Joy Wilkinson

We’re all stories in the end…In this exciting collection you’ll find all-new stories spinning off from some of your favourite Doctor Who moments across the history of the series. Learn what happened next, what went on before, and what occurred off-screen in an inventive selection of sequels, side-trips, foreshadowings and first-hand accounts – and look forward too, with a brand new adventure for the Thirteenth Doctor. Each story expands in thrilling ways upon aspects of Doctor Who’s enduring legend. With contributions from show luminaries past and present – including Colin Baker, Matthew Waterhouse, Vinay Patel, Joy Wilkinson and Terrance Dicks – The Target Storybook is a once-in-a-lifetime tour around the wonders of the Whoniverse.

‘I am an expert on witchcraft, Doctor, but I wish to learn more. Before you die, I want answers.’The TARDIS lands in the Lancashire village of Bilehurst Cragg in the 17th century, and the Doctor, Ryan, Graham and Yaz soon become embroiled in a witch trial run by the local landowner. Fear stalks the land, and the arrival of King James I only serves to intensify the witch hunt. But the Doctor soon realises there is something more sinister than paranoia and superstition at work. Tendrils of living mud stir in the ground and the dead lurch back to horrifying life as an evil alien presence begins to revive. The Doctor and her friends must save not only the people of Bilehurst Cragg from the wakening forces, but the entire world

Sophie Aldred reads this brand new novelisation of a thrilling screen adventure for the Thirteenth Doctor.'I am an expert on witchcraft, Doctor, but I wish to learn more. Before you die, I want answers.'The TARDIS lands in the Lancashire village of Bilehurst Cragg in the 17th Century, and the Doctor, Ryan, Graham and Yaz soon become embroiled in a witch trial run by the local landowner. Fear stalks the land, and the arrival of King James I only serves to intensify the witch hunt. But the Doctor soon realises there is something more sinister than paranoia and superstition at work. Tendrils of living mud stir in the ground, and the dead lurch back to horrifying life as an evil alien presence begins to revive. The Doctor and her friends must save not only the people of Bilehurst Cragg from the wakening forces, but the entire world. Sophie Aldred, who played Ace in the BBC TV series, reads Joy Wilkinson's novelisation of her own 2018 TV script.(P) 2021 BBC Studios Distribution LtdReading produced by Neil GardnerSound design by David RoocroftExecutive producer: Michael Stevens

‘When that bell rings, your life is entirely in your hands.’ London, 1869. Four very different Victorian women are drawn into the dark underground world of female boxing by the eccentric Professor Sharp. Controlled by men and constrained by corsets, each finds an unexpected freedom in the boxing ring. As their lives begin to intertwine, their journey takes us through grand drawing rooms, bustling theatres and rowdy Southwark pubs, where the women fight inequality as well as each other. But with the final showdown approaching, only one can become the Lady Boxing Champion of the World… Joy Wilkinson's play The Sweet Science of Bruising is an epic tale of passion, politics and pugilism. It premiered at Southwark Playhouse, London, in October 2018, in a production by Troupe.

A collection of wide-ranging and ambitious short plays reflecting the complexities of women and political power in the United Kingdom. The five plays in this volume look at the impact and influence that women have today. In Acting Leader by Joy Wilkinson, Margaret Beckett finds herself Acting Leader of the Opposition after the sudden death of John Smith. The Panel by Zinnie Harris is about the power politics underlying the selection of any candidate. Playing the Game by Bola Agbaje is about the election of a new President of a Students' Association. In Pink by Sam Holcroft, a millionaire businesswoman is confronted by an unexpected visitor. You, Me and Wii by Sue Townsend is set in a council house in a small Leicestershire town at election time. The plays were first performed at the Tricycle Theatre, London, as part of the Women, Power and Politics season in June 2010. The other plays presented in the season are available in the companion volume, Women, Power and Politics: Then.

Two plays by Joy Wilkinson that combine innovative dramatic form with a rare emotional power. In Fair - seen in the West End's Trafalgar Studios - Melanie meets Railton upside down on the Revolution ride. A spin on the waltzer, some chips and a spliff, and it goes off like fireworks... until she discovers his politics, and the relationship implodes. What is turning young people to the right? How and why are the BNP managing to recruit? Fair confronts the racism brewing in Britain's northern towns and beyond. Fair was first performed at the Finborough Theatre, London, in 2005, and then at Trafalgar Studios in the West End in 2006. Felt Effects unearths the seismic relationship between two half-sisters and their mother when they are forced together in the A&E ward of the local hospital. Tremors happen around us everyday and are so weak they are classified as 'Not Felt', but the effects of the earthquake now erupting under this family's feet are impossible to ignore. Felt Effects was joint-winner of the 2004 Verity Bargate Award and was first staged at Theatre503, London, in 2006.