L. Ron Hubbard

A Chee-Chalker is a newcomer to Alaska; an Indian word meaning one who is inexperienced or has no knowledge. Bill Norton might be new to Ketchikan but he's no tenderfoot. In fact, he's one of the sharpest FBI agents this side of the Yukon-savvy, tough, and resourceful, like Harrison Ford as Jack Ryan in Clear and Present Danger. Norton's come to this rough-and-tumble town to look into a case of a missing person-his own boss-who vanished investigating a heroin smuggling operation. What Norton finds is a string of corpses, a gallery of rogues, and a fleet of fishing boats that specialize in red herrings. He also finds himself warming up to the heart-stopping halibut heiress Elaine Halloway. But is Elaine mixed up in the heroin trade ... or a victim of it? To find the truth Norton will have to make living men sweat-and dead men talk. Because every body fished out of the icy waters has a story to tell, and it will take all of Norton's CSI-like skills to squeeze it out of them. Hubbard wrote The Chee-Chalker in 1940 while on his Alaskan Experimental Radio Expedition. One of its main purposes was to test an experimental radio navigation system enabling the user to locate the source of radio transmissions. While in Ketchikan, Ron used this equipment to assist the US Army Signal Corp, Coast Guard, and local FBI. In the process, he helped uncover a Nazi saboteur who had invented a device to interfere with radio transmissions between Alaska and the continental United States. So it's not surprising that a radio station plays a significant role in this story.

Fortune hunter Billy Newman is not a man of great strength or physical courage. Like a young Johnny Depp, he gets by on his wit, wiles and good looks. And he's had quite a good run-striking gold in the Philippines and buying his very own island in the South Seas.... But there's trouble in paradise, and Billy's in the thick of it; The island's crops are failing; The island's people are dying; And the island's owner-Billy-is taking the heat; Why? Because he's angered the 75-foot-tall big-boss god of the island. 75-foot tall? To Billy, it's a laughable superstition-until he finds out just how serious the islanders are. They're out to sacrifice a beautiful young woman to the supposed god. The only way Billy can save her is to humor the locals and pretend to take the spirit on. But the joke may be on Billy, as he has to screw up some very real courage to face the very real Danger in the Dark. Hubbard lived on Guam in 1927, while his father was assigned to the US naval station there. In his journals he describes a local superstition: the great cheese ghost named Tadamona. He wrote that the devil had the shape of a man, attained the height of coconut trees and was the cause behind all sickness and disease. To dispel the superstition, Ron descended into Tadamona's supposed abode, a great underground stream-an encounter reflected in Danger in the Dark. Includes the fantasy adventures "The Room", in which Uncle Toby goes to his room, never to return, leaving it to his nephew to explore the magic and mystery of the place, and "He Didn't Like Cats", the story of one man's feline phobia and the hauntingly high price he pays for it.

He's a lady's man, a man's man-and a wanted man, on the run in 1930s Europe.... Meet conman Blacky Lee, ruggedly handsome with a quick wit and a roguish charm. Think Clark Gable-with larceny in his heart and a price on his head. A price put there by the German Gestapo. But Blacky's always got an angle, and this time it's as audacious as they come. He'll hide in plain sight, with the stolen identity of the crowned head of a Balkan kingdom-the Iron Duke. Can he pull it off? Win the love of a country beset with communism ... and of the beautiful Countess? All Blacky has to do is risk everything-and, for once in his life, find a way to do the right thing and reform. Hubbard and Gable were fast friends and fellow adventurers. While Hubbard was writing for Columbia Pictures in 1937, the studio often called upon him to doctor scripts for Gable-giving him a unique knowledge of the man and inspiration for characters like Blacky Lee. "Colorful prose, lively action writing, exotic locales...excellent." -Ellery Queen

