M. Hunter Hayes

Understanding Will Self introduces readers to the satire and expressive ingenuity of a British writer who has garnered an array of awards since the 1991 publication of his first short story collection, ""The Quantity Theory of Sanity"". In this guide to the well-received but largely unstudied writer, M. Hunter Hayes examines the key themes, narrative strategies, and cultural commentaries that characterize Self's work. Through close textual analyses, Hayes guides readers through the alternative universe of Self's writing and maps the interplay between his forays into journalism and fiction. Marked by their combination of seemingly improbable events and quotidian details, Self's novels, novellas, and short stories examine contemporary English life through a mode of writing that he has aptly termed ""dirty magical realism."" Hayes shows how recurring characters have evolved through successive works and in relation with their environments. He places Self's writing within its historical and critical contexts and uses each chapter to address either a single work or a group of closely connected works. Hayes' analyses range from well-regarded novels to notable yet uncollected short stories and draw upon secondary critical texts to reassess Self's critical standing.

Texas during the Civil War period is often viewed through the lenses of military tactics and the state’s role in the Confederacy. But what was life like for the families who endured wartime separation? How did women ensure stability at home while their husbands, fathers, and brothers were ordered away to risk their lives? How did families remain connected despite separation and the pressures of survival? In Saltgrass Prairie Saga, John and Johanette Stengler, with their seven children in tow, leave the small central German village of Dietz and land in Galveston on New Year’s Eve, 1845: two days after Texas officially joined the United States. The world this family entered is contextualized through military reports, newspaper articles, personal correspondence, and local and state records. Significantly, author Jim Burnett ensures the voices of women are preserved. The book is complete with maps, illustrations, and photographs. Blending life and settlement on the frontier, the early years of the Texas cattle trade, the waves of immigration during the period, and the impact of the Civil War, Saltgrass Prairie Saga offers a fresh view of a pivotal period in Texas history.

The twentieth century has seen two great waves of African American migration from rural areas into the city, changing not only the country’s demographics but also black culture. In her thorough study of migration to Houston, Bernadette Pruitt portrays the move from rural to urban homes in Jim Crow Houston as a form of black activism and resistance to racism. Between 1900 and 1950 nearly fifty thousand blacks left their rural communities and small towns in Texas and Louisiana for Houston. Jim Crow proscription, disfranchisement, acts of violence and brutality, and rural poverty pushed them from their homes; the lure of social advancement and prosperity based on urban-industrial development drew them. Houston’s close proximity to basic minerals, innovations in transportation, increased trade, augmented economic revenue, and industrial development prompted white families, commercial businesses, and industries near the Houston Ship Channel to recruit blacks and other immigrants to the city as domestic laborers and wage earners. Using census data, manuscript collections, government records, and oral history interviews, Pruitt details who the migrants were, why they embarked on their journeys to Houston, the migration networks on which they relied, the jobs they held, the neighborhoods into which they settled, the culture and institutions they transplanted into the city, and the communities and people they transformed in Houston.

The twentieth century has seen two great waves of African American migration from rural areas into the city, changing not only the country’s demographics but also black culture. In her thorough study of migration to Houston, Bernadette Pruitt portrays the move from rural to urban homes in Jim Crow Houston as a form of black activism and resistance to racism. Between 1900 and 1950 nearly fifty thousand blacks left their rural communities and small towns in Texas and Louisiana for Houston. Jim Crow proscription, disfranchisement, acts of violence and brutality, and rural poverty pushed them from their homes; the lure of social advancement and prosperity based on urban-industrial development drew them. Houston’s close proximity to basic minerals, innovations in transportation, increased trade, augmented economic revenue, and industrial development prompted white families, commercial businesses, and industries near the Houston Ship Channel to recruit blacks and other immigrants to the city as domestic labourers and wage earners. Using census data, manuscript collections, government records, and oral history interviews, Pruitt details who the migrants were, why they embarked on their journeys to Houston, the migration networks on which they relied, the jobs they held, the neighbourhoods into which they settled, the culture and institutions they transplanted into the city, and the communities and people they transformed in Houston.