Louis Grachos

Guided by 20 "figures of interest," 70 contemporary artists chart the history and mythology of New Mexico and the American Southwest The 12th SITE Santa Fe International is grounded in the biographies of over 20 "figures of interest" with strong ties to New Mexico and the surrounding region. These figures—real or fictional, historical or contemporary, everyday or well known—serve as the guiding framework for the over 70 artists in the exhibition.

Vibrant and immersive installations from the first Indigenous artist to represent the US with a solo exhibition at the Venice Biennale This lush, comprehensive volume celebrates Jeffrey Gibson’s US Pavilion exhibition at the 60th Venice Biennale. The text and visuals braid together important strands that shaped the installation, public programming and performances, highlighting the themes of inclusivity, community, dignity and tradition. Framed by the pavilion and its activations, this volume unites innovative scholarship and criticism in original essays and in themes which emerged from the Institute of American Indian Arts’ Venice Indigenous Arts School and the Bard Center for Indigenous Studies convening, all interrogating diverse topics and using Gibson’s art and practice as their point of departure. Leading curators and critics engage with global exchanges and relationships emerging from Indigenous arts, intellectual and aesthetic traditions across Indigenous traditions, formal color study, as well as the complex, varied and rich references in Gibson’s work. Featuring spectacular photography, including behind-the-scenes studio shots, and poetic and performance interventions, this inventive and informative publication is a necessary companion to any collection on Gibson, contemporary art and Indigenous aesthetics. Jeffrey Gibson (born 1972) is an interdisciplinary artist and a member of the Mississippi Band of Choctaw Indians and of Cherokee descent. He attended the School of the Art Institute of Chicago in 1995 and received a master of arts in painting at the Royal College of Art, London, in 1998. Gibson conceived and coedited the landmark volume An Indigenous Present (2023), which showcases diverse approaches to Indigenous concepts, forms and mediums. His work is included in the permanent collections of the Museum of Modern Art, New York; National Gallery of Canada; Smithsonian National Museum of the American Indian; and Whitney Museum of American Art, among others. Gibson is based in Hudson, NY and is currently an artist-in-residence at Bard College. This book was published in conjunction with Portland Art Museum; SITE Santa Fe; BIG NDN PRESS; Bard Center for Indigenous Studies

The Sorcerer's Burden: Contemporary Art & the Anthropological Turn explores the complicated relationship between art and anthropology as it has been probed in the work of contemporary artists. Focusing on artists who appropriate, manipulate and transform elements found in anthropological methodologies and practices to create contemporary works that are alternately subversive, humorous, satirical, dark, playful and enchanting, The Sorcerer's Burden considers the complex results that emerge when contemporary artists, curators and exhibitions turn to anthropology. These artists working in painting, sculpture, photography, film, video and performance explore the intersection between fact and fiction, and the questionable proposal that any field, media or genre might propose to convey the truth. Artists featured in this volume include Ed Atkins, Nuotama Frances Bodomo, Theo Eshetu, Cameron Jamie, Kapwani Kiwanga, Marie Lorenz, Nathan Mabry, Ruben Ochoa, Dario Robleto, Shimabuku and Julia Wachtel.