Julian Spalding

For Kurt Jackson (b.1961), ‘Painting the sea could become an obsession, an entire oeuvre in its own right, an endless life absorbing task.’ And, as this book attests, Jackson’s dedication to capturing its constant shape shifting – stillness to thundering force, shallows to mysterious depths – have brought forth paintings that communicate the sea's ebb and flow, its magic and elusiveness. Kurt Jackson's Sea captures the beauty of the artist's constantly evolving relationship with one of nature's most challenging subjects. Two hundred colour images complement Jackson's reflections on his interactions with inspirational coastal landscapes - largely experienced in his native Cornwall, but stretching way beyond the county too.

‘Beauty is the beacon of God,’ said Botticelli. ‘No, it’s not. Love is,’ snapped his sister. Beauty: Botticelli in Florence imagines what Botticelli was feeling and thinking as he painted. The people he loved and despised, his private struggle between spirituality and sensuality, the tempestuous times he lived through – all come to life in his images… The novel is a speculation based on the few facts known about Botticelli, informed by his paintings. There are many surprises. The Birth of Venus was a tapestry design. And his famed self-portrait didn’t depict him (as widely believed) but Pierfrancesco de Medici, who sued his powerful cousin Lorenzo for robbing him, abolished Florence’s homophobic witch-hunts, funded Vespucci’s journey to the New World and commissioned Botticelli’s most famous works. There was boiling tension between him and Botticelli. This is the first in a sequence of illustrated ‘painting novels’ that make sights as telling as words.

"...his stories are always interesting, lively and well written, giving an insight to the art world as he experienced it." — Literary Review "If you read one book on art this year, it must be this brilliant critique of art today seen through the lens of retired museum curator Julian Spalding." — International Property & Travel Julian Spalding's career as a curator and creator of museums was amongst the most controversial and effective of his time. In this collection of essays and memoirs he revisits some of the important events and battles of the last 40 years, when he spearheaded resistance to the cult of conceptual art being promoted from the centre. Witty, illuminating, coruscating and blazingly intelligent, this book is a vital guide to the ways in which we consume art today, for good or ill.

Our world view has changed from a flat earth under the dome of heaven to a planet spinning in the universe. We perceived the world as a body, like ours, then as a tree, a pyramid, an altar, and finally as a veil which became a window through which we peered only to discover ourselves on a sphere, a bubble which might burst at any moment. Our changing views are interpreted through iconic images of the remote and more recent past: the Venus of Willendorf, the Pyramids, Stonehenge, the Taj Mahal, the Scream, Sydney Opera House, and the Guggenheim, Bilbao.