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Kirjailija

Larissa Boehning

Kirjat ja teokset yhdessä paikassa: 2 kirjaa, julkaisuja vuosilta 2016–2022, suosituimpiin kuuluu All Walls Collapse. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

2 kirjaa

Kirjojen julkaisuvuodet: 2016–2022.

All Walls Collapse

All Walls Collapse

Muyesser Abdul’ehed; Zahra El Hasnaoui Ahmed; Maya Abu Al-Hayat; Larissa Boehning; Rezuwan Khan; Kyung-Sook Shin; Paulo Scott; Geetanjali Shree; Constantia Soteriou; Krisztina Tóth; Juan Pablo Villalobos

Comma Press
2022
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Halvin toimitettuna 22,50 €

The history of walls – as a way to keep people in or out – is also the history of people managing to get around, over and under them. From the Berlin Wall and the Mexico–US border, to the barbed wire fences of Bangladesh’s refugee camps, the short stories in this anthology explore the barriers that have sought to divide communities and nations, and their traumatic effects on people’s lives and histories. At a time when more walls are being built than are being brought down, All Walls Collapse brings together writing from across national, ethnic and linguistic borders, challenging the political impulse to separate and segregate, and celebrating the role of literature in traversing division.
Swallow Summer

Swallow Summer

Larissa Boehning

Comma Press
2016
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Two music producers pack up their studio – along with their dreams of ever making it in the industry – after too many bands fail to pay their bills… A woman takes up an invitation to visit an ex-lover in Arizona, only to find his apartment is no bigger than a motel room… A former drama student runs into an old classmate from ten years before, hardly recognising the timid creature he’s become… Each character in Larissa Boehning’s debut collection experiences a moment where they’re forced to confront how differently things turned out, how quickly ambitions were shelved, or how easily people change. Former colleagues meet up to reminisce about the failed agency they used to work for; brothers-in-law find themselves co-habiting long after the one person they had in common passed away; fellow performers watch as their careers slowly drift in opposite directions. Boehning’s stories offer a rich store of metaphors for this abandonment: the downed tools of a deserted East German factory, lying exactly where they were dropped the day Communism fell; the old, collected cameras of a late father that seem to stare, wide-eyed, at the world he left behind. And yet, underpinning this abandonment, there is also great resilience. Like the cat spotted by a demolition worker in the penultimate story that sits, unflinching, as its home is bulldozed around it, certain spirits abide.