Judy Yung

From 1910 to 1940, over half a million people sailed through the Golden Gate, hoping to start a new life in America. But they did not all disembark in San Francisco; instead, most were ferried across the bay to the Angel Island Immigration Station. For many, this was the real gateway to the United States. For others, it was a prison and their final destination, before being sent home. In this landmark book, historians Erika Lee and Judy Yung (both descendants of immigrants detained on the island) provide the first comprehensive history of the Angel Island Immigration Station. Drawing on extensive new research, including immigration records, oral histories, and inscriptions on the barrack walls, the authors produce a sweeping yet intensely personal history of Chinese "paper sons," Japanese picture brides, Korean students, South Asian political activists, Russian and Jewish refugees, Mexican families, Filipino repatriates, and many others from around the world. Their experiences on Angel Island reveal how America's discriminatory immigration policies changed the lives of immigrants and transformed the nation. A place of heartrending history and breathtaking beauty, the Angel Island Immigration Station is a National Historic Landmark, and like Ellis Island, it is recognized as one of the most important sites where America's immigration history was made. This fascinating history is ultimately about America itself and its complicated relationship to immigration, a story that continues today. Winner of the Asian/Pacific American Librarians Association Award for Adult Non-Fiction Winner of the Western History Association Caughey Prize "A kaleidoscope of immigrant portraits that bring history alive, and, in the process, demolishes many myths and stereotypes about Angel Island and American immigration in general." --San Francisco Chronicle "The definitive book on Angel Island.... Lee and Yung have used the personal stories of immigrants to make time and place come alive, reminding us that history is something that happens to real people and their families." --Lisa See, author of On Gold Mountain

San Francisco's Chinatown--the oldest, largest, and most famous Chinese enclave outside of Asia--is more than a tourist attraction. Since its birth in the 1850s, Chinatown has also been a residential neighborhood, business community, and cultural center for generations of Chinese Americans. This collection of vintage photographs, taken from public archives and private collections, looks beyond the facade of Chinatown to show the realities of daily life, including a community's struggle for survival against racial hostility, exclusion laws, two major earthquakes, and urban renewal. The images of ordinary people working, shopping, and socializing in Chinatown, combined with the changing streetscape, historic landmarks, and significant cultural and political events, are organized into three historical periods, providing a panoramic view of community transformation from the gold rush to the present day.

Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents--letters, essays, poems, autobiographies, speeches, testimonials, and oral histories--detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II. The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives. This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.

The crippling custom of footbinding is the thematic touchstone for Judy Yung's engrossing study of Chinese American women during the first half of the twentieth century. Using this symbol of subjugation to examine social change in the lives of these women, she shows the stages of 'unbinding' that occurred in the decades between the turn of the century and the end of World War II. The setting for this captivating history is San Francisco, which had the largest Chinese population in the United States. Yung, a second-generation Chinese American born and raised in San Francisco, uses an impressive range of sources to tell her story. Oral history interviews, previously unknown autobiographies, both English- and Chinese-language newspapers, government census records, and exceptional photographs from public archives and private collections combine to make this a richly human document as well as an illuminating treatise on race, gender, and class dynamics. While presenting larger social trends Yung highlights the many individual experiences of Chinese American women, and her skill as an oral history interviewer gives this work an immediacy that is poignant and effective. Her analysis of intraethnic class rifts - a major gap in ethnic history - sheds important light on the difficulties that Chinese American women faced in their own communities. Yung provides a more accurate view of their lives than has existed before, revealing the many ways that these women - rather than being passive victims of oppression - were active agents in the making of their own history.