Kutter Callaway

This work of theological film criticism provides an analysis of filmmaker Christopher Nolan’s entire filmography, from Following (1998) to Oppenheimer (2023). Though his films are noticeably lacking in representations of religion or references to God, Nolan’s postsecular cinema is nevertheless worthy of our theological consideration, as it contains valuable theological and philosophical insights. Indeed, this is the central claim of Theology and the Films of Christopher Nolan: Christopher Nolan’s films can and should be considered works of cinematic philosophical theology—they are doing theology and philosophy through the medium of film as they explore what it means to be human in relation to the transcendent. This book identifies the deep parallels and resonances between Nolan’s films and the works of philosopher Paul Ricoeur and theologian St. Augustine. Like Nolan’s cinema, Theology and the Films of Christopher Nolan is both intellectually stimulating and highly accessible, satisfying the interests of both scholars and popular audiences alike.

Is Christian singleness a burden to be endured or a God-ordained vocation? Might singleness here and now give the church a glimpse of God's heavenly promises? Dani Treweek offers biblical, historical, cultural, and theological reflections to retrieve a theology of singleness for the church today. Drawing upon both ancient and contemporary theologians, including Augustine, Ælfric of Eynsham, John Paul II, and Stanley Hauerwas, she contends not only that singleness has served an important role throughout the church's history, but that single Christians present the church with a foretaste of the eschatological reality that awaits all of God's people. Far from being a burden, then, Christian singleness is among the highest vocations of the faith.

This book winsomely explores the significance of theology and the Christian faith for the practice of psychology. The authors demonstrate how psychology and the Christian faith can be brought together in a mutually enriching lived practice, helping students engage in psychology in a theologically informed way. Each chapter includes introductory takeaways, questions for reflection and discussion, and resources for further study and reading.

To really understand God, you have to understand atheism. Atheism and Christianity are often placed at polar opposite ends of a spectrum, forever in stark conflict with each other. In The Aesthetics of Atheism, Kutter Callaway and Barry Taylor propose a radical alternative: atheism and theism need each other. In fact, atheism offers profound and necessary theological insights into the heart of Christianity itself. To get at these truths, Callaway and Taylor dive into the aesthetic dimensions of atheism, using everything from Stranger Things to Damien Hirst's controversial sculptures to the music of David Bowie, Nick Cave, and Leonard Cohen. This journey through contemporary culture and its imagination offers readers a deeper understanding of theology, culture, and how to engage faith in a chaotic and complex world where God is present in the most unexpected place: atheism.

Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies.

Three media experts guide the Christian moviegoer into a theological conversation with movies in this up-to-date, readable introduction to Christian theology and film. Building on the success of Robert Johnston's Reel Spirituality, the leading textbook in the field for the past 17 years, Deep Focus helps film lovers not only watch movies critically and theologically but also see beneath the surface of their moving images. The book discusses a wide variety of classic and contemporary films and is illustrated with film stills from favorite movies.

Should all Christians be married? Although we might quickly respond "no," our cultural stories and norms—including those in the church—often communicate "yes." Theologian and husband Kutter Callaway considers why marriage, which is a blessing from God, shouldn't be expected or required of all Christians. Through an examination of Scripture, cultural analysis, and personal accounts, he reflects on how our narratives have limited our understanding of marriage and obscured our view of the life-giving and kingdom-serving roles of single people in the church. In doing so, Callaway helps the church craft a new story that transforms the way we look at marriage and affirms the contributions of all to the body of Christ.

Films are the lingua franca of western culture; for decades they have provided viewers with a universal way of understanding the human experience. And film music, Kutter Callaway demonstrates, has such a profound effect on the human spirit that it demands theological reflection. By engaging scores from the last decade of popular cinema, Callaway reveals how a musically aware approach to film can yield novel insights into the presence and activity of God in contemporary culture. And, through conversations with these films and their filmmakers, viewers can gain a new understanding of how God may be speaking to modern society through film and its transcendent melodies.