Judith Rowbotham

Throughout the nineteenth century and twentieth century, various attempts were made to define and control problematic behaviour in public by legal and legislative means through the use of a somewhat nebulous concept of ‘indecency’. Remarkably however, public indecency remains a much under-researched aspect of English legal, social and criminal justice history. Covering a period of just over a century, from 1857 (the date of the passing of the first Obscene Publications Act) to 1960 (the date of the famous trial of Penguin Books over their publication of Lady Chatterley’s Lover following the introduction of a new Obscene Publications Act in the previous year), Public Indecency in England investigates the social and cultural obsession with various forms of indecency and how public perceptions of different types of indecent behaviour led to legal definitions of such behaviour in both common law and statute. This truly interdisciplinary book utilises socio-legal, historical and criminological research to discuss the practical response of both the police and the judiciary to those caught engaging in public indecency, as well as to highlight the increasing problems faced by moralists during a period of unprecedented technological developments in the fields of visual and aural mass entertainment. It is written in a lively and approachable style and, as such, is of interest to academics and students engaged in the study of deviance, law, criminology, sociology, criminal justice, socio-legal studies, and history. It will also be of interest to the general reader.

Throughout the nineteenth century and twentieth century, various attempts were made to define and control problematic behaviour in public by legal and legislative means through the use of a somewhat nebulous concept of ‘indecency’. Remarkably however, public indecency remains a much under-researched aspect of English legal, social and criminal justice history. Covering a period of just over a century, from 1857 (the date of the passing of the first Obscene Publications Act) to 1960 (the date of the famous trial of Penguin Books over their publication of Lady Chatterley’s Lover following the introduction of a new Obscene Publications Act in the previous year), Public Indecency in England investigates the social and cultural obsession with various forms of indecency and how public perceptions of different types of indecent behaviour led to legal definitions of such behaviour in both common law and statute. This truly interdisciplinary book utilises socio-legal, historical and criminological research to discuss the practical response of both the police and the judiciary to those caught engaging in public indecency, as well as to highlight the increasing problems faced by moralists during a period of unprecedented technological developments in the fields of visual and aural mass entertainment. It is written in a lively and approachable style and, as such, is of interest to academics and students engaged in the study of deviance, law, criminology, sociology, criminal justice, socio-legal studies, and history. It will also be of interest to the general reader.

Though there has been much work on the change in attitudes towards violence since the late eighteenth century, little attention has been paid to the gendered profile of its development or the consequent differential cultural understandings of criminality manifested by men and women, as well as the wider contextualization of violence within society. This book examines the gendering of violence from the late eighteenth century onwards and reflects on the extent to which gender expectations have continued, into the twentieth century at least, to shape the attitudes of legislators, legal personnel, and the criminal justice process towards types of violence and types of perpetrators of that violence.

Drawing together examples from broadsheet and tabloid newspapers this account of English crime reportage takes readers from the late eighteenth century to the present day. In the post-Leveson world, it is a timely and engaging contextualisation of the history of printed crime news and investigative journalism.

Drawing together examples from broadsheet and tabloid newspapers this account of English crime reportage takes readers from the late eighteenth century to the present day. In the post-Leveson world, it is a timely and engaging contextualisation of the history of printed crime news and investigative journalism.

Both the Victorian age and the late twentieth century are often characterised by contemporaries as times of apparent economic affluence and stability. They are often depicted as periods that shared a conviction that the stability of society, including its affluence, was threatened by the activities of social deviants. These essays aim to examine crime of a socially visible nature, in the context of social panic and moral outrage in both the Victorian period and the late twentieth century. Through a series of interconnected case studies, exploring the social and legal responses to such offences and their public presentation through popular reporting and the court system, a series of apparent continuities as well as discontinuities are highlighted in the making of legislation. The innovative approach taken by the editors and contributors to concepts of crime and bad behaviour, make this essential reading for academics and practitioners. The interdisciplinary focus of the book allows it to locate the legal processes and system firmly within the socio-cultural context, instead of examining it as a discrete area of individual study, making this text central to work in law, criminology and social policy, and history.

In 1850 the Industrial Revolution came to an end. In 1851 the Great Exhibition illustrated to the whole world the supremacy of industrial England. For the next twenty years Britain reigned supreme. From around 1870 Britain began to decline. Britain is now a second rate power with strong memories of its former supremacy. The above five sentences summarise a common view of the sequencing of Britain’s rise and relative fall, a stereotype that is challenged and modified in the essays of The Golden Age. By concentrating on central aspects of social and industrial change authors expose the underpinnings of supremacy, its unsung underside, its tarnished gold. Major themes cover industrial and technological change, social institutions and gender relations in a period during which industry and industrialism were equally celebrated and nurtured. Against this background it is difficult to argue for any sudden decline of energy, assets or institution, nor for any significant move from an industrial society to one in which a hearty manufacturing was replaced by commerce and land, sensibility and artifice.