Joshua Cohen

A wide-ranging, rule-bending collection of nonfiction from the Pulitzer Prize-winning author of The Netanyahus "Attention reveals a fresh, vital literary voice as it covers seemingly every imaginable topic relating to modern life."--Entertainment Weekly NAMED ONE OF THE BEST BOOKS OF THE YEAR BY WIRED One of Granta's Best of Young American Novelists, Joshua Cohen arrives with his first collection of nonfiction, the culmination of two decades of writing and thought about life in the digital age. In essays, memoir, criticism, diary entries, and letters--many appearing here for the first time--Cohen covers the full depth and breadth of modern life: politics, literature, art, music, travel, the media, and psychology, and subjects as diverse as Google, Donald Trump, Bernie Sanders, fictional animals, Gustav Mahler, Aretha Franklin, John Zorn, landscape photography, fake Caravaggios, Wikipedia, Gertrude Stein, Edward Snowden, Jonathan Franzen, Olympic women's fencing, Atlantic City casinos, the closing of the Ringling Bros. circus, and Azerbaijan. Throughout ATTENTION, Cohen directs his sharp gaze at home and abroad, calling upon his extraordinary erudition and unrivaled ability to draw connections between seemingly unlike things to show us how to live without fear in a world overflowing with information. In each piece, he projects a quality of thought that is uniquely his, and a voice as witty, profound, and distinct as any in American letters. At this crucial juncture in history, ATTENTION is a guide for the perplexed--a handbook for anyone hoping to bring the wisdom of the past into the culture of the future.

Appearing together in English for the first time, two masterpieces that take on the jazz age, the Nuremburg trials, postwar commercialism, and the feat of writing a book, presented in one brilliant volume In 1985, Gregor von Rezzori published an English translation of a novel entitled The Death of My Brother Abel. The ambition of the work, certainly the most brilliant and extravagant of Rezzori's career, was immediately recognized, but; the transla- tion was deemed faulty. Now Abel appears in a revised translation along with the prequel that Rezzori promised in its last pages, Cain. Here Abel and Cain are finally united as Rezzori intended, giving readers a chance to appreciate the genius of one of the twentieth-century's great provocateurs. The Death of My Brother Abel zigzags across the middle of the twentieth century, from the 1918 to 1968, taking in the Jazz Age, the Anschluss, the Nuremberg trials, and postwar commercialism. At the center of the book is the unnamed narrator, holed up in a Paris hotel and writing a kind of novel, a collage of sardonic and passionate set pieces about love and work, sex and writing, families and nations, and human treachery and cruelty. In Cain, that narrator is revealed as Aristide Subics, or so at least it appears, since Subics' identity is as unstable as the fictional apparatus that contains him and the times he lived through. Questions abound: How can a man who lived in a time of lies know himself? And is it even possible to tell the story of an era of lies truthfully? Primarily set in the bombed-out, rubble- strewn Hamburg of the years just after the war, the dark confusion and deadly confrontation and of Cain and Abel, inseparable brothers, goes on.

This book isn't really about bunnies. (Although it certainly doesn't exclude them.) It's about fathers, mothers, sisters, brothers, grandmas, grandpas, pets and everything else on the planet that eventually dies. Bunnies happen to be cute to look at and are easier to draw than trying to draw everything on the planet. You can substitute whatever person or animal is appropriate in place of the word "bunny", if you prefer. A Book About Losing Your Bunny was reviewed and given high praise by child bereavement counselors for its ability to address key concepts that many children struggle with during a loss. It focuses on reinforcing positive aspects of the relationship and dispelling common myths/fears. It avoids any talk of the physical process of death as well as avoiding any religious discussion. This book won't make losing your bunny any easier. Losing any bunny can be one of the most difficult things that happens in a life. Hopefully, however, this book might make it easier to talk about difficult things when your bunny does die. Sometimes, talking about these difficult things can help to better understand grief and keep moving forward.

