Ken Bruen

The latest Jack Taylor novel from the Godfather of Irish noir Jack Taylor has never quite been able get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered. After another Guard is found dead, and then another, Taylor's old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united in their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover, and who will force Jack to confront some personal trauma from his past. As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful. Praise for Galway Girl: 'A bleak, gripping slice of noir Irish life... As good a read as you'll come across this year' IRISH INDEPENDENT'A surreal mind and an unusual writing style... It shouldn't work, but it does, delightfully' THE TIMES'The Godfather of the modern Irish crime novel' IRISH TIMES

Parlamentaarikkoa turpaan vetänyt, poliisista poispotkittu Jack Taylor tekee vähemmän näyttävän paluun Dublinista kotikaupunkiinsa Galwayhin, uutena addiktionaan kokaiini. Taylor ottaa haluttomasti vastaan keikan: joku tappaa verisesti Irlannin kulkureita, jotka pitävät kotiaan asuntoautoissa. Poliisi ei suostu tutkimaan kuolemia, ja Taylorin viinan ja huumeiden sumentamat tutkimukset johtavat kummallisiin suuntiin.

Ken Bruen has been called "hard to resist, with his aching Irish heart, silvery tongue, and bleak noir sensibility" (New York Times Book Review). His prose is as characteristically sharp as his outlook in the latest Jack Taylor novel, In the Galway Silence. After much tragedy and violence, Jack Taylor has at long last landed at contentment. Of course, he still knocks back too much Jameson and dabbles in uppers, but he has a new woman in his life, a freshly bought apartment, and little sign of trouble on the horizon. Once again, trouble comes to him, this time in the form of a wealthy Frenchman who wants Jack to investigate the double-murder of his twin sons. Jack is meanwhile roped into looking after his girlfriend's nine-year-old son, and is in for a shock with the appearance of a character out of his past. The plot is one big chess game and all of the pieces seem to be moving at the behest of one dangerously mysterious player: a vigilante called "Silence," because he's the last thing his victims will ever hear. This is Ken Bruen at his most darkly humorous, his most lovably bleak, as he shows us the meaning behind a proverb of his own design--"the Irish can abide almost anything save silence."

The latest Jack Taylor novel from the Godfather of Irish noir. After too much tragedy and violence, Jack Taylor might have at long last found contentment. Of course, he still knocks back too much Jameson and dabbles in uppers, but he has a new woman in his life, a freshly bought apartment, and little sign of trouble on the horizon, unless you count looking after his girlfriend's spoilt nine-year-old. But once again, trouble comes to him, this time in the form of wealthy Frenchman Pierre Renaud, who wants Jack to investigate the double murder of his twin sons. Entitled, drug-addled, les enfants terribles were bound to a wheelchair, mouths glued shut and pushed off the pier. He shouldn't, but Jack reluctantly agrees to investigate and it opens the door to the past again... 'Nobody writes like Ken Bruen, with his lilting Irish prose and his taste for the gallows humor' NEW YORK TIMES. 'As good a read as you'll come across this year' IRISH INDEPENDENT. 'A gritty, brutal tale told with its author's typical lyricism' DAILY MAIL. 'Bruen is on top form' PUBLISHERS WEEKLY.

Ken Bruen has been called "hard to resist, with his aching Irish heart, silvery tongue, and bleak noir sensibility" (New York Times Book Review). His prose is as characteristically sharp as his outlook in the latest Jack Taylor novel, In the Galway Silence. After much tragedy and violence, Jack Taylor has at long last landed at contentment. Of course, he still knocks back too much Jameson and dabbles in uppers, but he has a new woman in his life, a freshly bought apartment, and little sign of trouble on the horizon. Once again, trouble comes to him, this time in the form of a wealthy Frenchman who wants Jack to investigate the double-murder of his twin sons. Jack is meanwhile roped into looking after his girlfriend's nine-year-old son, and is in for a shock with the appearance of a character out of his past. The plot is one big chess game and all of the pieces seem to be moving at the behest of one dangerously mysterious player: a vigilante called "Silence," because he's the last thing his victims will ever hear. This is Ken Bruen at his most darkly humorous, his most lovably bleak, as he shows us the meaning behind a proverb of his own design--"the Irish can abide almost anything save silence."