A Chee-Chalker is a newcomer to Alaska; an Indian word meaning one who is inexperienced or has no knowledge. Bill Norton might be new to Ketchikan but he's no tenderfoot. In fact, he's one of the sharpest FBI agents this side of the Yukon-savvy, tough, and resourceful, like Harrison Ford as Jack Ryan in Clear and Present Danger. Norton's come to this rough-and-tumble town to look into a case of a missing person-his own boss-who vanished investigating a heroin smuggling operation. What Norton finds is a string of corpses, a gallery of rogues, and a fleet of fishing boats that specialize in red herrings. He also finds himself warming up to the heart-stopping halibut heiress Elaine Halloway. But is Elaine mixed up in the heroin trade ... or a victim of it? To find the truth Norton will have to make living men sweat-and dead men talk. Because every body fished out of the icy waters has a story to tell, and it will take all of Norton's CSI-like skills to squeeze it out of them. Hubbard wrote The Chee-Chalker in 1940 while on his Alaskan Experimental Radio Expedition. One of its main purposes was to test an experimental radio navigation system enabling the user to locate the source of radio transmissions. While in Ketchikan, Ron used this equipment to assist the US Army Signal Corp, Coast Guard, and local FBI. In the process, he helped uncover a Nazi saboteur who had invented a device to interfere with radio transmissions between Alaska and the continental United States. So it's not surprising that a radio station plays a significant role in this story.

The doomed Chinese city of Shunkien was being systematically destroyed. Japan's war machine was pounding wreckage into ashes-wiping out a city that had thrived since the time of Genghis Khan. One of the few buildings still standing is the American consulate where one hundred and sixteen US refugees are facing almost certain death, either from high explosives, the ravages of starvation or Asiatic cholera. Unbeknownst to the refugees, their fate rests in the hands of two US Marines-Gunnery Sergeant James Mitchell and Private Spivits-and their ability to negotiate two hundred miles of occupied territory in order to bring desperately needed gold and medicine, while overcoming bullets, dive bombers, butchery and Mitchell's own personal nemesis and deadly vice-alcohol. Add to these seemingly insurmountable odds, a seductive American fan-dancer who hitches along for the ride and saving the lives of the hostages is far from a fait accompli. As a young man, Hubbard visited Manchuria, where his closest friend headed up British intelligence in northern China. Hubbard gained a unique insight into the hostile political climate between China and Japan-a knowledge that informs stories like Orders Is Orders. In addition, he served as a First Sergeant with the 20th United States Marine Corps Reserve-giving him first-hand knowledge of what it means to be a Marine. "Demonstrating his unique ability to relate even to the most complicated story with a keen eye for detail and realism, Hubbard's stunning writing ability and creative imagination set him apart as one of the greatest literary figures of the 20th century." -Publishers Weekly

Fortune hunter Billy Newman is not a man of great strength or physical courage. Like a young Johnny Depp, he gets by on his wit, wiles and good looks. And he's had quite a good run-striking gold in the Philippines and buying his very own island in the South Seas.... But there's trouble in paradise, and Billy's in the thick of it; The island's crops are failing; The island's people are dying; And the island's owner-Billy-is taking the heat; Why? Because he's angered the 75-foot-tall big-boss god of the island. 75-foot tall? To Billy, it's a laughable superstition-until he finds out just how serious the islanders are. They're out to sacrifice a beautiful young woman to the supposed god. The only way Billy can save her is to humor the locals and pretend to take the spirit on. But the joke may be on Billy, as he has to screw up some very real courage to face the very real Danger in the Dark. Hubbard lived on Guam in 1927, while his father was assigned to the US naval station there. In his journals he describes a local superstition: the great cheese ghost named Tadamona. He wrote that the devil had the shape of a man, attained the height of coconut trees and was the cause behind all sickness and disease. To dispel the superstition, Ron descended into Tadamona's supposed abode, a great underground stream-an encounter reflected in Danger in the Dark. Includes the fantasy adventures "The Room", in which Uncle Toby goes to his room, never to return, leaving it to his nephew to explore the magic and mystery of the place, and "He Didn't Like Cats", the story of one man's feline phobia and the hauntingly high price he pays for it.

