Kayo Chingonyi

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Från stranden av Zambezifloden till London och Leeds talar dikterna i En blodsmitta om hur avstånd och tid, nationer och historia kan komma att kollapsa inom ens kropp. Med återhållen kraftfullhet och Chingonyis signifikativa lyriska musikalitet skildras Englands koloniala historia, ursprunget till HIV och överlevarnas skuldkänslor. Dikterna blir till en berättelse om olika arv och om människorna och platserna som rinner i vårt blod.

'A Blood Condition is one of the most arresting and beautiful set of poems of this or any year' Guardian, Books of the Year 2021*SHORTLISTED FOR THE COSTA POETRY AWARD**SHORTLISTED FOR THE T. S. ELIOT PRIZE**SHORTLISTED FOR THE FORWARD PRIZE FOR BEST COLLECTION**LONGLISTED FOR THE 2022 JHALAK PRIZE*The moving, expansive, and dazzling second collection from award-winning poet Kayo ChingonyiKayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history, can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances -- of grief and survival, renewal and the painful process of letting go -- and a hymn to the people and places that run in our blood.'A thing of beauty. It's a pleasure to read such a sure and strident second outing from one of our most celebrated young poets' Diana Evans'An elegantly spare, cathartic and poignant but never indulgent collection that invites repeated reading' Telegraph'The musicality and the hard reason is just so fresh, you feel altered by it' Andrew O'Hagan

Ink Tales reinvigorates fairy tales and myths from around the world, breaking barriers and challenging stereotypes throughout. Illustrated by Inkquisitive (Amandeep Singh) in his vibrant signature Indian inks, each story is accessible and visually inspiring. Travel across oceans and discover the vengeful wrath of a River God in Kayo Chingonyi's West African tale. Soar too close to the sun with Inua Ellam's timely story of a young refugee girl. Fly to a mysterious castle inhabited by a cursed prince with Helen Mort's retelling of East of the Sun, West of the Moon. Uncover the truth of #Bluebeard with Joelle Taylor's modernised fairy tale. Look to the constellations with Will Harris' futuristic Greek tragedy, and never, ever answer to your name in Malika Booker's Trinidadian recreation of the Dwen. Bedtime Stories for the End of the World is produced in partnership with the ground-breaking poetry podcast of the same name. The six featured poets draw on their own experience, adding a new dimension to an existing tale. 'Bedtime Stories for the End of the World' is a spoken word and poetry podcast about the power of myth and the politics of storytelling. The podcast asks some of the UK's top poets to re-imagine their favourite myths, fairy tales and legends - the stories they want to keep and protect for the future. It also involves an annual live event, creating a tangible and accessible experience for existing and new audiences. Reimagined tales include Icarus, the legend of the Zambezi River God, East of the Sun West of the Moon, Bluebeard, Philoctetes and the Trinidadian folklore figure 'douen'.

Kumukanda är den rit en pojke i Luvalestammen måste genomgå för att betraktas som man. Med 2017 års mest uppmärksammade brittiska debut utforskar Kayo Chingonyi genom ett fascinerande förhållningssätt till språk, musik och litteratur identitet, rasifiering och maskulinitet och övergången mellan två olika världar: det historiska arvet och samtiden, mellan levande och döda, mellan vem han är och vem han förväntas vara. Kayo Chingonyi är född 1987 i Zambia och kom som sexåring till England. I sin ömsinta debut skildrar han uppväxtens krav och lyckas han lika storartat fånga såväl sorgen över att ha förträngt sitt modersmål som extasen i Londons klubbvärld.

*Winner of the Dylan Thomas Prize 2018**Winner of the Somerset Maugham Award 2018*'A brilliant debut - a tender, nostalgic and, at times, darkly hilarious exploration of black boyhood, masculinity and grief. A gorgeous and necessary collection from one of my favourite writers' Warsan ShireTranslating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.*Shortlisted for the Costa Poetry Prize; Seamus Heaney Centre First Poetry Collection Prize; Ted Hughes Award for New Work in Poetry; Roehampton Poetry Prize; Jhalak Prize 2018*

Some Bright Elegance is about the changes that are a part of life in the 21st Century. In the book this is explored in relation to the search for meaning and consolation in the wake of bereavement, the memorial role of music, and the effects of social change on local communities. The book is also threaded with imagined scenes centred on those defining moments when people, places or objects take on new significances.