Irlannin länsirannikolle Galwayhin sijoittuva, suomalaisillekin TV-rikosdraaman ystäville tuttu Jack Taylor -sarja teki luojastaan Ken Bruenista maailmankuulun. Kovaksikeitetyn dekkarin vankkaa perinnettä jatkavan sarjan päähenkilö on yksityisetsiväksi ryhtynyt, alkoholisoitunut entinen poliisi, joka ongelmistaan huolimatta koettaa taistella vallitsevaa epäoikeudenmukaisuutta vastaan. Nopeasti muuttuvassa ja samanaikaisesti vanhoillisessa yhteiskunnassa se on kaikkea muuta kuin helppoa.

Ken Bruen is a singular voice in crime fiction "with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows" (New York Times Book Review). In The Ghosts of Galway, he brings those elegiac talents to bear on a case involving a famously blasphemous red book and Bruen's equally profane antihero Jack Taylor. As well-versed in politics, pop culture, and crime fiction as he is ill-fated in life, Jack Taylor is recovering from a mistaken medical diagnosis and a failed suicide attempt. In need of money, and with former cop on his resume, Jack has been hired as a night-shift security guard. But his Ukrainian boss has Jack in mind for a bit of off-the-books work. He wants Jack to find what some claim to be the first true book of heresy, The Red Book, currently in the possession of a rogue priest who is hiding out in Galway after fleeing a position at the Vatican. Despite Jack's distaste for priests of any stripe, the money is too good to turn down. Em, the many-faced woman who has had a vise on Jack's heart and mind for the past two years, reappears and turns out to be entangled with the story of The Red Book, too, leading Jack down ever more mysterious and lethal pathways. It seems all sides are angling for a piece of Jack Taylor, but as The Ghosts of Galway twists toward a violent end, he is increasingly plagued by ghosts--by the disposable and disposed of in a city filled with as much darkness as the deepest corners of Jack's own mind.

From the "Godfather of the modern Irish crime novel" (Irish Independent), The Emerald Lie introduces a villain of the most unusual type: an Eton and Cambridge graduate who becomes murderous over split infinitives, improper punctuation, and any other sign of bad grammar. Ken Bruen's irascible protagonist, ex-cop Jack Taylor, is meanwhile approached by a grieving father with a pocketful of cash on offer if Jack will help exact revenge on those responsible for his daughter's brutal rape and murder. Jack agrees to get a read on the likely perpetrators but is soon derailed by the appearance of Emily (also known as Em, Emerald), a chameleon-like young woman who is by turns passionate, clever, and utterly homicidal. She is ready to use any sort of coercion to get Jack to conspire with her against the serial killer the Garda have nicknamed "the Grammarian," but her most destructive obsession just might be Jack himself.

The award-winning crime novelist Ken Bruen is as joyously unapologetic in his writing as he is wickedly poetic. In Green Hell, Bruen's dark angel of a protagonist, Jack Taylor, has hit rock bottom: one of his best friends is dead and the other has stopped speaking to him; he has given up on sobriety; and his firing from the Irish national police is ancient history. But Jack isn't about to embark on a self-improvement plan. Instead, he has taken up a vigilante case against a respected professor of literature at the University of Galway who has developed a savage habit his friends in high places are only too happy to ignore. Jack unexpectedly gains a new sidekick after rescuing a preppy American student from a couple of kid thugs. The student, a Rhodes scholar, decides to devote himself to slinging back shots of Jameson and writing a biography of Galway's most magnetic rogue. Between pub crawls and street fights, Jack's vengeful plot against the professor soon spirals towards chaos, putting both the student and himself in danger. Enter Emerald, an edgy young goth who could either be the answer to Jack's problems, or the last ripped stitch in his undoing. Ireland may be known as a "green Eden," but in Jack Taylor's world, the national color has a lethal sheen.

