Leonard Padura

Havana, 2003, fourteen years since Mario Conde retired from the police force and much has changed in Cuba. He now makes a living trading in antique books bought from families selling off their libraries in order to survive. In the house of Alcides de Montes de Oca, a rich Cuban who fled after the fall of Batista, Conde discovers an extraordinary book collection and, buried therein, a newspaper article about Violeta del Rio, a beautiful bolero singer of the 1950's, who disappeared mysteriously. Conde's intuition sets him off on an investigation that leads him into a darker Cuba, now flooded with dollars, populated by pimps, prostitutes, drug dealers and other hunters of the night. But this novel also allows Padura to evoke the Havana of Batista, the city of a hundred night clubs where Marlon Brando and Josephine Baker listened to boleros, mambos and jazz. Probably Padura's best book, "Havana Fever" is many things: a suspenseful crime novel, a cruel family saga and an ode to literature and his beloved, ravaged island.

Twenty-four year old Lissette Delgado was beaten, raped, and then strangled with a towel. Marijuana is found in her apartment and her wardrobe is suspiciously beyond the means of a high school teacher. Lieutenant Conde is pressured by "the highest authority" to conclude this investigation quickly when chance leads him into the arms of a beautiful redhead, a saxophone player who shares his love for jazz and Japanese fighting fish. This is a Havana of crumbling, grand buildings, secrets hidden behind faded doors and corruption. For an author living in Cuba, Padura is remarkably outspoken about the failings of Castro's regime. Yet this is a eulogy of Cuba, its life of music, sex and the great friendships of those who elected to stay and fight for survival.

Lieutenant Mario Conde is suffering from a terrible New Year's Eve hangover. Though it's the middle of a weekend, he is asked to urgently investigate the mysterious disappearance of Rafael Morin, a high-level business manager in the Cuban nomenklatura. Conde remembered Morin from their student days: good-looking, brilliant, a "reliable comrade'' who always got what he wanted, including Tamara the girl Conde was after. But Rafael Morin's exemplary rise from a poor barrio and picture perfect life hide more than one suspicious episode worthy of investigation. While pursuing the case in a decaying but adored Havana, Conde confronts his lost love for Tamara and the dreams and illusions of his generation.

A brutally mutilated body is discovered washed up in the bay of Havana. The body of Miguel Forcade Mier, head smashed in by a baseball bat, genitals cut off by a dull knife. Forcade, once an official in the Cuban government responsible for the confiscation of the belongings of the bourgeoisie fleeing the revolution, was an exile in Miami. Had he really returned to Havana just to visit his ailing father? Conde immerses himself in the dark history of expropriations of works of art, paintings that have vanished without trace, corrupt civil servants and old families that lost much, but not everything. Here is the disillusion of Padura's generation, many of them veterans of the war in Angola, dealing with the catastrophe that followed the collapse of Russian aide in the 1990's and now discovering the corruption of those that preceded them. Yet a eulogy of Cuba, its life of music, sex and the great friendships of those who elected to stay and fight for survival.

On August 6 th 1989 , the day on which the Catholic Church celebrates the Feast of the Transfiguration, the body of a strangled transvestite is discovered in the humid undergrowth of the Havana Woods. He is wearing a beautiful red evening dress and the red ribbon with which he was asphyxiated is still round his neck. To the consternation of Lieutenant Mario Conde, in charge of the investigation, the victim turns out to be Alexis Arayan, the son of a highly respected diplomat. His investigation begins with a visit to the home of the 'disgraced' dramatist, Alberto Marques, with whom the murdered youth was living. Marques, a man of letters and a former giant of the Cuban theatre, helps Conde solve the crime. In the baking heat of the Havana summer, Conde also unveils a dark, turbulent world of Cubans who live without dreaming of exile, grappling with food shortages and wounds from the Angolan war.