Lorna Crozier

The Weather and the Words: The Selected Letters of John Newlove, 1963-2003, gathers hundreds of never-before-seen letters from the poet John Newlove’s archives and sheds light on an author who was, to many Canadian writers, a literary master. Despite his stature during his lifetime, Newlove has been largely forgotten, and these letters remind readers of what an influential, compelling, and combative figure he was in Canadian literary history. Newlove lived and wrote during a time when Canadian writers were well-funded, widely read, and members of thriving literary communities. By the time he died in 2003, that culturally prosperous era had ended. Something else had changed, too: the practice of letter writing began to disappear as email replaced mailed correspondence. Telling the story of Newlove’s life, The Weather and the Words pays tribute not just to this one remarkable poet, but also to a remarkable era in Canadian history and the lost art of letter writing, the medium through which writers, politicians, and other public figures fought, collaborated, conferred, and philosophized about art and culture throughout the twentieth century. In Newlove’s correspondence readers will find a compelling story about the incredible difficulty of establishing a literary career and raising a family while struggling with poverty, addiction, and mental health issues. Through colourful letters Newlove exchanged with Canadian writers such as Margaret Atwood, Susan Musgrave, Michael Ondaatje, Al Purdy, and numerous others, The Weather and the Words gives readers a ground-level view of Newlove’s life and era. The book includes a foreword by Lorna Crozier, an introduction by editor J. A. Weingarten, and an afterword by Laura Cameron.

From Lorna Crozier, the poet that Ursula Le Guin called a "truth teller" and "visionary," comes this new collection of soul-stirring poems that follow the death of a loved one. After That is a book written from the dark hollow we fall into when we lose those we love. Lorna Crozier's sure poetry finds the words to engage with the grief that comes from the death of her partner, the writer Patrick Lane, whom she'd lived with for forty years, many of them tumultuous. With grace and precision, she illuminates sorrow. The light the poems cast travels far enough to reach anyone who has experienced loss. These pages engage us with many familiar yet magical things--not only paper wasps, but their libraries; not only herons, but their role as aging monks. Crozier takes us through the domestic and natural worlds into the most cagey and metaphysical place we call the beyond. Without offering false comfort, the poems turn over our own grief so that we can catch a glimpse of the new life inside us again.

A Globe and Mail 100 Best Book Finalist for the Hilary Weston Writers' Trust Prize for Nonfiction A deeply affecting portrait of a long partnership and a clear-eyed account of the impact of a serious illness, writing as consolation, and the enduring significance of poetry from one of Canada's most celebrated voices. When Lorna Crozier and Patrick Lane met at a poetry workshop in 1976, they had no idea that they would go on to write more than forty books between them, balancing their careers with their devotion to each other, and to their beloved cats, for decades. Then, in January 2017, their life together changed unexpectedly when Patrick became seriously ill with no diagnosis and no effective treatment plan. The illness devastated them both. During this time, Lorna turned to her writing as a way of making sense of her grief and for consolation. She revisited her poems, tracing her own path as a poet along with the evolution of her relationship with Patrick. The result is an intimate and intensely moving memoir about the difficulties and joys of creating a life with someone and the risks and immense rewards of partnership. At once a spirited account of the past and a poignant reckoning with the present, it is, above all, an extraordinary and unforgettable love story. Told with unflinching honesty and fierce tenderness, Through the Garden is a candid, clear-eyed portrait of a long partnership and an acknowledgement, a tribute, and a gift.

Renowned poet Lorna Crozier offers a masterful collection of poems inspired by Diane Laundy and Peter Coffman’s photographs taken in the Frontenac Arch Biosphere in Southwestern Ontario. Beginning in this setting, The House the Spirit Builds extends to include any region, any place that ignites the human mind and heart. Something astonishing happens when the poems and photos sit side by side and speak to one another in a language that is timeless, lucid and precise: they bring us to a wisdom that might mitigate the damage we do to others and the natural world. While acknowledging the loss and suffering that infuse our days, the poems and photographs invite us to expand our sense of wonder, our sense that all things are connected, no matter where we live. An image of a slice of light falling across a tablecloth, a black beetle on a leaf: these poems speak of moments “when the dragonfly lands and grips the skin / on the back of your hand” or “rain stops falling / but / hangs around / like the shape of lust / in bedsheets.” The impressions and expressions vary, but remind us that if we pay attention, even the smallest things can bring us joy and remind us we are not alone in our brief sojourn on this earth.

