Keith Hartley

This Element presents an economic analysis of Augustine's Laws and Weapons Systems. It explores and evaluates their economic content and subjects them to critical analysis. The Element is both theoretical and empirical and the empirical work uses an original UK data set on military aircraft over the period 1934 to 1964. The period embraces major technical changes involving war and peace and the shift to jet powered aircraft.

This Element presents an economic analysis of Augustine's Laws and Weapons Systems. It explores and evaluates their economic content and subjects them to critical analysis. The Element is both theoretical and empirical and the empirical work uses an original UK data set on military aircraft over the period 1934 to 1964. The period embraces major technical changes involving war and peace and the shift to jet powered aircraft.

Tervetuloa Pohjoismaiden suurimpaan verkkokirjakauppaan! Adlibris kannattaa sananvapautta, ja haluamme edistää kirjallisuuden ja tiedon saatavuutta.

Emil Nolde (1867-1956) was one of the greatest colourists of the twentieth century. An artist passionate about his north German home near the Danish border, with its immense skies, flat, windswept landscapes and storm-tossed seas, he was equally fascinated by the demi-monde of Berlin's cafes and cabarets, the busy to and fro of tugboats in the port of Hamburg and the myriad of peoples and places he saw on his trip to the South Seas in 1914. Nolde felt strongly about what he painted, identifying with his subjects in every brushstroke he made, heightening his colours and simplifying his shapes, so that we, the viewers, can also experience his emotional response to the world about him. This is what makes Nolde one of Germany's greatest expressionist artists. This book, comprising five essays, has over 100 illustrations drawn from the incomparable collection of the Emil Nolde Foundation in Seebull (the artist's former home in north Germany). It covers Nolde's complete career, from his early atmospheric paintings of his homeland right through to the intensely coloured, so-called 'unpainted paintings', works done on small pieces of paper during the Third Reich when Nolde was branded a 'degenerate'.

This book, first published in 1983, examines weapons standardisation as one aspect of NATO’s efficiency. It analyses the economic arguments for weapons standardisation, the limitations of the analysis and the available evidence. A political economy or public choice approach is used, with its emphasis on policy developments in the political market place of voters, political parties, bureaucracies and interest groups. These agents are central to understanding the function of weapons procurement policy within the Alliance.

NATO is facing a unique crisis questioning its existence and future. This book provides a detailed in-depth economic and critical analysis of the issues. It considers whether NATO has a future and what it might look like 70 years ahead. NATO is undergoing a process of dramatic change, reorganising its functions, funding and strategic responsibilities to address growing regional and global threats. This book not only explores the contentiousness of economic and financial burden-sharing and the associated political and diplomatic stresses involved in the pursuit of common strategic objectives, but contributes to a further debate concerning the expanded scope and roles of the Alliance in the 21st century. This book combines NATO’s political controversies, complexities and conflicts with a treatment of the underlying theoretical economic frameworks. This book is essential reading for students in military staff colleges, university International Relations and Strategic Affairs Departments, but also to those working in government defence establishments, independent think tanks and political and economic institutions, generally.

This book, first published in 1983, examines weapons standardisation as one aspect of NATO’s efficiency. It analyses the economic arguments for weapons standardisation, the limitations of the analysis and the available evidence. A political economy or public choice approach is used, with its emphasis on policy developments in the political market place of voters, political parties, bureaucracies and interest groups. These agents are central to understanding the function of weapons procurement policy within the Alliance.

NATO is facing a unique crisis questioning its existence and future. This book provides a detailed in-depth economic and critical analysis of the issues. It considers whether NATO has a future and what it might look like 70 years ahead. NATO is undergoing a process of dramatic change, reorganising its functions, funding and strategic responsibilities to address growing regional and global threats. This book not only explores the contentiousness of economic and financial burden-sharing and the associated political and diplomatic stresses involved in the pursuit of common strategic objectives, but contributes to a further debate concerning the expanded scope and roles of the Alliance in the 21st century. This book combines NATO’s political controversies, complexities and conflicts with a treatment of the underlying theoretical economic frameworks. This book is essential reading for students in military staff colleges, university International Relations and Strategic Affairs Departments, but also to those working in government defence establishments, independent think tanks and political and economic institutions, generally.

This Element introduces students, policy-makers, politicians, governments and business-people to this new discipline within economics. It presents the recent history of the subject and its range of coverage. Traditional topics covered include models of arms races, alliances, procurement and contracting, as well as personnel policies, industrial policies and disarmament. Newer areas covered include terrorism and the economics of war and conflict. A non-technical approach is used and the material will be accessible to both economists and general readers.

Through the early works of Andy Warhol and Eduardo Paolozzi, this book traces the development of their deep obsession with the machine. Looking at the way that both artists began in the late 1940s and the years following, the book illustrates their fascination with popular culture and the methods that they used in creating their art. Common to all their methods of making works was their hand-made quality. Only in the 1960s did the artists make the step to mechanical means to create their own artworks, resulting in the iconic images that are integral to our culture. As Warhol said of himself, there is only surface, with nothing underneath.