The doomed Chinese city of Shunkien was being systematically destroyed. Japan's war machine was pounding wreckage into ashes-wiping out a city that had thrived since the time of Genghis Khan. One of the few buildings still standing is the American consulate where one hundred and sixteen US refugees are facing almost certain death, either from high explosives, the ravages of starvation or Asiatic cholera. Unbeknownst to the refugees, their fate rests in the hands of two US Marines-Gunnery Sergeant James Mitchell and Private Spivits-and their ability to negotiate two hundred miles of occupied territory in order to bring desperately needed gold and medicine, while overcoming bullets, dive bombers, butchery and Mitchell's own personal nemesis and deadly vice-alcohol. Add to these seemingly insurmountable odds, a seductive American fan-dancer who hitches along for the ride and saving the lives of the hostages is far from a fait accompli. As a young man, Hubbard visited Manchuria, where his closest friend headed up British intelligence in northern China. Hubbard gained a unique insight into the hostile political climate between China and Japan-a knowledge that informs stories like Orders Is Orders. In addition, he served as a First Sergeant with the 20th United States Marine Corps Reserve-giving him first-hand knowledge of what it means to be a Marine. "Demonstrating his unique ability to relate even to the most complicated story with a keen eye for detail and realism, Hubbard's stunning writing ability and creative imagination set him apart as one of the greatest literary figures of the 20th century." -Publishers Weekly

Long before Captain Jack Sparrow raised hell with the Pirates of the Caribbean, Tom Bristol sailed to hell and back Under the Black Ensign. That's where the real adventure begins. Bristol's had plenty of bad luck in his life. Press-ganged into serving aboard a British vessel, he's felt the cruel captain's lash on his back. Then, freed from his servitude by pirates, his good fortune immediately takes a bad turn ... the buccaneers accuse him of murder and leave him to die on a deserted island. Now all he has left are a few drops of water, a gun and just enough bullets to put himself out of his misery. But Bristol's luck is about to change. Finding himself in the unexpected company of a fiery woman, he rescues a slave ship, unsheathes his sword, raises a pirate flag of his own and sets off to make love and war on the open seas in this nautical adventure. In his early twenties, Hubbard led the two-and-a-half-month, five-thousand-mile Caribbean Motion Picture Expedition. He followed that with the West Indies Mineralogical Expedition near San Juan, Puerto Rico, in which he completed the island's first mineralogical survey as an American territory. It was during these two journeys that Hubbard became an expert on the Caribbean's colorful history-an expertise he drew on to write stories like Under the Black Ensign. "A riveting tale of sailing ships, piracy and the high seas." -Midwest Book Review * A National Indie Excellence Award Winner

Does size matter? Is bigger better? That's no small question to Tom Little-the circus midget with giant dreams. Tom may be king of the midgets, but he's got far grander ambitions-to become the muscleman at the top, the ringmaster. Now, drawing on some dark ancient secrets and mystic texts, he's about to get his wish.... Assuming another man's identity, Tom discovers he must also take on his sins, debts, and enemies. He may be living large-but now there are those who want to make him pay for the big man's sins. Also includes "The Last Drop," an astounding tale of a New York bartender who mixes some very magical drinks-to amazing effect. The circus is coming to town, as the audio version of If I Were You puts you in the center ring of the magic, mystery, and madness. "Wonderfully entertaining ... excellent audio quality, talented performers, great sound effects." -School Library Journal

