Lauren Berry

An innovative roadmap to facing our past and present selves Honest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist—wise and nai¨ve, angry and resigned—along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others. In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place—all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet’s contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.

A funny, satirical, sharp and honest look at women in the office. For anyone who loved Fleabag.

A cheeky, charming debut about twentysomething best friends in London navigating their careers and love lives past post-collegiate turmoil and into adulthood with lots of pints along the way Emma is a rising star at the marketing firm she works at as a "creative," but would have trouble describing what exactly it is she does all day. She pours most of her actual creative energy into a popular blog that all of her friends agree is brilliant, but she has yet to make a cent on it. Clem is a massively talented screenwriter just back from New York, where she picked up a fancy graduate degree in film. But until she convinces an agent to take on her masterpiece script, she's stuck hostessing at the bar she frequented as an undergrad, and the only calls she's getting are about bills past due and overdrawn bank accounts. In their ironclad friendship both girls find a reliable break from the post-collegiate absurdities and indignities that seem to abound in life right at the moment they feel they should finally be getting it all together. With a rotating cast of lovably insufferable friends, from Emma's fabulous DJ and ladies' man roommate to Clem's painfully ordinary and predictable childhood chum, the girls wind their way through the twists and turns of aging parents and terrible bosses and regrettable one night stands, unforeseen setbacks and blessings that present as anything but, and remind each other that while their ships might not have come in yet, the after work drinks are cold and the company can't be beat.

A funny, satirical, sharp and honest look at modern British life from the perspective of two young women. The launch of an exciting new voice from Virago Press.

Selected for the National Poetry Series by Terrance Hayes. Lauren Berry's bracing and emotionally charged first collection of poetry delivers visions of a gothic South that Flannery O'Connor would recognize. Set in a feverish swamp town in Florida, The Lifting Dress enters the life of a teenage girl the day after she has been raped. She refuses to tell anyone what has happened, and moves silently toward adulthood in a community that offers beauty but denies apology. Through lyric narratives, readers watch her shift between mirroring and rejecting the anxious swelter of her world, until she ultimately embraces it with the same violent affection once tendered to her.