Lisa Fitzpatrick

Men in Black: The Official Visual Companion to the Films is the first book to cover all four films, including Men in Black International. Men in Black: The Official Visual Companion to the Films is the ultimate retrospective to the universally beloved film franchise. Unveiling the secrets behind the suits, this book contains concept art, sketches, storyboards, costume designs, makeup tests and more. With exclusive commentary from key members of the cast and crew, this extraordinary collection of art will take readers on a journey out of this world. This book tells the whole story for each film, from sketch to screen, and delves into the design and creation of the aliens, vehicles, weaponry and the agents defending the universe as only the Men in Black can do. This must-have book details the script development and production process of all four films, as well as the impact and influence of those films in popular culture, as well as the makeup, costuming, animatronics, music, and much more. Men in Black: The Official Visual Companion to the Films is the only book you'll ever need or want on the subject.

This book investigates the representation of rape in British and Irish theatre since the second wave of the Women’s Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women’s personal experiences on stage.

This book investigates the representation of rape in British and Irish theatre since the second wave of the Women’s Movement. Mainly focusing on the period from the 1990s to the present, it identifies key feminist debates on rape and gender, and introduces a set of ideas about the function of rape as a form of embodied, gendered violence to the analysis of dramaturgical and performance strategies used in a range of important and/or controversial works. The chapters explore the dramatic representation of consent; feminist performance strategies that interrogate common attitudes to rape and rape survivors; the use of rape as an allegory for political oppression; the relationships of vulnerability, eroticism and affect in the understanding and representation of sexual violence; and recent work that engages with anti-rape activism to present women’s personal experiences on stage.