It is estimated that today some 2.7% of world GDP ($1.5 trillion) is spent on arms. In 2014 Lockheed Martin, the US defence contractor, had revenues of $45 billion ? the equivalent of the GDP of Tunisia. This book explores the business behind these breathtaking figures and explains how the arms industry makes its money. The book begins by defining the industry, explaining why the sector is important, outlining its prime contractors and key supply chains. Its cost categories (from R&D to maintenance), the role of technical innovation, and the sector’s dependence on the monopsony buying power of Government, are all examined. The structure-conduct and performance model is used to show the workings of the arms market and its various entry and exit conditions, and the sector’s performance is analysed through various indicators including exports, development time scales, cost overruns and profitability. The complex choice problems of domestic procurement are considered alongside sales to foreign governments and the opportunities that may present for bribery and corruption. The Military-Industrial-Political-Complex (MIPC) is unpacked and the behaviour of its major agents ? national defence agencies, the armed forces, producer groups, political agents (voters, political parties and budget-maximising bureaucracies) ? is scrutinised, both in times of conflict (expansion) and peace (contraction). The book concludes by considering future trends, such as whether arms industries are better under state or private ownership, and how they can meet the challenge of new threats in different forms. The discussion throughout is anchored to case studies from all parts of the world, including Brazil, Korea, Japan, Russia as well as UK, US and Europe. As an authoritative non-technical introduction to the economics of arms industries, it is suitable for students of business studies, politics, international relations, political economy, strategic and defence studies as well as for courses on microeconomics and industrial economics. As a masterly summation from one of the world’s leading defence economists, it will also be required reading for staff in defence ministries, procurement agencies, the armed forces and strategic studies think-tanks throughout the world.

Richard Demarco co-founded the Traverse Theatre in Edinburgh in 1963 and ran the vibrant Richard Demarco Gallery in Edinburgh for almost 30 years. He promotes crosscultural dialogues and was the first person to introduce Joseph Beuys in the UK. Joseph Beuys was a German sculptor and creator of action performances, political activist and teacher. This book explores the works, lectures and ‘Actions’ which resulted from the mutual hopes, inspirations and shared values of Richard Demarco and Joseph Beuys, the innovative and inspirational German postwar artist, from 1970 until Beuys’ death in 1986. Demarco, an avant-garde gallerist in Edinburgh, was an early proponent of Scotland taking its place within the European art world; Demarco recognised the visionary quality of Beuys’ work and visited him in Oberkassel in January 1970. In the hope of focusing Beuys’ attention on Scotland, he presented him with a set of postcards depicting typical Scottish scenes. Beuys responded with, ‘I see the land of Macbeth, so when shall we two meet again, in thunder, lightning or in rain?’ They reunited in thundery Edinburgh later that year and Demarco led him northwards along the ancient track he calls ‘The Road to Meikle Seggie’. This initial experience of the Scottish landscape inspired Beuys, who felt a strong connection with Celtic culture, and laid the foundation for a remarkable artistic friendship which enriched the work of both men. With photos from Demarco’s personal collection and essays spanning from 1970 to the present, this is an intimate and intellectually rigorous look at a friendship seminal to the development of art in Scotland over the last 40 years.

This book brings together over 160 of the finest surrealist artworks by legendary artists including Salvador Dali, Max Ernst, Rene Magritte, Joan Miro and Man Ray. The works hail from the four renowned and extraordinary private collections of Edward James, Roland Penrose, Gabrielle Keiller and Ulla and Heiner Pietzsch, and together offer a superb overview of surrealist art. Ten essays explore the different origins, historical contexts and creative urges behind these collections. Artworks, perhaps more than anything else that one can acquire, are objects of desire and surrealist artworks even more so. The sheer quality of the works acquired (and, in the case of the Pietzsches, still being acquired) is astonishing and, while passionate about their private visions, all the collectors have been mindful of contributing something to the public good. The collections complement each other to an extraordinary degree and allow us to follow some of the artists' careers from beginning to end. By uniting them, exciting new juxtapositions emerge along with a fuller and richer picture of the surrealist movement as a whole. AUTHOR: Dawn Ades has curated numerous international exhibitions on Surrealism and Dada. She is a Fellow of the British Academy, a former trustee of Tate and was awarded a CBE in 2013 for her services to art history. Elizabeth Cowling is Honorary Fellow in History of Art at the University of Edinburgh. She was the principal author of 'Surrealism and After: The Gabrielle Keiller Collection' (1997). Prof Dr Hubertus Gabner is Director of the Hamburger Kunsthalle. Annabelle Gorgen-Lammers is Exhibition Curator at the Hamburger Kunsthalle. Keith Hartley is Chief Curator and Deputy Director at the Scottish National Gallery of Modern Art in Edinburgh. Saskia van Kampen-Prein is Curator of Modern and Contemporary Art at the Museum Boijmans Van Beuningen in Rotterdam. SELLING POINTS: . This book brings together some of the world's finest surrealist artworks from four renowned and extraordinary private collections . Many of the works featured have rarely been seen in public . By bringing together works from these collections, the oeuvres of the artists are presented in a new light and some of their careers seen from beginning to end 200 colour images

This important book explores the threats and challenges to regional security, for Nato, in the Mediterranean, and in the sub-Saharan countries, namely southern Africa. Written and edited by leading researchers, the volume's significance lies in its demonstration of how concepts from economics and other social science disciplines can be applied to important issues of defence, conflict and peace at the regional level.

