Lionel Shriver

From the Orange Prize winning author of We Need to Talk About Kevin this is a novel about what it takes to make it in music. How charisma is worth its weight in gold. And how jealously can grow until it has eaten away at a musicianâ??s heart.

The first novel from the Orange Prize-winning author of We Need to Talk about Kevin is a compelling and provocative story of love and how we suffer for it.

From the Orange Prize winning author of We Need to Talk About Kevin, this is the novel Lionel Shriver wrote directly afterwards. The Post-Birthday World is an unflinching account of the choices that unfold before us and what our decisions really mean.

"Shriver is brilliant on the novel shock that is hunger. . . . With honesty, precision and humour, she conveys all the boredom and exhilaration of weight loss, along with its tendency to threaten the people around you." --GuardianFrom the New York Times bestselling author Lionel Shriver, a striking novel about siblings, marriage, and obesityWhen Pandora picks up her older brother Edison at the Iowa airport, she doesn't recognize him. In the four years since she last saw him, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? And it's not just the weight. Edison breaks her husband Fletcher's handcrafted furniture, makes overkill breakfasts for the family, and entices her stepson not only to forgo college but to drop out of high school. After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: it's him or me. But which loyalty is paramount, that of a wife or a sister? For without Pandora's support, surely Edison will eat himself into an early grave. Rich with Shriver's distinctive wit and ferocious energy, Big Brother is about fat--an issue both social and excruciatingly personal. It asks just how much we are obligated to help members of our families, and whether it's ever possible to save loved ones from themselves.

Big Brother is a striking novel about siblings, marriage, and obesity from Lionel Shriver, the acclaimed author the international bestseller We Need to Talk About Kevin. For Pandora, cooking is a form of love. Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the "toxic" dishes that he'd savored through their courtship, and spends hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn't recognize him. In the years since they've seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It's him or me. Rich with Shriver's distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

"Shriver is an incisive social satirist with a clear grip on the ironies of our contemporary age . . . Her] take on journalism and international politics is wry, insightful and just over the top enough to be fun." --Los Angeles TimesNew York Times bestselling author Lionel Shriver probes the mystery of charisma in a razor-sharp novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be presentOstracized as a kid, Edgar Kellogg has always yearned to be popular. A disgruntled New York corporate lawyer, he's more than ready to leave his lucrative career for the excitement and uncertainty of journalism. When he's offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared larger-than-life reporter he's been sent to replace, Barrington Saddler, as exactly the outsize character he longs to emulate. Infuriatingly, all his fellow journalists cannot stop talking about their beloved "Bear," who is no longer lighting up their work lives. Yet all is not as it appears. Os Soldados Ousados de Barba--"The Daring Soldiers of Barba"--have been blowing up the rest of the world for years in order to win independence for a province so dismal, backward, and windblown that you couldn't give the rat hole away. So why, with Barrington vanished, do terrorist incidents claimed by the "SOB" suddenly dry up? A droll, playful novel, The New Republic addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What's their secret? And in the end, who has the better life--the admired, or the admirer?

A scalpel sharp political satire from the Orange Prize winning writer of We Need to Talk about Kevin. â?? A superbly witty political satireâ?? THE TIMES

Acclaimed author Lionel Shriver--author of the National Book Award finalist So Much for That, The Post-Birthday World, and the vivid psychological novel We Need to Talk About Kevin, now a major motion picture--probes the mystery of charisma in a razor-sharp new novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be present." Shriver is a master of the misanthrope. . . . A] viciously smart writer." --Time

Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage in a series of startlingly direct correspondences with her absent husband, Franklyn. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

Shep Knacker has long saved for "the Afterlife," an idyllic retreat in the Third World where his nest egg can last forever. Exasperated that his wife, Glynis, has concocted endless excuses why it's never the right time to go, Shep finally announces he's leaving for a Tanzanian island, with or without her. Yet Glynis has some news of her own: she's deathly ill. Shep numbly puts his dream aside, while his nest egg is steadily devastated by staggering bills that their health insurance only partially covers. Astonishingly, illness not only strains their marriage but saves it. From acclaimed New York Times bestselling author Lionel Shriver comes a searing, ruthlessly honest novel. Brimming with unexpected tenderness and dry humor, it presses the question: How much is one life worth?