Take the law into your own hands, and you risk losing your grip on everything else-including your life. Lee Weston-a young Paul Newman with a Colt revolver at his hip-is as good-looking as he is quick-tempered, and he's got a lot to be angry about. His father murdered, his family ranch torched, he goes gunning for Harvey Dodge-the man who he's convinced is the killer-and it's Lee who ends up on the wrong side of the law. Shot in a gunfight, on the run and running out of time, he holes up in a mountain hideout and waits for death to come find him. But he wakes up in the arms of a beautiful woman who has beat death to his door and nursed him back to life. She's the first and only woman he has ever fallen for, and her name is Ellen Dodge-Harvey's daughter. Can a great loss lead to a great love? Can the search for revenge lead to redemption? The answers lie in the wild heart of the Wild West-in Branded Outlaw. L. Ron Hubbard was so prolific, and his stories so much in demand, he occasionally had to publish under a pseudonym to ensure that his name wouldn't appear twice in a single issue of a magazine. Thus did Branded Outlaw originally appear as being written by a writer named Barry Randolph. But as is clear from the action and authenticity of the story, it was Hubbard behind the curtain pulling the levers. This is one of sixteen westerns Hubbard wrote in 1938-all influenced by a foray into New Mexico to round out his research. His unsurpassed knowledge of the West originated in his years growing up-and riding on-the range. "Packs a ton of action and some priceless shootout scenes." -EZReader.com

American Sailor Kurt Reid is a hothead and a hard case-a man who hits first and asks questions later. As scrappy and rough around the edges as Jimmy Cagney, it's no wonder that when the ship's captain turns up dead, it's Reid who takes the rap. Falsely accused and under the gun, Reid jumps ship and vanishes into Shanghai -only to get caught in a web of intrigue, betrayal, and murder. In a world where nothing is what it seems and everything is for sale, he's soon out of his depth, drawn into a spy game in which the winner takes all . . . and the loser takes a knife to the back. Will Reid live up to his reputation as the Spy Killer? He'll have to learn the rules fast, because with players like the sexy White Russian secret agent, Varinka Savischna, in the hunt, the game is about to turn as seductive as it is sinister. As a young man, Hubbard visited pre-Communist China three times, where his closest friend headed up British intelligence. In a land where communists, nationalists, war lords and foreign adventurers schemed for control, Hubbard gained a unique insight into the intelligence operations and spy-craft in the region-a knowledge that informs stories like Spy Killer. "Vividly written, super-fast-paced." -Ellery Queen

Women. Liquor. Power... Women. Liquor. Power... That is Fanner Marston's mantra-his reason for being-and while he knows a little about the first and a lot about the second, he may well be on the verge of learning everything there is to know about the third. Power. He may, in fact, be about to uncover the key to gaining absolute control over the entire universe. The only problem is, Fanner is certifiably insane-a crazed Peter Lorre on a power trip.... His starship has crash-landed, and he's the sole survivor, which doesn't matter to him. Driven by greed and lust for power, wracked by thirst, hunger and pain, all he cares about is reaching the ancient city of Parva and making himself at home. Because there lies The Great Secret to universal domination-and what's a little suffering on the road to becoming God? Does Fanner have a prayer? The writing's on the walls of Parva-and you won't believe what it says. . . . By the spring of 1938, Hubbard's stature as a writer was well established. As author and critic Robert Silverberg puts it: he had become a "master of the art of narrative." Hubbard's editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to genres that were new, and essentially foreign, to him-science fiction and fantasy. The rest is SciFi history. Also includes the Science Fiction adventures, The Space Can, in which a decrepit space battleship is a civilian fleet's only defense; The Beast, the tale of a hunter in the jungles of Venus, chasing an immoral beast; and The Slaver, in which an alien race has enslaved the human race, but can't repress the power of human love. "Serves as a wonderful introduction to the breadth of Hubbard's output." -Comic Buyers Guide