DEALING... PRODUCING... ALL IN A DAY'S WORK FOR A DRUGLORD. OR IN HOLLYWOOD. Ruined and on the lam, former drug kingpin Max Fisher stumbles upon the biggest discovery of his crooked life: a designer drug called PIMP that could put him back on top. Meanwhile, a certain femme fatale from his past is pursuing a comeback dream of her own, setting herself up in Hollywood as producer of a series based on her and Max's life story. But even in La-La Land, happy endings are hard to come by, especially with both the cops and your enemies in the drug trade coming after you...

When last we saw Max Fisher and Angela Petrakos, Max was being arrested by the NYPD for drug trafficking and Angela was fleeing the country in the wake of a brutal murder. Now both are headed for eye-opening encounters with the law - Max in the cell blocks of Attica, Angela in a quaint little prison on the Greek island of Lesbos...

Stories and essays by Ken Bruen, Jim Cornelius, Garnett Elliott, Bradley Mason Hamlin, Sam Hawken, Mike MacLean, Craig McDonald, Manuel Ramos, Steve Rogers, Tom Russell, James Sallis, Mart n Solares, John Stickney, Dave Zeltserman. Edited by Craig McDonald Welcome to La Frontera: You're headed way out west this time, intrepid reader, far past where you've dared go before. Your troubled guides along these dusty, bloody stretches of The Devil's Highway are much-awarded crime novelists, journalists, and border-dwelling troubadours. They serve up stories and essays about lives threatened chasing the elusive, often deadly, dream of more money and better futures beckoning north and south of the border. Emiliano Zapata declared, "It's better to die on your feet than to live on your knees." In that spirit, these bards of the borderland are swinging for the barbed-wire fences: all swagger and dark visions, hell-bent on sweeping you along with them across the Rio Grande to a broken Promised Land. Like treacherous Coyotes, they may gut-shoot you or break your heart in the crossing, but however it goes down, know these hombres are determined to make you feel it.

Someone is scraping the scum off the streets of Galway, and they want Jack Taylor to get involved. In the meantime, Jack is being courted by Reardon, a charismatic billionaire intent on buying up much of Galway, and begins a tentative relationship with Reardon's PR director, Kelly.

Some people help the less fortunate. Others kill them. Evil has many guises. Jack Taylor has encountered most of them but nothing before has ever truly terrified him until a group called Headstone rears its ugly head. An elderly priest is viciously beaten until nearly dead. A special needs boy is brutally attacked.

“Hip, violent and funny vignettes of the mean streets of southeast London tie together this rowdy set of short novels” from the Irish crime writer (Publishers Weekly). At sixty-two, Chief Inspector Roberts is nearly too old to be a cop, but he makes up for his age with a ferocity that the younger detectives cannot match. After four decades on the force, he has a daughter who hates him, a wife who cheats, and a bank account that grows emptier every year. But on London’s darker streets, Roberts is a force to be reckoned with. With his partner, the gleefully brutal Detective Sergeant Brant, Roberts looks for every policeman’s dream: the White Arrest, a high-profile success that makes up for all their past failures. In A White Arrest, their target is a bat-wielding lunatic who knocks off drug dealers. In Taming the Alien, they hunt a mysterious hit man who earned his nickname by carrying out a hit while watching Ridley Scott’s sci-fi classic. And in The McDead, Roberts and Brant set their sights on a cunning kingpin ruling London’s southeast side. Gripping and gritty, Ken Bruen’s White Trilogy is an unforgettable noir portrait of London’s seedy underworld.

In the next book in Ken Bruen's legendary private investigator series, Jack Taylor faces his most challenging opponent yet in this noir masterpiece, The Devil. America--the land of opportunity, a place where economic prosperity beckons: but not for PI Jack Taylor, who's just been refused entry. Disappointed and bitter, he thinks that an encounter with an overly friendly stranger in an airport bar is the least of his problems. Except that this stranger seems to know much more than he should about Jack. Jack thinks no more of their meeting and resumes his old life in Galway. But when he's called to investigate a student murder--connected to an elusive Mr. K--he remembers the man from the airport. Is the stranger really who he says he is? Jack struggles to make sense of it all, and the Jameson isn't helping. After several more murders and too many coincidental encounters, Jack believes he may have met his nemesis. But why has he been chosen? And could he really have taken on the devil himself? Suspenseful, haunting, and totally unique, The Devil is Bruen at his very best.