WINNER OF THE WOMEN'S PRIZE FOR FICTION 2010 ONE MILLION COPIES SOLD Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about motherhood. How much is her fault? In Lionel Shriver's hands this sensational, chilling and memorable story of a woman who raised a monster becomes a metaphor for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.

"Shriver has a gift for creating real and complicated characters... A highly engrossing novel." -- San Francisco Chronicle From New York Times bestselling author Lionel Shriver (The Post-Birthday World, We Need to Talk About Kevin), comes a searing, deeply humane novel about a crumbling marriage resurrected in the face of illness, and a family's struggle to come to terms with disease, dying, and the obscene cost of medical care in modern America.

"Shriver's debut is a 'literary' novel without an iota of pretentiousness. It reads with the grace of a well-written spy story, but conveys some of its author's early wisdom about what our humanity both demands of and grants us." --Washington PostThe first novel by the New York Times bestselling author Lionel Shriver, The Female of the Species is the exotic and chilling story of a highly independent and successful woman's late-life romantic education, in all its ecstasy and desperationStill unattached and childless at fifty-nine, world-renowned anthropologist Gray Kaiser is seemingly invincible--and untouchable. Returning to make a documentary at the site of her first great triumph in Kenya, she is accompanied by her faithful middle-aged assistant, Errol McEchern, who has loved her for years in silence. When sexy young graduate assistant Raphael Sarasola arrives on the scene, Gray is captivated and falls hopelessly in love--before an amazed and injured Errol's eyes. As he follows the progress of their affair with jealous fascination, Errol watches helplessly from the sidelines as a proud and fierce woman is reduced to miserable dependence through subtle, cruel, and calculating manipulation.

"Ms. Shriver portrays her characters] with psychological depth and wry humor, dramatizing a subject that's rarely been exploited in fiction, and pulling off a novel that not only works, but rocks." --New York Times Book ReviewFrom the author of the New York Times bestseller The Post-Birthday World and the international bestseller We Need to Talk About Kevin, a tender, hilarious story of youth and envy, ambition and rock and roll, hero worship and heroism, and, especially, loveBeautiful and charismatic, nineteen-year-old Checker Secretti is the most gifted and original drummer that the club-goers of Astoria, Queens, have ever heard. When he plays, conundrums seem to solve themselves, brilliant thoughts spring to mind, and couples fall in love. The members of his band, The Derailleurs, are passionately devoted to their guiding spirit, as are all who fall under Checker's spell. But when another drummer, Eaton Striker, hears the prodigy play, he is pulled inexorably into Checker's orbit by a powerful combination of envy and admiration. Soon The Derailleurs, too, are torn apart by latent jealousies that Eaton does his utmost to bring alive.

"Shriver shows in a masterstroke why character is fate and how sport reveals it." --New York Times Book ReviewFrom the author of the New York Times bestseller The Post-Birthday World, and the international bestseller We Need to Talk About Kevin comes a brilliant and unflinching novel about the devastating cost of prizing achievement over loveTennis has been Willy Novinsky's one love ever since she first picked up a racquet at the age of four. A middle-ranked pro at twenty-three, she's met her match in Eric Oberdorf, a low-ranked, untested Princeton grad who also intends to make his mark on the international tennis circuit. Eric becomes Willy's first passion off the court, and eventually they marry. But while wedded life begins well, full-tilt competition soon puts a strain on their relationship--and an unexpected accident sends driven and gifted Willy sliding irrevocably toward resentment, tragedy, and despair.

"Complex and nervy, Shriver's clever meditation will intrigue anyone who has ever wondered how things might have turned out had they followed, or ignored, a life-changing impulse." -- People (Critic's Choice)This dazzling novel from the Orange Prize-winning author of the international bestseller We Need to Talk About Kevin takes a psychological and deeply human look at love and volitionDoes the course of life hinge on a single kiss? Whether the American expatriate Irena McGovern does or doesn't lean into a certain pair of lips in London will determine whether she stays with her smart, disciplined, intellectual American partner Lawrence, or runs off with Ramsey--a wild, exuberant British snooker star the couple has known for years. Employing a parallel-universe structure, Shriver follows Irena's life as it unfolds under the influence of two drastically different men. In a tour de force that, remarkably, has no villains, Shriver explores the implications, both large and small, of our choice of mate--a subject of timeless, universal fascination for both sexes.

