Keith Gessen

"Diary of a Very Bad Year is a rarity: a book on modern finance that's both extraordinarily thoughtful and enormously entertaining."-- James Surowiecki, author of The Wisdom of Crowds "A great read. . . . HFM offers a brilliant financial professional's view of the economic situation in real time, from September 2007, when problems in financial markets began to surface, until late summer 2009."-- Booklist "n+1 is the rightful heir to Partisan Review and the New York Review of Books. It is rigorous, curious and provocative." -- Malcolm Gladwell A profoundly candid and captivating account of the economic crisis and subprime mortgage collapse, from an anonymous hedge fund manager, as told to the editors of New York literary magazine n+1.

'A wise, mild and enviably lucid book about a chaotic scene' - Dwight Garner, New York Times 'Memoirs of fatherhood are rarely so honest or so blunt' - Daniel Engber, Atlantic'Tender and generous' - New York magazineKeith Gessen had always assumed that he would have kids, but couldn't imagine what parenthood would be like, nor what kind of parent he would be. Then, one Tuesday night in early June, Raffi was born, a child as real and complex and demanding of his parents' energy as he was singularly magical. Fatherhood is another country: a place where the old concerns are swept away, where the ordering of time is reconstituted, where days unfold according to a child's needs. Like all parents, Gessen wants to do what is best for his child. But he has no idea what that is. By turns hilarious and poignant, Raising Raffi is a story of what it means to invent the world anew.

After the collapse of the Soviet Union, Russia under Yeltsin and Putin implemented a political system of "imitation democracy," marked by "a huge disparity between formal constitutional principles and the reality of authoritarian rule." How did this system take shape, how else might it have developed, and what are the prospects for re-envisioning it more democratically in the future? These questions animate Dmitrii Furman's Imitation Democracy, a welcome antidote to books that blandly decry Putin as an omnipotent dictator, without considering his platforms, constituencies, and sources of power. With extensive public opinion polling drawn from throughout the late- and post-Soviet period, and a thorough knowledge of both official and unofficial histories, Furman offers a definitive account of the formation of the modern Russian political system, casting it into powerful relief through comparisons with other post-Soviet states. Peopled with grey technocrats, warring oligarchs, patriots, and provocateurs, Furman's narrative details the struggles among partisan factions, and the waves of public sentiment, that shaped modern Russia's political landscape, culminating in Putin's third presidential term, which resolves the contradiction between the "form" and "content" of imitation democracy, "the formal dependence of power on elections and the actual dependence of elections on power."

'A wise, mild and enviably lucid book about a chaotic scene' - New York Times

"A wise, mild and enviably lucid book about a chaotic scene." --Dwight Garner, The New York Times "Memoirs of fatherhood are rarely so honest or so blunt." --Daniel Engber, The Atlantic "An instant classic." --M. C. Mah, Romper NAMED A MOST ANTICIPATED BOOK OF 2022 BY LIT HUB & THE MILLIONS An unsparing, loving account of fatherhood and the surprising, magical, and maddening first five years of a son's life "I was not prepared to be a father--this much I knew." Keith Gessen was nearing forty and hadn't given much thought to the idea of being a father. He assumed he would have kids, but couldn't imagine what it would be like to be a parent, or what kind of parent he would be. Then, one Tuesday night in early June, the distant idea of fatherhood came careening into view: Raffi was born, a child as real and complex and demanding of his parents' energy as he was singularly magical. Fatherhood is another country: a place where the old concerns are swept away, where the ordering of time is reconstituted, where days unfold according to a child's needs. Whatever rulebooks once existed for this sort of thing seem irrelevant or outdated. Overnight, Gessen's perception of his neighborhood changes: suddenly there are flocks of other parents and babies, playgrounds, and schools that span entire blocks. Raffi is enchanting, as well as terrifying, and like all parents, Gessen wants to do what is best for his child. But he has no idea what that is. Written over the first five years of Raffi's life, Raising Raffi examines the profound, overwhelming, often maddening experience of being a dad. Gessen traces how the practical decisions one must make each day intersect with some of the weightiest concerns of our age: What does it mean to choose a school in a segregated city? How do you instill in your child a sense of his heritage without passing on that history's darker sides? Is parental anger normal, possibly useful, or is it inevitably authoritarian and destructive? How do you get your kid to play sports? And what do you do, in a pandemic, when the whole world seems to fall apart? By turns hilarious and poignant, Raising Raffi is a story of what it means to invent the world anew.

Orwell demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." AUTHOR: George Orwell (1903-1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

In the summer of 2008, Andrei Kaplan moves from New York to Moscow to look after his ageing grandmother, a woman who survived the dark days of communism and witnessed Russia’s violent capitalist transformation. She welcomes Andrei into her home, even if she can’t always remember who he is. Andrei learns to navigate Putin’s Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly – but surprisingly sharp! – grandmother, finds a place to play hockey, a café to send emails, and eventually some friends, including a beautiful young activist named Yulia. Capturing with a miniaturist’s brush the unfolding demands of family, fortune, personal ambition, ideology, and desire, A Terrible Country is a compelling novel about ageing, radical politics, Russia at a crossroads, and the difficulty – or impossibility – of actually changing one’s life.

A charming yet scathing portrait of young adulthood at the opening of the twenty-first century, All the Sad Young Literary Men charts the lives of Sam, Mark, and Keith, as they overthink their college years, underthink their love lives, and struggle through the encouragement of the women who love and despise them to find a semblance of maturity, responsibility, and even literary fame. At every turn, at each character's misstep, this assured debut radiates with comedic warmth and biting honesty and signals the arrival of a brave and trenchant new writer.

By the author of A Terrible Country and Raising Raffi, a novel of love, sadness, wasted youth, and literary and intellectual ambition--"wincingly funny" (Vogue) Keith Gessen is a brave and trenchant new literary voice. Known as an award-winning translator of Russian and a book reviewer for publications including The New Yorker and The New York Times, Gessen makes his debut with this critically acclaimed novel, a charming yet scathing portrait of young adulthood at the opening of the twenty-first century. The novel charts the lives of Sam, Mark, and Keith as they overthink their college years, underthink their love lives, and struggle to find a semblance of maturity, responsibility, and even literary fame.