The celebrated poet hailed by Ursula K. Le Guin as a "storyteller, truth-teller, and visionary" gives us a mesmerizing new collection of poems that are funny, wise, moving, and surprising. How many gods can dance on the head of Lorna Crozier's pen? The poet Lorna Crozier has, for some time, been offering her readers glimpses into the strange corners of her personal cosmologies. Now the Governor General's Literary Award-winning author of Inventing the Hawk returns with God of Shadows, a wryly wise book that offers a polytheistic gallery of the gods humanity never knew existed and didn't know it needed. To read these poems is to be ready to offer your own prayers to the god of shadows, the god of quirks, and the god of vacant houses. Sing new votive hymns to the gods of horses, birds, cats, rats, and insects. And give thanks at the altars of the gods of doubt, guilt, and forgetting. What profound question have these deities come to ask? Perhaps it is simply this: How can poems be at once so lovely and so lively and also so much fun?

This pocket-sized paperback is one of the twenty-four titles published for 2017 Hong Kong International Poetry Nights. The theme of IPHHK2017 is “Ancient Enmity”. IPNHK is one of the most influential international poetry events in Asia. From 22–26 November 2017, over 20 invited poets from various countries will be in Hong Kong to read their works based on the theme “Ancient Enmity.” Included in the anthology and box set, these unique works are presented with Chinese and English translations in bilingual or trilingual formats.

A chapbook of poetry produced by sixteen poets in the spring of 2017 at Wintergreen Studios, during a poetry workshop with Lorna Crozier. Works include poems by Laura Apol, Frances Boyle, Brian Brittain, Sandra Campbell, Mary Corkery, Suzanne Doerge, Susan Haldane, Callista Markotich, Julia McArthur, Ruth McKinney, LM Rochefort, Katharine Smithrim, Carol Stephen, and Susan Wismer, among others. Cover photograph by Peter Coffman.

Chapbook of poetry by fifteen poets, written during a week at Wintergreen Studios with poet and teacher Lorna Crozier. Works include poems by Susan Alexander, Sandra Campbell, Mary Corkery, Melanie Craig-Handsford, Janice Fells, Susan Haldane, Callista Markotich, Julia McArthur, Ruth McKinney, Elizabeth Paulette-Coughlin, Rona Shaffran, Carol Stephen, Susan Whelehan, and Susan Wismer, among others.

A testament to the miraculous beings that share our planet and the places that they live, The Wild in You is a deeply-felt creative collaboration between one of our time's best nature photographers and a very talented and creative poet. Inspired by the majestic and savage beauty of Ian McAllister's photographs, Lorna Crozier translates the wild emotion of these images into the language of the human heart: poetry. Featuring over 30 beautiful full-size photographs of wolves, bears, sea lions, jellyfish, and other wild creatures paired with 30 original poems, The Wild in You challenges the reader to a deeper understanding of the connection between humans, animals, and our shared earth.

Where can you find animal babies? Why, nearly everywhere! Perfect for babies and toddlers, this adorable board book features a wide variety of baby animals and explores all of the places they live, from bays to burrows and beyond. With colorful, easy-to-turn pages, this book is an essential addition to any little one’s library. Upbeat, rhyming text from award-winning poet Lorna Crozier creates a joyful reading experience, and warm, cheerful illustrations are sure to make the book a favorite.

A collection of poems, written during the spring of 2015 at Wintergreen Studios, and edited by Lorna Crozier. Works include poems by Susan Alexander, Laura Apol, Sandra Campbell, Melanie Craig-Hansford, Barbara Hunt, Ruth McKinney, Susan Olding, LM Rochefort, Susan Wismer, among others.

Like the people and animals in her new collection, Lorna Crozier "defies / the anecdotal, / goes for the lyric, / music made from / bone and muscle and the grace notes" of life. The poems in "The Wrong Cat" are vintage Crozier: sly, sexy, irreverent, and sad, and populated by fully realized characters whose stories take place in a small lyrical space. We learn about a mother's last breath, the first dog in heaven, a man's fear that his wife no longer loves him, and the ways in which animals size up the humans around them and find them wanting. With Crozier's celebrated mix of vibrant imagery, piercing observations, and deeply felt human emotions, these poems provide an affirmation in the midst of the fluid, often challenging nature of experience.

Award-winning poet Lorna Crozier’s soothing lullaby delights in kisses for baby from head to toe. Combined with beautiful photographs, Lots of Kisses is the perfect board book for parents and caregivers to snuggle up and read with their oh-so-kissable little ones.