Bestseller-kirjailija Lionel Shriverin uusimmassa teoksessa kysytään, voiko kaikki olla kiinni yhdestä suudelmasta. Siitä, suuteleeko Irina McGovern Ramseyta Lontoon yössä ja lähteekö tämän rankkaa elämää viettävän snookerpelaajan matkaan vai jääkö hän kumppaninsa, kurinalaisen älykön, Lawrencen luo. Romaani koostuu kahdesta rinnakkaisesta tarinasta, kahdesta mahdollisuudesta elää yksi elämä. Amerikkalaiskirjailija Lionel Shriver (s. 1957) nousi suuren yleisön tietoisuuteen koulumurhaajan äidin tuntoja käsittelevän Orange-palkitun Poikani Kevin -romaanin (Avain, 2006) myötä. Shriverin aikaisemmat, kriitikoiden kiittämät teokset on nostettu uudestaan esille, ja hän on kysytty puhuja ympäri maailmaa. Lionel Shriver on tunnettu myös laajasta journalistisesta julkaisutoiminnasta. Hän kirjoittaa artikkeleja, kolumneja ja kirjallisuuskritiikkejä mm. The Guardian-, The Economist-, The Independent- ja Wall Street Journal -lehtiin. Shriver asuu Lontoossa ja New Yorkissa jazzrumpali-aviomiehensä kanssa. Syntymäpäivän jälkeen on Lionel Shriverin kahdeksas romaani.

Following the death of her worthy liberal parents, Corlis McCrea moves back into her family's grand Reconstruction mansion in North Carolina, willed to all three siblings. Her timid younger brother has never left home. When her bullying black-sheep older brother moves into "his" house as well, it's war. Each heir wants the house. Yet to buy the other out, two siblings must team against one. Just as in girlhood, Corlis is torn between allying with the decent but fearful youngest and the iconoclastic eldest, who covets his legacy to destroy it. A Perfectly Good Family is a stunning examination of inheritance, literal and psychological: what we take from our parents, what we discard, and what we are stuck with, like it or not.

Set against the vivid backdrop of modern-day Africa--a continent now primarily populated with wildlife of the two-legged sort--Lionel Shriver's Game Control is a wry, grimly comic tale of bad ideas and good intentions. Eleanor Merritt, a do-gooding American family-planning worker, was drawn to Kenya to improve the lot of the poor. Unnervingly, she finds herself falling in love with the beguiling Calvin Piper despite, or perhaps because of, his misanthropic theories about population control and the future of the human race. Surely, Calvin whispers seductively in Eleanor's ear, if the poor are a responsibility they are also an imposition. With a deft, droll touch, Shriver highlights the hypocrisy of lofty intellectuals who would "save" humanity but who don't like people.

Strax före sin sextonde födelsedag skjuter Kevin ihjäl sju skolkamrater och två av skolans anställda. Hans mamma, Eva, är den enda som inte är förvånad över det som hänt. Ända sedan Kevin var nyfödd har hon anat att något inte står rätt till med sonen, men ingen har lyssnat på hennes varningar. Efter morden försöker Eva bygga upp sitt liv igen, och under tiden skriver hon brev till maken Franklin, som hon inte längre lever med. Äntligen ska hon få ge sin version av hur hon upplevt Kevins uppväxt, och hon gör det med svart humor och en nykter blick. Vi måste prata om Kevin är en berättelse som håller sin läsare i ett starkt grepp till sista sidan. Boken vann The Orange Prize 2005 för bästa roman av en kvinnlig författare. Boken filmatiserades 2010 med Tilda Swinton i huvudrollen. Lionel Shriver har skrivit en sorgesång över vår tid, en märklig dödsfuga som repetitivt använder samma basgång. Vi måste prata om Kevin är en av de stora romanerna i vår tid. Kristian Lundberg, Helsingborgs Dagblad En brutal, obändigt självutlämnande, osentimental och, rent litterärt, en lika vacker som hemsk upplevelse. Att läsa Lionel Shrivers roman, i minsta detalj lysande översatt av Cajsa Mitchell, är smärtsamt och det måste få lov att vara så. De frågor den väcker om skuld, eventuell försoning, föräldraskap och handlingar vi betraktar som onda är eviga, men ytterst sällan formuleras de så insiktsfullt som här. Per Planhammar, Göteborgs-Posten