American Sailor Kurt Reid is a hothead and a hard case-a man who hits first and asks questions later. As scrappy and rough around the edges as Jimmy Cagney, it's no wonder that when the ship's captain turns up dead, it's Reid who takes the rap. Falsely accused and under the gun, Reid jumps ship and vanishes into Shanghai -only to get caught in a web of intrigue, betrayal, and murder. In a world where nothing is what it seems and everything is for sale, he's soon out of his depth, drawn into a spy game in which the winner takes all . . . and the loser takes a knife to the back. Will Reid live up to his reputation as the Spy Killer? He'll have to learn the rules fast, because with players like the sexy White Russian secret agent, Varinka Savischna, in the hunt, the game is about to turn as seductive as it is sinister. As a young man, Hubbard visited pre-Communist China three times, where his closest friend headed up British intelligence. In a land where communists, nationalists, war lords and foreign adventurers schemed for control, Hubbard gained a unique insight into the intelligence operations and spy-craft in the region-a knowledge that informs stories like Spy Killer. "Vividly written, super-fast-paced." -Ellery Queen

Long before Captain Jack Sparrow raised hell with the Pirates of the Caribbean, Tom Bristol sailed to hell and back Under the Black Ensign. That's where the real adventure begins. Bristol's had plenty of bad luck in his life. Press-ganged into serving aboard a British vessel, he's felt the cruel captain's lash on his back. Then, freed from his servitude by pirates, his good fortune immediately takes a bad turn ... the buccaneers accuse him of murder and leave him to die on a deserted island. Now all he has left are a few drops of water, a gun and just enough bullets to put himself out of his misery. But Bristol's luck is about to change. Finding himself in the unexpected company of a fiery woman, he rescues a slave ship, unsheathes his sword, raises a pirate flag of his own and sets off to make love and war on the open seas in this nautical adventure. In his early twenties, Hubbard led the two-and-a-half-month, five-thousand-mile Caribbean Motion Picture Expedition. He followed that with the West Indies Mineralogical Expedition near San Juan, Puerto Rico, in which he completed the island's first mineralogical survey as an American territory. It was during these two journeys that Hubbard became an expert on the Caribbean's colorful history-an expertise he drew on to write stories like Under the Black Ensign. "A riveting tale of sailing ships, piracy and the high seas." -Midwest Book Review * A National Indie Excellence Award Winner

Take the law into your own hands, and you risk losing your grip on everything else-including your life. Lee Weston-a young Paul Newman with a Colt revolver at his hip-is as good-looking as he is quick-tempered, and he's got a lot to be angry about. His father murdered, his family ranch torched, he goes gunning for Harvey Dodge-the man who he's convinced is the killer-and it's Lee who ends up on the wrong side of the law. Shot in a gunfight, on the run and running out of time, he holes up in a mountain hideout and waits for death to come find him. But he wakes up in the arms of a beautiful woman who has beat death to his door and nursed him back to life. She's the first and only woman he has ever fallen for, and her name is Ellen Dodge-Harvey's daughter. Can a great loss lead to a great love? Can the search for revenge lead to redemption? The answers lie in the wild heart of the Wild West-in Branded Outlaw. L. Ron Hubbard was so prolific, and his stories so much in demand, he occasionally had to publish under a pseudonym to ensure that his name wouldn't appear twice in a single issue of a magazine. Thus did Branded Outlaw originally appear as being written by a writer named Barry Randolph. But as is clear from the action and authenticity of the story, it was Hubbard behind the curtain pulling the levers. This is one of sixteen westerns Hubbard wrote in 1938-all influenced by a foray into New Mexico to round out his research. His unsurpassed knowledge of the West originated in his years growing up-and riding on-the range. "Packs a ton of action and some priceless shootout scenes." -EZReader.com

Does size matter? Is bigger better? That's no small question to Tom Little-the circus midget with giant dreams. Tom may be king of the midgets, but he's got far grander ambitions-to become the muscleman at the top, the ringmaster. Now, drawing on some dark ancient secrets and mystic texts, he's about to get his wish.... Assuming another man's identity, Tom discovers he must also take on his sins, debts, and enemies. He may be living large-but now there are those who want to make him pay for the big man's sins. Also includes "The Last Drop," an astounding tale of a New York bartender who mixes some very magical drinks-to amazing effect. The circus is coming to town, as If I Were You puts you in the center ring of the magic, mystery, and madness. "Unexpected twists ... keep you guessing as to what will happen next." -SFsite.com