In a series of playful and startling prose meditations, celebrated writer Lorna Crozier brings her rapt attention to the small matter of household objects: everything from doorknobs, washing machines, rakes, and zippers to the kitchen sink. Operating as a sort of literary detective, she examines the mystery of the everyday, seeking the essence of each object. She offers tantalizing glimpses of the household's inhabitants, too, probing hearts, brains, noses, and navels. Longing, exuberance, and grief color her reflections, which at times take on the tenor of folktales or parables. Each of the short portraits in The Book of Marvels stands alone, but the connections are intricate; as in life, each object gains meaning from its juxtaposition with others. Crozier approaches her investigations with a childlike curiosity, an adult bemusement, and an unfailing sense of metaphor and mischief. With both charm and mordant wit, she animates the panoply of wonders to be found everywhere around us and inside us.

Small Beneath the Sky is a tender, unsparing portrait of a family. It is also a book about place. Growing up in a small prairie city, where the local heroes were hockey players and curlers, Lorna Crozier never once dreamed of becoming a writer. Nonetheless, the grace, wisdom, and wit of her poetry have won her international acclaim. In this marvellous volume of recollections, she charts the geography that has shaped her character and her sense of home. Crozier vividly depicts her hometown of Swift Current, with its one main street, its two high schools-the one on top of the hill was for the wealthy kids - and its three beer parlours, where her father spent most of his evenings. She captures crystal moments from her childhood - delivering newspapers with her brother in the blue-snow light of a winter morning, planting potatoes under a pale full moon, enjoying an illicit night swim in the town's public pool. She writes unflinchingly, too, about the grief and shame caused by poverty and alcoholism. At the heart of the book is Crozier's fierce love for her mother, Peggy, her no-nonsense champion and moral guide. The people in these pages are drawn simply, without adornment, as befits the landscape in which they live. Interspersed with the narratives of daily life - sometimes funny, sometimes heartbreaking - are prose poems evoking the elements. These "first causes" - dust, light, rain, wind, snow-take on mythical qualities in Crozier's sure hands, imparting ancient knowledge about the prairie grasslands and their effect on those who have put down stakes there. Rich in detail, generous in spirit, this unconventional memoir pays tribute to life's mysteries, secrets, and surprises. Lorna Crozier approaches the past with a tactile, arms-wide-open sense of discovery. Calling on the ghosts of ancestors and the power of memory, she has traced her beginnings with a poet's precision and an open heart.

Over the course of a career spanning three decades, Lorna Crozier has become one of Canada's most beloved poets, receiving high acclaim and numerous awards, including the Governor General's Award, the Pat Lowther Poetry Award, and the Canadian Authors Association Award. Now, in this definitive selection of poems, which draws on her eight major collections and includes many of the poems for which she is justly celebrated, Crozier's trademark investigations of family, spirituality, love's fierce attachments, and bereavement and loss have been given a new framework. As a sapphire generates a blue light from within, The Blue Hour of the Day demonstrates Crozier's dazzling capacity to bring depths to light, unfailingly and unflinchingly. It represents the best work of an icon of Canadian poetry.

Lorna Crozier's radical imagination, and the finely tuned emotional intelligence that is revealed in the clarity of her poetry, have made her one of Canada's most popular poets. Before the First Word: The Poetry of Lorna Crozier is a collection of thirty-five of her best poems, selected and introduced by Catherine Hunter, and includes an afterword by Crozier herself. Representing her work from 1985 to 2002, the collection reveals the wide range of Lorna Crozier's voice in its most lyrical, contemplative, ironic, and witty moments. Hunter's introduction discusses the poet's major themes, with particular attention to her feminist approach to biblical myth and her fascination with absence and silence as sites for imaginative revision. Crozier's afterword, ""See How Many Ends This Stick Has: A Reflection on Poetry,"" is a lyrical meditation that provides an inspirational glimpse into the philosophy of a writer who prizes the intensity of awareness that poetry demands, and is tantalized by what predates speaking and all that cant be named. An engaging volume that will appeal to undergraduate students as well as general readers of poetry. Lorna Crozier's work has won many awards, including the Governor Generals Award in 1992 (for Inventing the Hawk), the first prize for poetry in the CBC Literary Competition, the Canadian Authors Association Award for Poetry in 1992, a National Magazine Award in 1995, and two Pat Lowther Memorial Awards (1993 and 1996) for the best book of poetry by a Canadian woman. She has published fourteen books of poetry, most recently, Whetstone. Born in Swift Current, Saskatchewan, she now lives in British Columbia, where she is a Distinguished Professor at the University of Victoria.