With Attention, Joshua Cohen returns with his first collection of nonfiction, the culmination of two decades of writing and thought about life in the digital age. In essays, memoir, criticism, diary entries, and letters—many appearing here for the first time—Cohen covers the full depth and breadth of modern life: politics, literature, art, music, travel, the media, and psychology, and subjects as diverse as Google, Donald Trump, Bernie Sanders, fictional animals, Gustav Mahler, Aretha Franklin, John Zorn, landscape photography, fake Caravaggios, Wikipedia, Gertrude Stein, Edward Snowden, Jonathan Franzen, Olympic women’s fencing, Atlantic City casinos, the closing of the Ringling Bros. circus, and Azerbaijan. Cohen directs his sharp gaze at home and abroad, calling upon his extraordinary erudition and unrivaled ability to draw connections between seemingly unlike things to show us how to live without fear in a world overflowing with information. At this crucial juncture in history, Attention is a guide for the perplexed—a handbook for anyone hoping to bring the wisdom of the past into the culture of the future.

A propulsive, incendiary novel about faith, race, class, and what it means to have a home, from the Pulitzer Prize-winning author of The Netanyahus "A Jewish Sopranos . . . utterly engrossing, full of passionate sympathy . . . Cohen is an extraordinary prose stylist, surely one of the most prodigious at work in American fiction today."--The New Yorker ONE OF THE BEST BOOKS OF THE YEAR--Vulture, Bookforum One of the boldest voices of his generation, Joshua Cohen returns with Moving Kings, a powerful and provocative novel that interweaves, in profoundly intimate terms, the housing crisis in America's poor black and Hispanic neighborhoods with the world's oldest conflict, in the Middle East. The year is 2015, and twenty-one-year-olds Yoav and Uri, veterans of the last Gaza War, have just completed their compulsory military service in the Israel Defense Forces. In keeping with national tradition, they take a year off for rest, recovery, and travel. They come to New York City and begin working for Yoav's distant cousin David King--a proud American patriot, Republican, and Jew, and the recently divorced proprietor of King's Moving Inc., a heavyweight in the tri-state area's moving and storage industries. Yoav and Uri now must struggle to become reacquainted with civilian life, but it's not easy to move beyond their traumatic pasts when their days are spent kicking down doors as eviction-movers in the ungentrified corners of the Bronx, Brooklyn, and Queens, throwing out delinquent tenants and seizing their possessions. And what starts off as a profitable if eerily familiar job--an "Occupation"--quickly turns violent when they encounter one homeowner seeking revenge.

The Second Edition of this ground-breaking collection gives students all the tools they need to understand and engage with major philosophical issues. Students are presented with clear yet thorough topic introductions, historical context, reading guides for challenging selections and exclusive commissioned essays written by leading contemporary philosophers specifically for undergraduates. The Second Edition features a NEW co-author, a NEW focus on diversity within the field and NEW readings and topics relevant to students’ lives.

One of the boldest voices of his generation, Joshua Cohen returns with Moving Kings, a propulsive, incendiary novel that interweaves, in profoundly intimate terms, the housing crisis in America’s poor black and Hispanic neighborhoods with the world’s oldest conflict, in the Middle East. The year is 2015, and twenty-one-year-olds Yoav and Uri, veterans of the last Gaza War, have just completed their compulsory military service in the Israel Defense Forces. In keeping with national tradition, they take a year off for rest, recovery, and travel. They come to New York City and begin working for Yoav’s distant cousin David King – a proud American patriot, Republican, and Jew, and the recently divorced proprietor of King’s Moving Inc., a heavyweight in the Tri-State area’s moving and storage industries. What starts off as a profitable if eerily familiar job – an “Occupation” – quickly turns violent when they encounter one homeowner seeking revenge. Driven by Cohen’s characteristic intelligence, boundless energy, psychological tension, and humor, Moving Kings is a powerful and provocative novel about faith, race, class, and what it means to have a home.

â?? Dazzling and engrossingâ?? Colm Tóibín, GuardianA Granta Best Young American AuthorBook of Numbers is a novel about two men of the same age and with the same name: Joshua Cohen.