Aerospace is often viewed as a key high-technology industry, important for a nation's future growth prospects and international competitiveness. This book presents an economic and political analysis of the world's aerospace industries and their performance. Keith Hartley uses examples from most of the world's significant aerospace industries, especially across the USA, UK and Europe. The emphasis on political economy reflects the continuing influence of government on the fortunes of the industry. He presents chapters on aerospace markets, technical progress, industry structure, conduct and performance, a case study of BAE Systems, public choice analysis, the case for subsidies, procuring military aircraft, international collaboration, as well as an insight into future prospects. He concludes that the future aerospace firm will be radically different, but governments will continue to dominate the industry. The Political Economy of Aerospace Industries will appeal to undergraduate and graduate students in industrial and defense economics, public choice and policy courses. It will also be of interest to researchers, policy-makers and those involved in the industry in various different capacities.

Since the end of the Cold War, the world has been faced with new regional conflicts, terrorism and threats from the proliferation of weapons of mass destruction and from rogue states. The world remains uncertain, unstable and insecure with continued threats to global peace and security. The world economic crisis has also threatened government spending with defence as a candidate for spending cuts. Choices have to be made about the size of a nation’s defence budget, its allocation between nuclear and conventional forces, between equipment and personnel and between air, land and sea forces. Major reductions in defence spending and the challenge of maintaining security with increasingly limited resources will confront the defence budgets of all nations. This book identifies the typical questions raised by economists when studying defence policy, shows how simple economic analysis can be used to answer these questions and provides a critical evaluation of defence policy. Controversial and illuminating, this pioneering work subjects the myths, emotion and special pleading which dominate defence debates to the close scrutiny of economic analysis and critical appraisal. It identifies the range of choices facing all governments with examples taken from the UK, Europe and the USA. This valuable contribution should be of interest to postgraduates and researchers focusing on defence economics, as well as those working in the military or defence ministries.

This book brings together works from one of the most important private collections of modern and contemporary art, the D. Daskalopoulos Collection with key pieces from the Scottish National Gallery of Modern Art. Providing a new context for both collections, it specifically focuses on the theme of the body, investigating the many and varied approaches that artists have taken across several decades when dealing with this most fundamental of subjects. Highlighting the work of artists such as Marcel Duchamp, Pablo Picasso, Louise Bourgeois, Joseph Beuys, Robert Gober, Matthew Barney, Marina Abramovic and Sarah Lucas, the publication documents the confrontations and dialogues staged between the two collections, and provides a rich insight into one of the most compelling and provocative themes in twentieth- and twenty-first century visual art.

First retrospective of this artist's work in many years. John Bellany accompanies an exhibition at the Scottish National Gallery in Edinburgh from 17 November 2012 - 27 January 2013. John Bellany, born 1942, helped change the course of painting in Scotland. His intensely felt paintings of fisherfolk and their precarious life at sea were a direct challenge to the much diluted Scottish colorist tradition and its landscapes and still lifes. The sheer size and raw emotion of Bellany's canvases, their depictions of a way of life that the artist knew from growing up in a Port Seton fishing family - and their elevation of that life onto a symbolic level - were at odds with the decorative, drawing-room pictures of much contemporary Scottish painting in the 1960s. This book will mark John Bellany's seventieth birthday and will accompany the largest and most comprehensive exhibition of John Bellany's work since the National Galleries of Scotland organized the retrospective in 1986. The fully illustrated catalogue will illustrate paintings, watercolors, drawings and prints from all the key periods of the artist's career.

First published in 1977, this is an applied economics text, in which the basic theory of any introductory economics couurse is applied to a whole range of UK macro- and micro-economic policy issues. The book is designed specifically for first and second year university students, with the aim of demonstrating the relevance of theory to policy, how theory can be applied to policy problems and, in the process, to improve their understanding of the theory itself.

Since the end of the Cold War, the world has been faced with new regional conflicts, terrorism and threats from the proliferation of weapons of mass destruction and from rogue states. The world remains uncertain, unstable and insecure with continued threats to global peace and security. The world economic crisis has also threatened government spending with defence as a candidate for spending cuts. Choices have to be made about the size of a nation’s defence budget, its allocation between nuclear and conventional forces, between equipment and personnel and between air, land and sea forces. Major reductions in defence spending and the challenge of maintaining security with increasingly limited resources will confront the defence budgets of all nations. This book identifies the typical questions raised by economists when studying defence policy, shows how simple economic analysis can be used to answer these questions and provides a critical evaluation of defence policy. Controversial and illuminating, this pioneering work subjects the myths, emotion and special pleading which dominate defence debates to the close scrutiny of economic analysis and critical appraisal. It identifies the range of choices facing all governments with examples taken from the UK, Europe and the USA. This valuable contribution should be of interest to postgraduates and researchers focusing on defence economics, as well as those working in the military or defence ministries.