Korina Hunjak

Stories are a way to escape reality, but also a way to communicate and to help us understand the world around us. These are stories on different subjects, told with different voices in different ways by 13 creators from 8 countries. This volume of CBA has no theme, it’s just stories.

New issue of the international comics anthology: From hospital staff to comic creators to basically any job in the gig economy. Anyone who doesn’t have a steady income, or who is expected to do more work in less time than is reasonable, can feel it. This volume of CBA explores BURNOUT. Not so much stories of depressing social realism, but rather artistic expressions of that feeling, suggestions for solutions, wishful thinking and visual abreactions. Expressions of rage rather than apathy, insurrection rather than complicity. Something to read for strength in times of austerity.

Few non-genital body parts are the object of nightmares and obsessions as much as fingers and teeth. Focusing on single body parts might seem hard when telling a story, or evoking feelings in art, but not regarding fingers and teeth. We all have some story connected to them. The human touch and the animal bite, desirable or dangerous. In this issue, we zoom in on the most bodily representations of anxiety and vulnerability.

In a world where everyone seems to be moving into the forced crowd that is the City (more than 50% of the entire population of earth live on the 2% surface that is urbanized, in Sweden the rate is 85%). The epidemic of loneliness is skyrocketing alongside the skyscrapers, we sit inside our empty little apartments with our empty little hearts. The mortality rate of being lonely rivaling those of smoking too much. We are but morals and the City is our graveyard it seems. And one bad thing isn’t enough, because at the same time a new phenomenon is being researched. Aloneliness is the negative feelings that arise from NOT spending enough time alone. In a city, in a crowd there is never time to slow down, to contemplate, to ponder and to recover. Stress and its manufactured hellhole well-being-spa-solutions is in itself another epidemic. SO this issue of CBA invites you to explore this longing to be more alone. These comics want to take you to your favourite place of solitude, show you moments of solitary relaxation, tell you the tale of nostalgia-ridden woodlands, a sunlit forest glade, the forgotten refuge on a rooftop in a crowded city. Where do you go to, my lovely When you’re alone in your bed?

New issue of the international comics anthology CBA: Have you ever had to just stop what you’re doing and go: “Wait, is this a dream?” When the unknown starts bleeding into reality and you are forced to question your sanity, if just a little bit. You know the sort of thing that happens in dreams that makes you sure it’s just a dream? How do you cope when it happens in the waking world?

Science and fiction rule our lives. The laws of physics seem set in stone while the laws of man are arbitrary mirrors of the morality of the times. Gods and spirits are creations of the mind but also the explanation when comprehension fails. What lies beyond our understanding? Is it more science or something else? What dark forces lurk outside our field of vision? What machineries of death and destruction are we yet to invent in the name of money (which used to be metal and paper but is now to a great extent nothing but speculation and expectations)? What (or who) else meet in the intersection between science fiction and real science? What came first? The egg or the hatching machine?

So many LGBTQ narratives end in tragedy as a consequence of the LGBTQ-hood of the characters. Those stories are important because LGBTQ people are still being targeted by prejudice, discrimination and violence, but in this volume of CBA we encouraged artists to do something different. To tell queer stories where the queerness isn’t a narrative catalyst for bad things, but rathera source for joy or love or just one characteristic among others. Queer tales about situations involving LGBTQ characters. Utopian queer tales in the sense that everything might not be perfect, but at least the horrible things that happen don’t have anything to do with the characters’ sexual orientation.