Kate O'Riordan

An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland.

The Genome Incorporated examines the proliferation of human genomics across contemporary media cultures. It explores questions about what it means for a technoscience to thoroughly saturate everyday life, and places the interrogation of the science/media relationship at the heart of this enquiry. The book develops a number of case studies in the mediation and consumption of genomics, including: the emergence of new direct-to-the-consumer bioinformatics companies; the mundane propagation of testing and genetic information through lifestyle television programming; and public and private engagements with art and science institutions and events. Through these novel sites, this book examines the proliferating circuits of production and consumption of genetic information and theorizes this as a process of incorporation. Its wide-ranging case studies ensure its appeal to readers across the social sciences.

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world when so much of the writing through which we grapple with it remains deeply problematic? In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms, and to adopt gendered writing and citation practices. Contesting these writings, practices and politics, the authors foreground feminist traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world when so much of the writing through which we grapple with it remains deeply problematic? In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms, and to adopt gendered writing and citation practices. Contesting these writings, practices and politics, the authors foreground feminist traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.

Science and technology are playing increasingly important roles in our lives. New projects in development today will fundamentally shape the world around us, and manipulate our lived experience. But how and why are such important scientific and technological projects chosen, and what are the consequences of this process? In this book, Kate O'Riordan answers these crucial question. She discovers that many objects, such as genomes and genomic projects, smart grids, de-extinction projects and biosensors cannot be granted scientific legitimacy and developed without extraordinary amounts of media, public relations, celebrity endorsements and private investment. As a result of these filters, only certain projects take centre stage when it comes to funding and political attention. O'Riordan calls these 'unreal objects' - scientific projects and technologies where utopian visions for the future are combined with investment and materialisation in the here and now. This attention to these unreal objects hides many current social issues, especially injustices and inequalities. At the same time they conjure utopian visions for how life might be improved.

Science and technology are playing increasingly important roles in our lives. New projects in development today will fundamentally shape the world around us, and manipulate our lived experience. But how and why are such important scientific and technological projects chosen, and what are the consequences of this process? In this book, Kate O'Riordan answers these crucial question. She discovers that many objects, such as genomes and genomic projects, smart grids, de-extinction projects and biosensors cannot be granted scientific legitimacy and developed without extraordinary amounts of media, public relations, celebrity endorsements and private investment. As a result of these filters, only certain projects take centre stage when it comes to funding and political attention. O'Riordan calls these 'unreal objects' - scientific projects and technologies where utopian visions for the future are combined with investment and materialisation in the here and now. This attention to these unreal objects hides many current social issues, especially injustices and inequalities. At the same time they conjure utopian visions for how life might be improved.

*NOW A MAJOR TV DRAMA ON CHANNEL 5* A twisty and disturbing psychological thriller about sexual obsession, family secrets and betrayal.

This book examines the making of human cloning as an imaginary practice and scientific fact. It explores the controversies surrounding both ‘therapeutic cloning’ for stem cell research and ‘reproductive’ cloning. The authors analyse the cultural production of cloning, how practices and representations play out in the global arena, and its transformation from science fiction to science practice. Case studies are used to illustrate key fore grounded issues: the image of the scientist, scientific expertise and institutionsthe governance of sciencethe representation of women’s bodies as the subjects and objects of biotechnology the constitution of publics, both as objects of media debate, and as their intended audience. Drawing together the Sociology of Scientific Knowledge, with insights from media and cultural studies, this book offers a timely contribution to debates about the public communication of science and the status of scientific truth. This book will be a valuable companion to students on undergraduate courses in media studies, science communication, cultural studies, science and technology studies and sociology.

The Genome Incorporated examines the proliferation of human genomics across contemporary media cultures. It explores questions about what it means for a technoscience to thoroughly saturate everyday life, and places the interrogation of the science/media relationship at the heart of this enquiry. The book develops a number of case studies in the mediation and consumption of genomics, including: the emergence of new direct-to-the-consumer bioinformatics companies; the mundane propagation of testing and genetic information through lifestyle television programming; and public and private engagements with art and science institutions and events. Through these novel sites, this book examines the proliferating circuits of production and consumption of genetic information and theorizes this as a process of incorporation. Its wide-ranging case studies ensure its appeal to readers across the social sciences.

This book examines the making of human cloning as an imaginary practice and scientific fact. It explores the controversies surrounding both ‘therapeutic cloning’ for stem cell research and ‘reproductive’ cloning. The authors analyse the cultural production of cloning, how practices and representations play out in the global arena, and its transformation from science fiction to science practice. Case studies are used to illustrate key fore grounded issues: the image of the scientist, scientific expertise and institutionsthe governance of sciencethe representation of women’s bodies as the subjects and objects of biotechnology the constitution of publics, both as objects of media debate, and as their intended audience. Drawing together the Sociology of Scientific Knowledge, with insights from media and cultural studies, this book offers a timely contribution to debates about the public communication of science and the status of scientific truth. This book will be a valuable companion to students on undergraduate courses in media studies, science communication, cultural studies, science and technology studies and sociology.

Set in Paris and Ireland, this is the story of a woman in her 40s, dealing with her sexuality, a damaged daughter and a fear of returning to her roots. Nell has not been home for over 30 years, but one day she receives news from Ireland so worrying that she can no longer avoid making the journey.