NATIONAL BESTSELLER - "A wheeling meditation on the wired life, on privacy, on what being human in the age of binary code might mean" (The New York Times), from the Pulitzer Prize-winning author of The NetanyahusNAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY VULTURE AND ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WALL STREET JOURNAL "Shatteringly powerful . . . I cannot think of anything by anyone in Cohen's] generation that is so frighteningly relevant and composed with such continuous eloquence. There are moments in it that seem to transcend our impasse."--Harold BloomThe enigmatic billionaire founder of Tetration, the world's most powerful tech company, hires a failed novelist, Josh Cohen, to ghostwrite his memoirs. The mogul, known as Principal, brings Josh behind the digital veil, tracing the rise of Tetration, which started in the earliest days of the Internet by revolutionizing the search engine before venturing into smartphones, computers, and the surveillance of American citizens. Principal takes Josh on a mind-bending world tour from Palo Alto to Dubai and beyond, initiating him into the secret pretext of the autobiography project and the life-or-death stakes that surround its publication. Insider tech expos , leaked memoir-in-progress, international thriller, family drama, sex comedy, and biblical allegory, Book of Numbers renders the full range of modern experience both online and off. Embodying the Internet in its language, it finds the humanity underlying the virtual. Featuring one of the most unforgettable characters in contemporary fiction, Book of Numbers is an epic of the digital age, a triumph of a new generation of writers, and one of those rare books that renew the idea of what a novel can do. Praise for Book of Numbers "The Great American Internet Novel is here. . . . Book of Numbers is a fascinating look at the dark heart of the Web. . . . A page-turner about life under the veil of digital surveillance . . . one of the best novels ever written about the Internet."--Rolling Stone "A startlingly talented novelist."--The Wall Street Journal "Remarkable . . . dazzling . . . Cohen's literary gifts . . . suggest that something is possible, that something still might be done to safeguard whatever it is that makes us human."--Francine Prose, The New York Review of Books

You've paid money for this book, or you have family or friends who don't mind your borrowing or who gift books like this. You are being attentive because you're interested in what type of person this gifter thinks you are - too attentive, to them, to yourself, or too inattentive.

A quartet of audacious fictions that capture the pathos and absurdity of life in the age of the internet, from the Pulitzer Prize-winning author of The Netanyahus *A New York Times Book Review Editors' Choice** One of Flavorwire's "50 Books That Define the Past Five Years in Literature" A spectacularly talented young writer has returned from the present with Four New Messages, urgent and visionary dispatches that seek to save art, sex, and even alienation from corporatism and technology run rampant. In "Emission," a hapless drug dealer in Princeton is humiliated when a cruel co-ed exposes him exposing himself on a blog gone viral. "McDonald's" tells of a frustrated pharmaceutical copywriter whose imaginative flights fail to bring solace because of a certain word he cannot put down on paper. In "The College Borough" a father visiting NYU with his daughter remembers a former writing teacher, a New Yorker exiled to the Midwest who refuses to read his students' stories, asking them instead to build a replica of the Flatiron Building. "Sent" begins mythically in the woods of Russia, but in a few virtuosic pages plunges into the present, where an aspiring journalist finds himself in a village that shelters all the women who've starred in all the internet porn he's ever enjoyed. Highbrow and low-down, these four intensely felt stories explain what happens when the virtual begins to colonize the real -- they harness the torrential power and verbal dexterity that have established Cohen as one of America's most brilliant younger writers.

"Joshua Cohen has created a visionary novel that is terrifying and heartbreaking and humbling in its luminous brilliance. In my view, it firmly places the author on the same level as Kafka."--Michael Disend, author of Stomping the Goyim"The idea that there are multiple heavens, right ones and wrong ones, white ones and black ones, is pushed to its fantastical limits by Brooklyn writer Joshua Cohen in his dream-world novel of the afterlife. . . . Heaven is a challenging but rewarding read on thematic and formal levels."--The Brooklyn Rail"A breathless flight of controlled delirium, an exquisitely blasphemous tour of an afterlife where earth's dominion, in all its terror and glory, trumps the miraculous and overturns the world to come. . . . It's a brave book that should earn its young author the reader's profound and enduring admiration."--Steve Stern, author of The Frozen RabbiWhen a ten-year-old Jewish boy is exploded on a Jerusalem street by a ten-year-old Palestinian boy, he wakes up in a heaven no one in his tradition prepared him for, a heaven of others. Joshua Cohen's novel stands at the crossroads of a conflicted city and wordplay that both celebrates and dismantles tradition.