Women. Liquor. Power... Women. Liquor. Power... That is Fanner Marston's mantra-his reason for being-and while he knows a little about the first and a lot about the second, he may well be on the verge of learning everything there is to know about the third. Power. He may, in fact, be about to uncover the key to gaining absolute control over the entire universe. The only problem is, Fanner is certifiably insane-a crazed Peter Lorre on a power trip.... His starship has crash-landed, and he's the sole survivor, which doesn't matter to him. Driven by greed and lust for power, wracked by thirst, hunger and pain, all he cares about is reaching the ancient city of Parva and making himself at home. Because there lies The Great Secret to universal domination-and what's a little suffering on the road to becoming God? Does Fanner have a prayer? The writing's on the walls of Parva-and you won't believe what it says. . . . By the spring of 1938, Hubbard's stature as a writer was well established. As author and critic Robert Silverberg puts it: he had become a "master of the art of narrative." Hubbard's editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to genres that were new, and essentially foreign, to him-science fiction and fantasy. The rest is SciFi history. Also includes the Science Fiction adventures, The Space Can, in which a decrepit space battleship is a civilian fleet's only defense; The Beast, the tale of a hunter in the jungles of Venus, chasing an immoral beast; and The Slaver, in which an alien race has enslaved the human race, but can't repress the power of human love. "Serves as a wonderful introduction to the breadth of Hubbard's output." -Comic Buyers Guide

From the author of the #1 New York Times bestseller Dianetics, with over 22 million copies sold "Self Analysis helped me regain motivation and vitality I didn't even realize I had lost. It grew my confidence and helped me realize I could accomplish much more than I thought." (Eva Mah, Actress and Entrepreneur) "Self Analysis helped me understand myself and hidden factors that have made me withdraw from life and from reaching my full potential. They are simple methods that you can do alone and that will change your life. Give it an honest go. It is simple and powerful." (Serge Ramelli, Top Photography Instructor) Do you really know yourself? With this book, you can. Applying a series of light, yet powerful techniques, you embark on the great adventure of self-discovery. The barriers of life are really just shadows. Learn to know yourself, not just a shadow of yourself. "Probably the most neglected friend you have is you. And yet every man, before he can be a true friend to the world, must first become a friend to himself." --L. Ron Hubbard With Self Analysis you can: Explore your past and improve reactions toward life Improve memory and reaction time Learn the laws of survival and abundance Start on the most interesting adventure in your life. With over two hundred million copies of his works in circulation and dozens of international bestsellers, L. Ron Hubbard has inspired a movement spanning every continent on earth. All told, those works comprise some 5,000 writings and 3,000 recorded lectures and, as such, stand as the single most embracive statement on the human mind and spirit. His breakthroughs have helped millions lead more successful lives and achieve true happiness.

Life is composed of seven-tenths work, one-tenth familial, one-tenth political and one-tenth relaxation. Here, then, is Scientology applied to that crucial seven-tenths of existence. The Problems of Work contains the senior principles and laws which apply to every endeavor, every problem of work. For they are the discoveries which lay bare the core of these problems and explain the very fabric of life itself. The breakthroughs detailed here include: - The Anatomy of Confusion -- and its cure - The Doctrine of the Stable Datum -- the most fundamental law of work, and living - The Anatomy of Control -- and how to turn "bad control" to good - The Anatomy of Life as a Game -- and the rules by which it is played - The "Secret" of Efficiency - The most fundamental elements of life -- Affinity, Reality and Communication - And the rock bottom cause of Exhaustion, with the powerful Scientology processes that return the energy of youth Here, then, is not only technology to bring stability to the workplace, but the magic processes to return joy itself to all of life. For this is Scientology.