieth century.

Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. He joined the British merchant marine in 1878, and was granted British citizenship in 1886.