Leanne Betasamosake Simpson

The long-anticipated, stunning new novel by esteemed author Leanne Betasamosake Simpson, whose last novel, Noopiming, was a Canadian bestseller and shortlisted for the Governor General's Literary Award for Fiction and the Dublin Literary Award. An Impossible Blue is told over the course of six months from the points of view of several different characters, each of whom is navigating their way through grief over the death of Akiwenzii--a central person in each of their lives--alongside the challenges of our present historical moment. Here is a gorgeously written, emotionally affecting, genre-bending novel that explores Nishnaabe webs of social structure--and shows how several different perspectives or truths, seen through the prism of grief, blend to make a larger understanding. Of An Impossible Blue, Dionne Brand, Editorial Director of Alchemy, writes: "The stories blend myth and the contemporary and try to make a way for their protagonists to live beside and within both. They search for the synergy within worlds, how to live in the contemporary world, the attempt to retrieve the self foreclosed in/and by the contemporary. The work is both narrative and philosophical, and the structure is neither linear nor explanatory, but revelatory." Here is a rare novel that combines tremendous beauty in the prose with Nishnaabe humour and a generous, expansive spirit in the face of pain and devastation. The voice of each unforgettable character echoes in and through all other voices, creating a work that is much greater than the sum of its parts.

The second annual Alchemy Lecture brought together four “Alchemists”—thinkers and practitioners working across disciplines and geographies—to share a constellation of ideas for the future. Their urgent, poignant and inventive lectures comprise The City of Our Dreaming, which shares their ideas for cities and how to shape them according to community needs. Together, V. Mitch McEwen, Laleh Khalili, Gabriela Leandro Pereira, and Michi Saagiig Nishnaabeg writer and musician Leanne Betasamosake Simpson, offer new models for crafting architectures of freedom in disparate imaginative spaces. From suggesting a city modeled on buoyancy that reconsiders displacement and a dream of radical kinship and bonds through reciprocal giving, to “projects paved by the audacity to inhabit” that are built from dreams—the site from which all Black emancipation begins—and the ways collectives form at the thresholds between things, The City of our Dreaming is a clarion calls for new conceptions of city life. The Alchemists imagine the architectures and infrastructures that make possible, inevitable and irresistible gestures of freedom, modes of sustenance, and the necessity and pleasure of breaking bread, together.

Shortlisted for the Dublin Literary AwardShortlisted for the Governor General's Literary Award for FictionShortlisted for the ReLit Award for NovelNoopiming is Anishinaabemowin for ‘in the bush.’ In it, Simpson and a cast of seven – Akiwenzii, the old man; Ninaatig, the maple tree; Mindimooyenh, the old woman; Sabe, the giant; Adik, the caribou; and Asin and Lucy, younger humans – turn the tables on colonial myth-making, exposing the unnatural strangeness at the heart of settler-capitalism. With warm humour and canny observation, The Cure for White Ladies breaks open the self to a world still alive with people, animals, ancestors, and spirits.

Winner of the 2025 Hilary Weston Writers' Trust Award for nonfiction A genre-bending exploration of that most elemental force—water—through Indigenous storytelling, personal memory, and the work of influential artists and writers For many years, Leanne Betasamosake Simpson took solace in skiing—in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental question: What might it mean to truly listen to water? To know water? To exist with and alongside water? So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories while artfully weaving the work of influential writers and artists alongside her personal memories and experience—and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world. Theory of Water is a resonant exploration of an intricate, multi-layered relationship with the most abundant element on our planet—one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future.

Amid the overlapping crises of a pandemic, ecological disaster, and global capitalism, two leading Black and Indigenous feminist theorists ask one another: what do liberated lands, minds, and bodies look like? These letters are part debate, part dialogue, and part lively and detailed familial correspondence between two razor-sharp thinkers, sending notes to each other during a stormy present. Featuring a foreword by Ruth Wilson Gilmore and an afterword by Robin D. G. Kelley.

Amid the overlapping crises of a pandemic, ecological disaster, and global capitalism, two leading Black and Indigenous feminist theorists ask one another: what do liberated lands, minds, and bodies look like? These letters are part debate, part dialogue, and part lively and detailed familial correspondence between two razor-sharp thinkers, sending notes to each other during a stormy present. Featuring a foreword by Ruth Wilson Gilmore and an afterword by Robin D. G. Kelley.

The new novel from the author of As We Have Always Done, a poetic world-building journey into the power of Anishinaabe life and traditions amid colonialism In fierce prose and poetic fragments, Leanne Betasamosake Simpson’s Noopiming braids together humor, piercing detail, and a deep, abiding commitment to Anishinaabe life to tell stories of resistance, love, and joy. Mashkawaji (they/them) lies frozen in the ice, remembering the sharpness of unmuted feeling from long ago, finding freedom and solace in isolated suspension. They introduce the seven characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman, their conscience; Sabe, a gentle giant, their marrow; Adik, the caribou, their nervous system; and Asin and Lucy, the humans who represent their eyes, ears, and brain. Simpson’s book As We Have Always Done argued for the central place of storytelling in imagining radical futures. Noopiming (Anishinaabemowin for “in the bush”) enacts these ideas. The novel’s characters emerge from deep within Abinhinaabeg thought to commune beyond an unnatural urban-settler world littered with SpongeBob Band-Aids, Ziploc baggies, and FjÄllrÄven KÅnken backpacks. A bold literary act of decolonization and resistance, Noopiming offers a breaking open of the self to a world alive with people, animals, ancestors, and spirits-and the daily work of healing.

In A Short History of the Blockade, award-winning writer Leanne Betasamosake Simpson uses Michi Saagiig Nishnaabeg stories, storytelling aesthetics, and practices to explore the generative nature of Indigenous blockades through our relative, the beaver—or in Nishnaabemowin, Amik. Moving through genres, shifting through time, amikwag stories become a lens for the life-giving possibilities of dams and the world-building possibilities of blockades, deepening our understanding of Indigenous resistance as both a negation and an affirmation. Widely recognized as one of the most compelling Indigenous voices of her generation, Simpson’s work breaks open the intersections between politics, story, and song, bringing audiences into a rich and layered world of sound, light, and sovereign creativity. A Short History of the Blockade reveals how the practice of telling stories is also a culture of listening, “a thinking through together,” and ultimately, like the dam or the blockade, an affirmation of life. Introduction by Jordan Abel.

Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017 Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking. Indigenous resistance is a radical rejection of contemporary colonialism focused around the refusal of the dispossession of both Indigenous bodies and land. Simpson makes clear that its goal can no longer be cultural resurgence as a mechanism for inclusion in a multicultural mosaic. Instead, she calls for unapologetic, place-based Indigenous alternatives to the destructive logics of the settler colonial state, including heteropatriarchy, white supremacy, and capitalist exploitation.

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves. Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

This is the story of how a young northern girl picked herself up out of the rough and polished herself off like the diamond that she is in the land of the midnight sun. Northern Wildflower is the beautifully written and powerful memoir of Catherine Lafferty. With startling honesty and a distinct voice, Lafferty tells her story of being a Dene woman growing up in Canada's North and her struggles with intergenerational trauma, discrimination, poverty, addiction, love, and loss. Focusing on the importance of family ties, education, spiritualism, cultural identity, health, happiness, and the courage to speak the truth, Lafferty's words bring cultural awareness and relativity to Indigenous and non-Indigenous readers alike, giving insight into the real issues many Indigenous women face and dispelling misconceptions about what life in the North is like.

A knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson that rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. This Accident of Being Lost is the knife-sharp new collection of stories and songs from award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson. These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting “ARE THEY GETTING IT?”; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.