In this collection of essays, Joshua Cohen locates ideas about democracy in three far-ranging contexts. First, he explores the relationship between democratic values and history. He then discusses democracy in connection with the views of defining political theorists in the democratic tradition: John Locke, John Rawls, Noam Chomsky, Juergen Habermas, and Susan Moller Okin. Finally, he examines the place of democratic ideals in a global setting, suggesting an idea of “global public reason”—a terrain of political justification in global politics in which shared reason still plays an essential role. All the essays are linked by his overarching claim that political philosophy is a practical subject intended to orient and guide conduct in the social world. Cohen integrates moral, social-scientific, and historical argument in order to develop this stance, and he further confronts the question of whether a society conceived in liberty and dedicated to equality can endure. At Gettysburg, President Lincoln forcefully stated the question and expressed both hope and concern over this same struggle about an affirmative answer. By enabling us to trace the arc of the moral universe, the essays in this volume—along with the companion collection, Philosophy, Politics, Democracy—give us some reasons for sharing that hope.

On Christmas Eve 1999, all the Jews in the world die in a strange, millennial plague, with the exception of the firstborn males, who are soon adopted by a cabal of powerful people in the American government. By the following Passover, however, only one is still alive: Benjamin Israelien; a kindly, innocent, ignorant man-child. As he finds himself transformed into an international superstar, Jewishness becomes all the rage: matzo-ball soup is in every bowl, sidelocks are hip; and the only truly Jewish Jew left is increasingly stigmatized for not being religious. Since his very existence exposes the illegitimacy of the newly converted, Israelien becomes the object of a worldwide hunt… Meanwhile, in the not-too-distant future of our own, “real” world, another last Jew—the last living Holocaust survivor—sits alone in a snowbound Manhattan, providing a final melancholy witness to his experiences in the form of the punch lines to half-remembered jokes.

In famously beautiful and laconic prose, Jean-Jacques Rousseau presents us with a forceful picture of a democratic society, in which we live together as free and equal, and our politics focuses on the common good. In Rousseau: A Free Community of Equals Joshua Cohen explains how the values of freedom, equality, and community all work together as parts of the democratic ideal expressed in Rousseau's conception of the 'society of the general will'. The book also explains Rousseau's anti-Augustinian and anti-Hobbesian idea that we are naturally good, shows why Rousseau thinks it is reasonable for us to endorse that idea, and discusses how our natural goodness might make a free community of equals possible for us. And Cohen examines in detail Rousseau's picture of the institutions of a democratic society: why he emphasised the importance of political participation, how he argued against extreme inequalities, and what led him to embrace a civil religion as necessary for the society of the general will. This book provides an analytical and critical appraisal of Rousseau's political thought that, while frank about its limits, also explains its enduring power.

In famously beautiful and laconic prose, Jean-Jacques Rousseau presents us with a forceful picture of a democratic society, in which we live together as free and equal, and our politics focuses on the common good. In Rousseau: A Free Community of Equals Joshua Cohen explains how the values of freedom, equality, and community all work together as parts of the democratic ideal expressed in Rousseau's conception of the 'society of the general will'. The book also explains Rousseau's anti-Augustinian and anti-Hobbesian idea that we are naturally good, shows why Rousseau thinks it is reasonable for us to endorse that idea, and discusses how our natural goodness might make a free community of equals possible for us. And Cohen examines in detail Rousseau's picture of the institutions of a democratic society: why he emphasised the importance of political participation, how he argued against extreme inequalities, and what led him to embrace a civil religion as necessary for the society of the general will. This book provides an analytical and critical appraisal of Rousseau's political thought that, while frank about its limits, also explains its enduring power.