Leonard Gardner

'Tremendous' Geoff Dyer 'A pitch-perfect account of boxing, blue-collar bewilderment and the battle of the sexes' San Francisco Chronicle A major cult film directed by John Huston Stockton, California: a town of dark bars and lunchrooms, cheap hotels and farm labourers scratching a living. When two men meet in the Lido Gym - the ex-boxer Billy Tully and the novice Ernie Munger - their brief sparring session sets a fateful story in motion, initiating young Munger into the "company of men" and luring Tully back into training. Fat City is a vivid novel of defiance and struggle, of the potent promise of the good life and the desperation and drink that waylay those whom it eludes. This acclaimed American classic tells of their anxieties and hopes, their loves and losses, and the ephemeral glory of the fight.

Fat City is a vivid novel of allegiance and defeat, of the potent promise of the good life and the desperation and drink that waylay those whom it eludes. Stockton, California, is the setting: the Lido Gym, the Hotel Coma, Main Street lunchrooms and dingy bars, days like long twilights in houses obscured by untrimmed shrubs and black walnut trees. When two men meet in the ring--the retired boxer Billy Tully and the newcomer Ernie Munger--their brief bout sets into motion their hidden fates, initiating young Munger into the company of men and luring Tully back into training. In a dispassionate and composed voice, Leonard Gardner narrates their swings of fortune, and the stubborn optimism of their manager, Ruben Luna, as he watches the most promising boys one by one succumb to some undefined weakness; still, "There was always someone who wanted to fight."

 Short stories and some short novels are close to poetry with the fewest words they capture the essence of a situation, of a human being. It's like trying to pin down the eternal moment."  Gina BerriaultGina Berriault was one of the great, rare masters of short fiction. With commendable restraint and economy, she delivered stories that contain entire worlds inhabited by a range of characters thrown into all kinds of unsettling predicaments. As a short story writer she had a gift for tapping into the emotions of love, hope, and grief, and for making them palpable within her narratives. No two of her stories are alike, except for in the inevitable disquiet the reader feels in their wake, the exquisite unease that remains at the end of such acclaimed tales as  The Cove,"  The Stone Boy," and many others. Now, in this compelling posthumous collection, Berriault's astonishing short fiction once again proves that her position as one of America's best storytellers remains unchallenged.